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Reading Fictions, 1660-1740
English society in the late seventeenth and early eighteenth centuries was fascinated by deception, and concerns about deceptive narratives had a profound effect on reading practices. Kate Loveman's interdisciplinary study explores the ways in which reading habits, first developed to deal with suspect political and religious texts, were applied to a range of genres, and, as authors responded to readers' critiques, shaped genres. Examining responses to authors such as Defoe, Swift, Richardson and Fielding, Loveman investigates reading as a sociable activity. She uncovers a lost critical discourse, centred on strategies of 'shamming', which involved readers in public displays of reason, wit and ironic pretence as they discussed the credibility of oral and written narratives. Widely understood by early modern readers and authors, the codes of this rhetoric have now been forgotten, to the detriment of our perception of the period's literature and politics. Loveman's lively book offers a striking new approach to Restoration and eighteenth-century literary culture and, in particular, to understanding the development of the novel.
The Diary of Samuel Pepys
A newly edited selection from the most famous, colorful, and vivid diarist in the English language--in the most accessible, uncensored, and clearly annotated edition available. Though he rose to become the most powerful administrator in King Charles II's navy, when Samuel Pepys began writing his secret journal in 1660 he was just a young clerk living in London. Over the next nine years, he became eyewitness to some of the most significant events in seventeenth-century English history, among them, the Restoration, the Great Plague of London in 1665, and the Great Fire of London in 1666. Pepys's diary gives vivid descriptions of spectacular events, but much of the richness of the work lies in ...
Samuel Pepys and His Books
"This study uses [Pepys's] surviving papers to examine reading practices, collecting, and the exchange of information in the late 17th century"--Back cover.
Samuel Pepys and His Books
Samuel Pepys was a great collector of books, news, and gossip. This study uses his surviving papers to examine reading practices, collecting, and the exchange of information in the late seventeenth century. Offering the first extensive history of reading during the Restoration, it traces developments in the book trade and news transmission at a time when England was the scene of dramatic political and religious upheavals.
Samuel Pepys: the Diaries
When Samuel Pepys (1633-1703) began writing in 1660 he was a young clerk living in London, struggling to pay his rent. Over the next nine years as he kept his journal, he rose to be a powerful naval administrator. He became eyewitness to some of the most significant events in seventeenth-century English history, among them, the Restoration of the monarchy in 1660 (he was in the ship that brought back Charles II from exile), the plague that ravaged the capital in 1665, and the Great Fire of 1666, described with poetry and horror. Pepys's diary gives vivid descriptions of spectacular events, but much of the richness of the diary lies in the details it provides about the minor dramas of daily l...
Irony and Earnestness in Eighteenth-Century Literature
Shane Herron demonstrates how eighteenth-century irony was used not only in derision but also to clarify and sharpen emotional investments.
Thomas Hobbes and Political Thought in Ireland C.1660- C.1730
Thomas Hobbes is now regarded as one of England's greatest political philosophers. This book considers his reception in Ireland, where, it is suggested, the 'Leviathan' was released. In doing so, the book demonstrates the variety and sophistication of political thought in Ireland.
When Novels Were Books
The novel was born religious, alongside Protestant texts produced in the same format by the same publishers. Novels borrowed features of these texts but over the years distinguished themselves, becoming the genre we know today. Jordan Alexander Stein traces this history, showing how the physical object of the book shaped the stories it contained.
