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Prose writers have had it their own way for too long. At last, here is an anthology of poetry from New Zealand that captures the essence of science fiction: aliens, space travel, time travel, the end of the world - as well - as concepts you may not previously have thought of as science fiction. Fasten your seatbelts as editors Mark Pirie and Jim Jones present some of New Zealand's best poets - past and present - shining the flashlight of science fiction on our universe, and relishing the strange images that result. Bristling with insight, sections like Back to the Future, Apocalypse Now, Altered States, ET, When Worlds Collide and The Final Frontier will have you speculating right along with the poets.
The latest in the series, this third volume showcases Janice Freegard, Reihana Robinson, and Katherine Liddy, three poets with vastly different yet complementary styles. Freegard writes quirky and often surreal poems about a Wellington inhabited by strange animals, art, and people. Robinson's poems are tropical but gritty, with many set on Pitcairn Island and interspersed with touching lyrics about family and identity in fractured English. Liddy is a promising young poet who has an unusual interest in and an ear for rhyme and rhythm; while some of her poems are texturally dense, she has an impressive range and a pleasing variety.
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Sixty-eight writers and eight artists gather at a hui in a magnificent cave-like dwelling or meeting house. In the middle is a table, the tepu korero, from which the rangatira speak; they converse with honoured guests, and their rangatira-korero embody the tahuhu, the over-arching horizontal ridge pole, of the shelter. In a series of rich conversations, those present discuss our world in the second decade of this century; they look at decolonisation, indigeneity, climate change . . . this is what they see.Edited by Witi Ihimaera and Michelle Elvy, this fresh, exciting anthology features poetry, short fiction and creative non-fiction, as well as korero or conversations between writers and work by local and international artists. The lineup from Aoteraoa includes, among others, Alison Wong, Paula Morris, Anne Salmond, Tina Makereti, Ben Brown, David Eggleton, Cilla McQueen, Hinemoana Baker, Erik Kennedy, Ian Wedde, Nina Mingya Powles, Gregory O' Brien, Vincent O' Sullivan, Patricia Grace, Selina Tusitala Marsh and Whiti Hereaka. Guest writers from overseas include Aparecida Vilaç a, Jose-Luis Novo and Ru Freeman.
This book is a research guide to the literatures of Australia and New Zealand. It contains references to many different types of resources, paying special attention to the unique challenges inherent in conducting research on the literatures of these two distinct but closely connected countries.
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From two-time Newbery award-winning author Katherine Paterson. When Lyddie and her younger brother are hired out as servants to help pay off their family farm's debts, Lyddie is determined to find a way to reunite her family once again. Hearing about all the money a girl can make working in the textile mills in Lowell, Massachusetts, she makes her way there, only to find that her dreams of returning home may never come true. Includes an all-new common core aligned educator's guide. "Rich in historical detail...a superb story of grit, determination, and personal growth." —The Horn Book, starred review "Lyddie is full of life, full of lives, full of reality." —The New York Times Book Review An ALA Notable Book An ALA Best Book for Young Adults A Booklist Editor's Choice American Bookseller "Pick of the Lists" School Library Journal Best Book Parents magazine Best Book
Poetry, Michael Harlow writes, is when words sing. In The Tram Conductor's Blue Cap, words do sing; they also shout and whisper, riddle and recur, express and evade. Though these poems are often allegorical and philosophical, the real underlies the imagined (while the imagination invents the real), so we meet a stranger in the Oyster Bar at Grand Central, we travel to Athens and Mexico and Troy, we hear from Sappho, Marco Polo, Cavafy and Emily Dickinson. And at the centre of the collection is a tram conductor, 'inside a story that dreams / him'. As a habit of imagination, these poems circle and cultivate patience, anticipation, memory, opportunity, delight and regret. Fans of Harlow's previous, accomplished collection, Cassandra's Daughter, will be thrilled to find this poet in assured voice: building up 'one word one word and then / another, waiting for the light to come / stealing in'.
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