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Novel Competition
"Novel Competition describes the literary and institutional effort to make the American novel matter after 1965. During this era, Hollywood movies, popular music, and other forms of mass-produced culture vied with novels for a specific kind of prestige - often figured as "importance" or "relevance" - that had mostly been attached to novels in previous decades. This trans-media competition, Brier argues, is a crucial but largely unacknowledged event in the literary and economic history of the American novel. In the face of it, the novel lost some of the symbolic specialness it formerly held. That loss, in turn, generated not just a much-discussed rhetoric of crisis but also a host of unexamined, intertwined effects on both literary form and the business of novel production. Drawing on a range of novels and on the archives of publishers, editors, agents, and authors, Novel Competition shows how fiction's declining position in a transformed "popular-prestige" economy reshaped the post-1965 American novel as art form, cultural institution, and commodity"--
Social Register
None
American Lit Remixed
American Lit Remixed identifies a new sound in literature emerging after the digital revolution. It reads works by Jennifer Egan, Sherman Alexie, and others through the lenses of remix theory -- the term Eduardo Navas coined to describe the remix as a form of artistic and cultural discourse -- and the music industry’s preoccupations with nostalgia and authenticity, arguing that digital-age fiction, poetry, and drama remix the music and technology of the past to offer new modes of connecting to self, others, and place. Musical features such as references to popular songs, structural similarities to music recordings, and thematic treatment of the riffing and borrowing endemic within popular ...
Statement of Disbursements of the House
Covers receipts and expenditures of appropriations and other funds.
Rereading Empathy
Over the last few decades and from across a spectrum of centrist political thought, a variety of academic disciplines, and numerous public intellectuals, the claim has been that we need to empathize more with marginalized people as a way to alleviate social inequalities. If we all had more skill with empathy, so the claim goes, we would all be better citizens. But what does it mean to empathize with others? How do we develop this skill? And what does it offer that older models of solidarity don't? Why empathy-and why now? Rereading Empathy takes up these questions, examining the uses to which calls for empathy are put in the face of ever expanding economic and social precarity. The contributors draw on a variety of historical and contemporary literary and cultural archives to illustrate the work that empathy is supposed to enable-and to query alternative models of building collective futures.
ALA Handbook
None
First Hand Account of Life in Mancelona in the 20th Century
The history and heritage of Mancelona, Michigan. Part 1 covers the history of Mancelona and its institutions. Part 2 consists of stories written by local authors and story tellers. Part 3 is a "who's who" of families in the Mancelona area.
Profiles and Plotlines
Watching the Watchers: Metadata and Feminist Metafiction in Jennifer Egan's A Visit from the Goon Squad -- Out of Line: Affective Counterstrategies to Racializing Surveillance and Profile Epistemology in Claudia Rankine's Citizen -- 'Both a Gift and a Trap': Speculative Surveillance and Labor in William Gibson's Pattern Recognition -- Data Fictions, Neoliberal Narratives, and the Military-Industrial Gaze in Mohsin Hamid's How to Get Filthy Rich in Rising Asia -- Conclusion: Amazon, Authorship and Algorithmic Governance.
