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Magical Secrets about Thinking Creatively
Cultural Writing. Art. Essays. MAGICAL SECRETS ABOUT THINKING CREATIVELY: THE ART OF ETCHING AND THE TRUTH OF LIFE by Kathan Brown is a new volume in the Magical Secrets series published by Crown Point Press in San Francisco. What are Magical Secrets? They are ways of setting yourself up for thinking creatively, for a sudden understanding, something like a miracle. Kathan Brown learned the Magical Secrets in this book by helping artists of extraordinary acclaim make etchings. She founded Crown Point Press, now probably the world's most influential etching publisher, in 1962. In this book, you'll meet sixteen artists who will be remembered by future generations. Kathan Brown knows them well, and with pictures and graceful, inviting prose she shares with you their ways of working, thinking, and being.
John Cage
Art. Music. Cultural Writing. JOHN CAGE VISUAL ART is an exquisite book which includes 116 color images. It is presented in three parts. The first is a text wrtten from Kathan Brown's own experience. In it, she often uses Cage's words to describe particular works, and she reflects upon how the art can be used in the world. The second part is a detailed section that illustrates scores that Cage created for his printers, and explains his use of what he called chance operations in making his work. The third section is pictorial, including reproductions of Cage's prints, watercolors and drawings. John Cage told Brown that the purpose of art is to sober and quiet the mind, so that it is in accord with what happens.
Thirty-five Years at Crown Point Press
Crown Point Press in San Francisco, founded in 1962 by Kathan Brown, is a world-renowned center of contemporary printmaking. It has published work by such major figures as Richard Diebenkorn, Helen Frankenthaler, Sol LeWitt, and Wayne Thiebaud, while bringing to attention prints by many younger artists, including April Gornik, Anish Kapoor, Eric Fischl, and Francesco Clemente. Crown Point Press is known for presenting social and political issues in a range of printmaking media, from hard- and soft-ground etching to drypoint, aquatint, and mezzotint. The Fine Arts Museums of San Francisco acquired the Crown Point Press archive in 1991. This collection of nearly 800 works contains one impressi...
Why Draw a Landscape?
Cultural Writing. Art. WHY DRAW A LANDSCAPE talks about the relationship of the self to the real world, and looks at different approaches to landscape by eleven painters and sculptors whose styles ranges from Realist to Conceptual. This book follows Kathan Brown's well-received WHY DRAW A LIVE MODEL? (also available from SPD) about which Artforum's Bookforum commented The next best thing to being there. And from Contemporary Impressions: Brown's style feels like a conversation with a friend. Includes 83 color plates.
Every Day is a Good Day
This book is published to accompany the first major UK retrospective of the visual art of the pioneering American composer and artist John Cage (1912ndash;1992). The use of chance operations, in particular the Chinese Book of Changes, or I Ching, was central to Cage's compositional method and his approach to his drawings, watercolours and prints, many of which are reproduced here for the first time. Cage's practice is explored in new interviews with key collaborators: printmaker Kathan Brown; Laura Kuhn, Director of the John Cage Trust; artist Ray Kass; and Julie Lazar, curator of Cage's 1992 'composition for a museum', Rolywholyover: A Circus. Extracts from a 1966 interview between Cage and...
Know that You are Lucky
This book provides a riveting overview of the development of a small business in San Francisco that is now one of the preeminent fine art print publishers of our time. Kathan Brown is an artist by training, a graceful writer, and a self-trained business woman, whose restless imagination marks every chapter. Her unlikely story takes through the ups and downs of fifty years at Crown Point Press, which stimulated renewed attention to the art of etching at a time when other print media were holding center stage...Her approach is direct and personal as she describec Crown Point press's multi-faceted undertakings, which have included not only published etchings and woodcuts, but books as well, along with holding educational workshops and running an in-house gallery --
Begin Again
A man of extraordinary and seemingly limitless talents—musician, inventor, composer, poet, and even amateur mycologist—John Cage became a central figure of the avant-garde early in his life and remained at that pinnacle until his death in 1992 at the age of eighty. Award-winning biographer Kenneth Silverman gives us the first comprehensive life of this remarkable artist. Silverman begins with Cage’s childhood in interwar Los Angeles and his stay in Paris from 1930 to 1931, where immersion in the burgeoning new musical and artistic movements triggered an explosion of his creativity. Cage continued his studies in the United States with the seminal modern composer Arnold Schoenberg, and h...
Escape Emeralda
My life, from my birthday to the last decade of 1900s, is a spectrum of events both good and bad as I follow T. S. Elliot’s lines, “We shall not cease from exploration, And the end of all our exploring, Will be to arrive where we started, And know the place for the first time.” Growing up on my father’s farm, there was plenty of exploration, but I never went back to the farm. Far from it! My explorations took me where no teacher in my main field, which is printmaking, had gone because I was hired at 24 by a major research university where its campus services gave me a head start exploring electronic arts and computers, I could blend with teaching printmaking. Ironically, while these ...
The Cambridge Companion to John Cage
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