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Greece and Rome at the Crystal Palace
The marble halls of the British Museum might seem the natural habitat for classical sculpture, but in the nineteenth century its sombre displays were far from being the only place that people encountered antiquities. From 1854, a rival collection of classical sculpture, comprising plaster casts from major European museums and scaled down architectural features, was on show in the South London suburb of Sydenham, in the Crystal Palace which had housed the Great Exhibition of 1851. By the late 1850s, two million visitors were passing through the glass doors of the Sydenham Crystal Palace each year, more than twice as many as recorded at the British Museum. Many more people, and from a greater ...
Art Versus Industry?
Art versus industry? is about the encounters between the visual arts and industry in Britain during the long nineteenth-century. It looks beyond the oppositions that were established between these two spheres by later interpretations of the work of John Ruskin, William Morris and the Arts andCrafts movement, to reveal surprising examples of collaboration - between artists, craftspeople, designers, inventors, curators, engineers and educators - at a crucial period in the formation of the cultural and commercial identity of Britain and its colonies.This lively and richly illustrated collection operates across disciplines to explore such diverse subjects as the production of lace, the mechanica...
After 1851
Echoing Joseph Paxton's question at the close of the Great Exhibition, 'What is to become of the Crystal Palace?', this interdisciplinary essay collection argues that there is considerable potential in studying this unique architectural and art-historical document after 1851, when it was rebuilt in the South London suburb of Sydenham. It brings together research on objects, materials and subjects as diverse as those represented under the glass roof of the Sydenham Palace itself; from the Venus de Milo to Sheffield steel, souvenir 'peep eggs' to war memorials, portrait busts to imperial pageants, tropical plants to cartoons made by artists on the spot, copies of paintings from ancient caves in India to 1950s film. Essays do not simply catalogue and collect this eclectic congregation, but provide new ways for assessing the significance of the Sydenham Crystal Palace for both nineteenth- and twentieth-century studies. The volume will be of particular interest to researchers and students of British cultural history, museum studies, and art history.
Kate
From the bestselling author of William and Harry and renowned Royal Family news correspondent Katie Nicholl, comes the first in-depth biography of Kate Middleton, Duchess of Cambridge. Katie Nicholl, bestselling author and royal correspondent for The Mail on Sunday, gives an inside look into the life of the future Queen of England, Kate Middleton. Since becoming Duchess Catherine of Cambridge in 2011, Middleton has captivated royals fans around the world and now, Nicholl delivers the story of her early life, first romances, and love with Prince William. Nicholl will reveal new details on Middleton's initiation into royal life and, of course, her first pregnancy.
Art Versus Industry?
"This book is about encounters between art and industry in nineteenth-century Britain. It looks beyond the oppositions established by later interpretations of the work of John Ruskin, William Morris and the Arts and Crafts movement to reveal surprising examples of collaboration - between artists, craftspeople, designers, inventors, curators, engineers and educators - at a crucial period in the formation of the cultural and commercial identity of Britain and its colonies. 'Art versus industry?' explores such diverse subjects as the production of lace, the mechanical translation of sculpture, the display of stained glass, the use of the kaleidoscope in painting and pattern design, the emergenc...
Us
David Nicholls brings the wit and intelligence that graced his international bestseller One Day to a compellingly human, deftly humorous new novel about what holds marriages and families together—and what happens when everything threatens to fall apart. Douglas Petersen may be mild mannered, but behind his reserve lies a sense of humour that, against all odds, seduces beautiful Connie into a second date . . . and eventually into marriage. Now, almost three decades after their relationship first blossomed in London, they live more or less happily in the suburbs with their moody seventeen-year-old son, Albie. Then Connie tells Douglas she thinks she wants a divorce. The timing couldn’t be ...
Passion Play
Eleanor is blindsided when she discovers that her husband James is having an affair with the seductive Kate. Nichols adopts an effective psychological device to amplify the characters of Eleanor and James - each character is accompanied by a double representing their inner thoughts. Peter Nichols examines the intricacies of adultery and betrayal in 'Passion Play', which was first produced at the Aldwych Theatre, London by the Royal Shakespeare Company in 1983.
Victorian Material Culture
From chatelaines to whale blubber, ice making machines to stained glass, this six-volume collection will be of interest to the scholar, student or general reader alike - anyone who has an urge to learn more about Victorian things. The set brings together a range of primary sources on Victorian material culture and discusses the most significant developments in material history from across the nineteenth century. The collection will demonstrate the significance of objects in the everyday lives of the Victorians and addresses important questions about how we classify and categorise nineteenth-century things. This volume on ‘Victorian Arts’ will include sources on painting sculpture, book illustration, photography and the much-neglected area of Victorian stained glass.
A Gallery of Her Own
First Published in 1997. Routledge is an imprint of Taylor & Francis, an informa company.
