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One of America’s leading curators, “a woman of resilience and vision, a writer of clarity and ardor” (Chicago Tribune), takes you on a personal tour of the world of modern art. In the Depression-era climate of the 1930s, Katharine Kuh defied the odds and opened a gallery in Chicago, where she exhibited such relatively unknown artists as Fernand Léger, Paul Klee, Joan Miró, Ansel Adams, Marc Chagall, and Alexander Calder. Her extraordinary story reveals how and why America became a major force in the world of contemporary art.
To quote Robert Hughes, ”All critics concerned with American painting will be Kuh's debtors from now on.” Interviewed in the 1960s, the painters and sculptors Katharine Kuh spoke with provide insights into their work that remain illuminating and relevant. The author allows the artists to comment—in their own words—on their inspirations, philosophies, and creative processes and to debunk common myths about their work. Sometimes the results are surprising: abstract painter Josef Albers confesses to being a realist, while realist painter Ivan Albright firmly denies the charge. Marcel Duchamp professes surprise over the controversy stirred by his Nude Descending a Staircase, and Edward Hopper insists that his supposed themes of loneliness and nostalgia are entirely unintentional.
Kuh describes her work as a collector for the First National Bank of Chicago.
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1978.