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This translation offers to English readers for the first time the splendid verse of imaginary American author Sidney West, created by Juan Gelman, one of the greatest living poets of the Hispanic world. These laments question Western assumptions surrounding death, erase boundaries between poetry and narrative, privilege the magical as a vital aspect of reality and seek the transformation of the lyric persona.
Federico García Lorca (1898–1936) had enormous impact on the generation of American poets who came of age during the cold war, from Robert Duncan and Allen Ginsberg to Robert Creeley and Jerome Rothenberg. In large numbers, these poets have not only translated his works, but written imitations, parodies, and pastiches—along with essays and critical reviews. Jonathan Mayhew’s Apocryphal Lorca is an exploration of the afterlife of this legendary Spanish writer in the poetic culture of the United States. The book examines how Lorca in English translation has become a specifically American poet, adapted to American cultural and ideological desiderata—one that bears little resemblance to the original corpus, or even to Lorca’s Spanish legacy. As Mayhew assesses Lorca’s considerable influence on the American literary scene of the latter half of the twentieth century, he uncovers fundamental truths about contemporary poetry, the uses and abuses of translation, and Lorca himself.
This stunning collection gathers never-before-seen poems, found by archivists in boxes kept at the Pablo Neruda Foundation in Chile in 2014. Neruda is renowned for poetry that casts away despair and celebrates living, fired by his belief that there is no unsurmountable solitude. Then Come Back presents Neruda's mature imagination and writing: signature love poems, odes, anecdotes, and poems of the political imagination. Translator Forrest Gander beautifully renders the eros and heartache, deep wonder and complex wordplay of the original Spanish, which is presented here alongside full-colour reproductions of the poems in their original composition on napkins, playbills, receipts, and in notebooks. Then Come Back: The Lost Neruda simultaneously completes and advances the oeuvre of the Nobel Laureate. Discovered during the cataloguing of Neruda's papers, there are 21 poems in all, together with detailed notes about how they relate to his published work.
Sellin invites readers to explore the daunting and often unsung work of literary translators. With wry humor and an engaging conversational style, Sellin shares his insight on the art and science of translation, including the many nuanced solutions he’s developed for some of the more sensitive problems that frustrate translators of formal poetry. The essays offer a balance of commentary on structural challenges as well as linguistic and aesthetic issues, giving readers practical and theoretical advice gained from a long career as a professor, poet, editor, and translator.
BOOK OF THE COLD is the long-overdue English translation of legendary Spanish poet Antonio Gamoneda's 1992 long poem--a surreal, folkloric, modernist masterpiece between poetry and prose. "When a younger generation of Spanish poets began to awaken and stretch their creative limbs at the dawn of a post-Franco era, what they found, intensified by decades of resistance and years of silence, was the beacon of Antonio Gamoneda's mature poetry. His evocative sensual palette--the scent, feel, taste, and sound of conflicted experience, a lurching between the repellent and the irresistible--is virtually without comparison. But the real miracle of his work is how he combines that flashy richness with ...
A woman fights to keep her daughters safe in the wake of war and political trauma in Central/ Latin America.
This book examines the work of two major poets who wrote in the second half of the twentieth century, Yves Bonnefoy of France and the Syrian-born Adonis (born Ali Ahmed Said). In conducting close readings of key moments from their respective poetry, the author illustrates how both of these writers, in their own unique ways, construct poetry as a form of spiritual practice, that is, as a way of transforming both the poet's and the implied reader's ontological, perceptual, and creative relationships with their internal and external worlds.
In 1578, during months of imprisonment for his reformist beliefs, San Juan de la Cruz composed a series of narrative poems inspired by the Biblical Song of Songs—and, the story goes, a popular love song overheard from his cramped cell—that take God as the beloved. Erotically charged, initially scandalous, his mystical poetry engages with the journey of the soul through the darkest trenches of suffering and despair toward an enlightened spiritual connection with God. For hundreds of years, these poems have resonated deeply with those who search for meaning in the dark, and have influenced generations of poets, artists, and philosophers. This bilingual edition of the Complete Poems—inclu...
In Quiet, Grit, Glory Ricky Ray displays a delightful delicacy and neatness while sharing a deep relationship with pain, and Rilke-echoing existential questioning. These poems are explorations into our interactions with the animal kingdom, as leaders and followers, as participants. Quiet, Grit, Glory is full of poems of silent courage, softly spoken, with a generosity of spirit that opens out to everyone.
Translated by Joshua Edwards and Lynn Xu. Chinese writer Lao Yang's PEE POEMS go deep and dark--with deceptive lightness--into the metaphysical and the social, offering insight and humor along the way. Written over the past decade, this iconoclastic collection is the first of Yang's to be translated from Chinese into English. PEE POEMS is comprised of meditations, fragments, lyrics, and aphorisms, in dialogue with Chan hermit poets and Zen tricksters, with radical grassroots activism, experimental music, and Dada. Yang regards the body's most basic functions and desires as philosophical problems, restoring garbage and bladder-control to the field of politics, inhabiting both epochal and loca...