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No Apologies
In No Apologies, Katherine Brodsky argues that it's time for principled individuals to hit the unmute button and resist the authoritarians among us who name, shame, and punish. Recognizing that speaking authentically is easier said than done, she spent two years researching and interviewing those who have been subjected to public harassment and abuse for daring to transgress the new orthodoxy or criticize a new taboo. While she found that some of these individuals navigated the outrage mob better than others, and some suffered worse personal and professional effects than others, all of the individuals with whom she spoke remain unapologetic over their choice to express themselves authentically. In sharing their stories, which span the arts, education, journalism, and science, Brodsky uncovers lessons for all of us in the silenced majority to push back against the dangerous illiberalism of the vocal minority that tolerates no dissent-- and to find and free our own voices.
No Apologies
We as a society are self-censoring at record rates. Say the wrong thing at the wrong moment to the wrong person and the consequences can be dire. Think that everyone should be treated equally regardless of race? You're a racist who needs to be kicked out of the online forum that you started. Believe there are biological differences between men and women? You're a sexist who should be fired with cause. Argue that people should be able to speak freely within the bounds of the law? You're a fascist who should be removed from your position of authority. When the truth is no defense and nuance is seen as an attack, self-censorship is a rational choice. Yet, our silence comes with a price. When we...
The Counterweight Handbook
The stated goals of diversity, equity, and inclusion programs are often reasonable, if not noble—to create a more welcoming and inclusive environment for all. Yet, as more and more people are discovering, DEI as commonly practiced isn't a natural extension of past civil rights movements or an ethical framework for opposing discrimination on the grounds of race, sex, etc. Rather, it is inextricably connected with an illiberal and authoritarian ideology—Critical Social Justice—that demands adherence to its tenets and punishes any dissent from its dogma. Even the mildest questions about Critical Social Justice claims—that all white people are racists, that all underrepresented minoritie...
Health Planning Reports Personal Author Index
Lists citations to the National Health Planning Information Center's collection of health planning literature, government reports, and studies from May 1975 to January 1980.
D. Porthault
Inspired French luxury for the home. Take a peek inside private upper class homes that reveal why D. Porthault has been the favored French luxury brand for linens and other fabrics for nearly one hundred years. Tour traditional and old-world styles as well as contemporary upmarket decor for younger families. Cheery bedrooms—many with canopy beds and playful wallpaper—flaunt sheets, coverlets, pillows, and shams in gorgeous printed florals. Sweetly decorated nurseries favor blue, pink, and yellow prints. Terry towels show off Porthault’s signature scalloped and bound edges. Tables set with cloths, placemats, and napkins feature hand-embroidered, custom designs inspired by nature. Roundi...
Sid Caesar and Your Show of Shows
In the early days of television, "comedy" often meant stale vaudeville routines and stand-up. Then, in 1950, a new comedy-variety show debuted on NBC--Your Show of Shows. Its gifted and mercurial star, Sid Caesar, talented ensemble cast and superb writing staff--including Mel Brooks, Neil Simon, Lucille Kallen and Mel Tolkin--would create comedy designed for the new medium and provide a template for successful shows that followed. With rare illustrations and the most complete sketch guide yet compiled, this book highlights Caesar's reputation as a brilliant comic actor and describes the writing and production of the weekly live broadcast that kept 60 million TV viewers home on Saturday nights.
