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Not Wrong Just Different
A collection of writings and commentary from Australia's foremost theatre writer and Currency Press founder. 'Not Wrong Just Different' traces the development of theatre in Australia from the time that Katharine Brisbane joined the staff of the fledgling Australian in mid-1967 as its national theatre critic. The book is divided into easily navigable sections, which consist of her columns from the Australian, Theatre Australia and The National Times. From Brecht to Barry Humphries, from Chekhov to Patrick White, Katharine Brisbane's lucid account of Australian theatre is comprehensively presented in this original collection. A dedicated observer and chronicler of the arts in Australia, Katharine Brisbane is a compelling voice for our times and her book highlights the force of the arts, and especially the theatre, in civil society; demonstrating the capacity of theatre to show us who we are. Equally importantly the book is about journalism and the influence of a larrikin national newspaper in providing a forum for a national conversation at a time of turbulence and change.
Platform Papers 43: the Arts and the Common Good
What is art? What is culture? And what value do we place upon it today? Katharine Brisbane looks back on our changing culture and the way public subsidy since 1968 has built massive opportunities for our artists, performers and those who have built an industry around them. She also traces the divisions that grew between the community and the arts sector, and the divide created by regulation between art and commerce. She concludes that the promised 'pursuit of excellence 'has been fulfilled and exhausted; and proposes a way to salvage the achievements public subsidy has brought. She proposes throwing open our major institutions to public investment and private enterprise, releasing creativity into new directions and reconsidering how we might together build an inclusive cultural environment.
A Companion to Australian Literature Since 1900
A fresh twenty-first century look at Australian literature in a broad, inclusive and multicultural sense.
David Williamson
Provides a personal view of the man and analyses the content and success of his work.
Brecht & Co
German-speaking playwrights have exercised a considerable if subtle influence on Australian theatre history. Presenting a range of paradigmatic case studies, this book offers a detailed account of Australian productions of German-language drama between 1945 and 1996. The reception of Bertolt Brecht is used as a touchstone for analysing stagings of plays by writers such as Max Frisch, Rolf Hochhuth, Peter Handke and Franz Xaver Kroetz. In addition, more recent developments in the reception of German drama on the Australian stage are discussed.
Across the Lines
This third volume of ASNEL Papers covers a wide range of theoretical and thematic approaches to the subject of intertextuality. Intertextual relations between oral and written versions of literature, text and performance, as well as problems emerging from media transitions, regionally instructed forms of intertextuality, and the works of individual authors are equally dealt with. Intertextuality as both a creative and a critical practice frequently exposes the essential arbitrariness of literary and cultural manifestations that have become canonized. The transformation and transfer of meanings which accompanies any crossing between texts rests not least on the nature of the artistic corpus e...
An Introduction to Post-Colonial Theatre
In this book Brian Crow and Chris Banfield provide an introduction to post-colonial theatre by concentrating on the work of major dramatists from the Third World and subordinated cultures in the first world. Crow and Banfield consider the plays of such writers as Wole Soyinka and Athol Fugard and his collaborators from Africa; Derek Walcott from the West Indies; August Wilson and Jack Davis, who write from and about the experience of Black communities in the USA and Australia respectively; and Badal Sircar and Girish Karnad from India. Although these dramatists reflect diverse cultures and histories, they share the common condition of cultural subjection or oppression, which has shaped their theatres. Each chapter contains an informative list of primary source material and further reading about the dramatists. The book will be of interest to students and scholars of theatre and cultural history.
Murdoch's Flagship
Murdoch's Flagship provides the first in-depth overview of the Australian, mapping its uneven and uncharted progress across its first three decades. While the Fairfax and Packer media groups have received detailed historical coverage over the years, Rupert Murdoch's News Limited and the Australian have not been given the same systematic attention by historians. Denis Cryle draws on a vast amount of secondary print material, his own extensive interviews with past and present staff and a detailed reading of the Australian's newspaper files to capture the vitality of the newspaper over three seminal decades.
Creating Frames
Provides the first significant social and cultural history of Indigenous theatre across Australia. Creating Frames traces the journey behind a substantial national body of work and its importance in ensuring that Indigenous voices are heard.
