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This book examines representations of tuberculosis in Victorian fiction, giving insights into how society viewed this disease and its sufferers.
Drawing upon the existing scholarship of period drama and emerging research into new media ecologies, instigated by television streaming services such as Netflix, this book establishes a critical framework for understanding the representation of nationhood and cultural identity in television drama. By formalising the term ‘post-heritage’ the book proposes a methodology which recognises the interplay of traditional and innovative elements within period drama productions. The book applies this critical perspective to popular British period drama productions from the 2010s, with examples including The Crown, the ‘society dramas’ of Upstairs Downstairs and Downton Abbey, Steven Knight’...
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In this new full-length biography of Katherine Howard, Henry VIII's fifth wife, Conor Byrne reconsiders Katherine's brief reign and the circumstances of her life, striping away the complex layers of myths and misconceptions to reveal a credible portrait of this tragic queen. By reinterpreting her life in the context of cultural customs and expectations surrounding sexuality, fertility and family honour, Byrne exposes the limitations of conceptualising Katherine as either 'whore' or 'victim'. His more rounded view of the circumstances in which she found herself and the expectations of her society allows the historical Katherine to emerge. Katherine has long been condemned by historians for being a promiscuous and frivolous consort who partied away her days and revelled in male attention, but Byrne's reassessment conveys the mature and thoughtful ways in which Katherine approached her queenship. It was a tragedy that her life was controlled by predators seeking to advance themselves at her expense, whatever the cost.
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