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This title was first published in 2002: Christine de Pizan held no political office and her work was not influencial on any political theorist living today. However, in the disciplines of women's studies and French literature she has inspired intellectual debate, so much that the two sides of the debate are referred to as Christinophiles and Christinoclasts. This book persents the political paradoxes of Christine de Pizan. She was a woman in a man's world, an Italian at a French court, and the daughter of a civil servant in a world structured by social class. Her corpus of political works include five works designed to educate the male ruling class, two works expressly princesses and a treatise on warfare. The goal of this book is to outline the political theory of Christine de Pizan and situate her ideas within the history of political ideas in general.
A useful collection of sources, now reprinted, which document and commentate on the formation of medieval political culture between the 12th and 14th centuries. Aimed at a non-specialist readership fifteen texts are presented in English translation and in chronological order supported by suggestions for further reading. These include letters and treatises by Bernard of Clairvaux, Marie de France, John of Salisbury, Thomas Aquinas, John of Paris, Dante Alighieri, William of Ockham, John Wyclif and Christine de Pizan.
Christine de Pizan was born in Venice and raised in Paris at the court of Charles V of France. Widowed at the age of twenty-five, she turned to writing as a source of comfort and income, and went on to produce a remarkable series of books, including poetry, politics, chivalry, warfare, religion and philosophy. She is considered to be France's first female professional writer. This was the first translation into modern English of Christine de Pizan's major political work, The Book of the Body Politic. Written during the Hundred Years' War, it discusses the education and behaviour appropriate for princes, nobility and common people, so that all classes can understand their responsibilities towards society as a whole. A product of a time of civil unrest, The Book of the Body Politic offers a medieval political theory of interdependence and social responsibility from the perspective of an educated woman.
A textbook anthology of important works of political thought revealing the development of ideas from the 12th to the 15th centuries. Includes new translations of both well-known and ignored writers, and an introductory overview.
This innovative collection points to the need for a reevaluation of the origins of toleration theory. Philosophers, intellectual historians, and political theorists have assumed that the development of the theory of toleration has been a product of the modern world, and John Locke is usually regarded as the first theorist of toleration. The contributors to Difference and Dissent, however, discuss a range of conceptual positions that were employed by medieval and early modern thinkers to support a theory of toleration, and question the claim that Locke's theory of toleration was as original or philosophically adequate as his adherents have asserted.
Incorporating research previously unavailable in English, this clear guide gives a synthesis of the latest scholarship providing the historical and intellectual context for political ideas. This accessible and lucid guide to medieval political thought * gives a synthesis of the latest scholarship * incorporates the results of research until now unavailable in English * focuses on the crucial primary source material * provides the historical and intellectual context for political ideas. The book covers four periods, each with a different focus: * 300-750 - Christian ideas of rulership * 750-1050 - the Carolingian period and its aftermath * 1050-1290 - the relationship between temporal and spiritual power, and the revived legacy of antiquity * 1290-1450 - the confrontation with political reality in ideas of church and of state, and in juristic thought. Canning has produced an ideal introductory text for undergraduate and postgraduate students of the period.
"Christine de Pizan's Body Politic (1406-1407) is the first political treatise to have been written not just by a woman, but by a woman capable of holding her own in a normally male domain. It advises not just the prince, as was traditional, but also nobles, knights, and the common people, promoting the ideals of interdependence and social responsibility. Rooted in the mind-set of medieval Christendom, it heralds the humanism of the Renaissance, highlighting classical culture and Roman civic virtues. The Body Politic resounds still today, urging the need for probity in public life and the importance of responsibilities as well as rights"--
bThe White Monastery was located in Egypt in the period 385-464 CE. Piecing together the fragmentary writings of Shenoute, a monk who headed the monastery, Krawiec depicts the relationships, events, quarrels, and patterns in the lives of the female monks under his care.
The concept of heresy is deeply rooted in Christian European culture. The palpable increase in incidences of heresy in the Middle Ages may be said to directly relate to the Christianity's attempts to define orthodoxy and establish conformity at its centre, resulting in the sometimes forceful elimination of Christian sects. In the transition from medieval to early modern times, however, the perception of heresy underwent a profound transformation, ultimately leading to its decriminalization and the emergence of a pluralistic religious outlook. The essays in this volume offer readers a unique insight into this little-understood cultural shift. Half of the chapters investigate the manner in whi...
In Signifying God, Sarah Beckwith explores the most lavish, long-lasting, and complex form of collective theatrical enterprise in English history: the York Corpus Christi plays. First staged as early as 1376, the plays were performed annually until the late 1500s and involved as much as a tenth of the city in multiple performances at a dozen or more locations. Introducing a radical new understanding of these plays as "sacramental theater," Beckwith shows how organizing the plays served as a political mechanism for regulating labor, and how theater and sacrament combined in them to do important theological work. She argues, for instance, that the theology of Corpus Christi in the resurrection plays can only be understood as a theatrical exploration of eucharistic absence and presence. Beckwith frames her study with discussions of twentieth-century manifestations of sacramental theater in Barry Unsworth's novel Morality Play and Denys Arcand's film Jesus of Montreal, and the connections between contemporary revivals of the York Corpus Christi plays and England's heritage culture.