Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Women Writing War
Recent scholarship has broadened definitions of war and shifted from the narrow focus on battles and power struggles to include narratives of the homefront and private sphere. To expand scholarship on textual representations of war means to shed light on the multiple theaters of war, and on the many voices who contributed to, were affected by, and/or critiqued German war efforts. Engaged women writers and artists commented on their nations' imperial and colonial ambitions and the events of the tumultuous beginning of the twentieth century. In an interdisciplinary investigation, this volume explores select female-authored, German-language texts focusing on German colonial wars and World War I...
Ashantee
This collection of thirty-eight impressionist episodes describes a white man's friendship with a group of Ashanti tribespeople from the Gold Coast of Africa (the former British colony known today as Ghana), who in 1896 were put on display as living objects in a popular ethnographic exhibit in the Vienna Zoological Garden, then still located in Vienna's famous amusement park called Prater. The exhibit caused a veritable "Ashanti fever" as the show attracted five to six thousand visitors per day. Altenberg, barely disguised as Ashantee's autobiographical character Sir Peter, shows a genuine curiosity about the cultural Other and paints a critical picture of his Austrian contemporaries' prejudi...
Women Writing War
None
Die Wende Von Der Aufklärung Zur Romantik 1760-1820
This volume is the twelfth to date in a series of works in French or English presenting the epochs and movements of a Comparative History of Literatures in European Languages (Histoire Comparée des Littératures de Langues Européennes). The original intention of the editors was to publish a four-volume history of European literature from 1760-1820, and the first of these volumes, Des Lumières au Romantisme. Genres en Vers, appeared as long ago as 1982. The volumes Genres en Prose and Théâtre are still awaited. In their absence the present volume, Epoche im _berblick, attempts a more comprehensive and rigorous treatment of the period and its historiographical problems than was initially planned, providing the reader with an overview of sixty eventful years of European literary history years in which German Classicism coincided with the birth, initially in Germany and England, of Romanticism. And at the centre of this turbulent period of European intellectual and literary history stands the French Revolution.
Sophie Discovers Amerika
Cultural and literary historians investigate the unique literary bridge between German-speaking women and the "New World," examining novels, films, travel literature, poetry, erotica, and photography. In a 1798 novel by Sophie von La Roche, a European woman swims across a cold North American lake seeking help from the local indigenous tribe to deliver a baby. In a 2008 San Francisco travel guide, Milena Moser, the self-proclaimed "Patron Saint of Desperate Swiss Housewives," ponders the guilty pleasures of a media-saturated world. Wildly disparate, these two texts reveal the historical arc of a much larger literary constellation: the literature of German-speaking women who interact with the ...
Great Books by German Women in the Age of Emotion, 1770-1820
"Literature written by women in German during the period long known patriarchally as the Age of Goethe was largely lumped in with other unserious or artistically unworthy works under the category Trivialliteratur, literally 'trivial literature.' Using insights from Gender Studies yet acknowledging the need for a literary canon, Great Books by German Women offers a critical interpretation of six canon-worthy German novels written by women in the period, for which it coins the term 'Age of Emotion.' The novels are chosen because they depict women's ordinary yet interesting lives and, equally, because each displays formal strengths that yield prose particularly able to express emotion. The firs...
“Wenn sie das Wort Ich gebraucht”.
This volume of original essays celebrates Barbara Becker-Cantarino, whose prolific publications on German literary culture from 1600 to the twentieth century are major milestones in the field of German cultural studies. The range of topics in the collection reflects the breadth of Becker-Cantarino’s scholarship. Examining literature from the sixteenth to the twenty-first centuries, the contributors explore the intersections of gender, race, and genre, history and gender, and gender and violence. They provide fresh readings of the works of known and lesser-known writers, including Cyriacus Spangenberg, Maria Anna Sagers Luise Gottsched, Heinrich von Kleist, Frank Wedekind, Christa Wolf, Helga Schütz, Terézia Mora, and Martina Hefter. Their discussions explore the possibilities and limitations of theoretical discourses on travel literature, deconstruction, and gender and suggest new avenues of investigation.
Goethe Yearbook 7
A publication of the Goethe Society of North America, carrying Goethe criticism (and studies of his contemporaries); extensive book review section. The Goethe Yearbook is a publication of the Goethe Society of North America, which was founded in 1980 to promote the study of Goethe and his contemporaries. Originally conceived as a vehicle for Goethe criticism in Englishduring the Cold War political tensions, when the most prestigious Goethe publication, the Goethe Jahrbuch, was not available to most Western scholars, the Yearbook subsequently gained the respect of the international community, and has published articles, in both English and German, by scholars from around the world; it is unique among other periodicals devoted to the 'Goethezeit' for its extensive book review section.
Beyond Borders
This trilingual volume focuses on acts of transgressive acting/writing in selected texts of European literatures whose authors differ in gender, nationality and time frame. Thus, the contributions collected here consider a double questioning: of difference and transgression of norms. Both concepts are set in relation to each other in order to be able to embed any transition in cultural-social-historical contexts. The analyses and interpretations of selected texts from German, French, Polish, Russian and ancient literature, presented in chronological order, show exemplary acts of transgression in different cultures and under changing time circumstances and document aesthetic attempts to revise the existing order and create a new one.
Encyclopedia of German Literature
First Published in 2000. Routledge is an imprint of Taylor & Francis, an informa company.
