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At the time of her death in 1962, Kathleen M. Murphy was recognized as “the most widely and most knowledgeably travelled Irish woman of her time . . . insofar as she let herself be known to the public at all.” An abiding interest in sacred sites and ancient civilizations took Murphy down the Amazon and over the Andes, into the jungles of Southeast Asia and onto the deserts of the Middle East, above the Arctic Circle and behind the Iron Curtain. After the Second World War, Murphy began publishing a series of vivid, humorous, and often harrowing accounts of her travels in The Capuchin Annual, a journal reaching a largely Catholic and nationalist audience in Ireland and the United States. At home in the Irish midlands, Murphy may have been a modest and retiring figure, but her travelogues shuttle between religious devotion and searching curiosity, primitivist assumptions and probing insights, gender decorum and bold adventuring. Unaccompanied Traveler, with its wide-ranging introduction, detailed notes, and eye-catching maps, retrieves these remarkable accounts from obscurity and presents them to a new generation of readers interested in travel and adventure.
From early accounts of dance customs in medieval Ireland to the present, Helen Brennan offers an authoritative look at the evolution of Irish dance. Every type of dance from social to traditional to clergy is included. Brennan takes care to explain the different styles and traditions that evolved from different parts of Ireland; which results in some lively discussions as people reminisce over old favorites. She also discusses how dance evolved to become such an important part of Ireland's culture and history. An appendix is offered to help explain the various steps involved in each style of dance including the Munster or Southern style, Single Shuffle, Double Shuffle, Treble Shuffle, the Heel Plant, the Cut, the Rock or Puzzle, the Drum, the Sean Nos Dance Style of Connemara, and the Northern Style.
When Samuel de Champlain founded the colony of Quebec in 1608, he established elaborate gardens where he sowed French seeds he had brought with him and experimented with indigenous plants that he found in nearby fields and forests. Following Champlain's example, fellow colonists nurtured similar gardens through the Saint Lawrence Valley and Great Lakes region. In A Not-So-New World, Christopher Parsons observes how it was that French colonists began to learn about Native environments and claimed a mandate to cultivate vegetation that did not differ all that much from that which they had left behind. As Parsons relates, colonists soon discovered that there were limits to what they could accom...
A textile artist's guide to creating exquisite, intimate and nostalgic work inspired by the home. Ali Ferguson's work takes inspiration from domestic life and the objects that surround and comfort us in our homes. Vintage fabric and hand-embroidered text are beautifully paired to create evocative pieces that are imbued with the magic of everyday existence. In this wonderful book Ali reveals the secrets of her work and shares her ingenious methods for finding inspiration at home to create stunning work that uses embroidery, quilting, collage and found objects. Chapter One explains how to create 'threads of thought' that stem from the tiniest details within the rooms of your home, resulting in...
"As commercial magazines began to flourish in the 1920s, they promoted an expanding network of luxury railway hotels and transatlantic liner routes. The leading monthlies--among them Mayfair, Chatelaine, and La Revue Moderne--presented travel as both a mode of self-improvement and a way of negotiating national identity. Magazines, Travel and Middlebrow Culture announces a new cross-cultural approach to periodical studies, reading both French- and English-language magazines in relation to an emerging transatlantic middlebrow culture. Mainstream magazines, Hammill and Smith argue, forged a connection between upward mobility and geographic mobility. Students and scholars of Canadian studies, cultural and social history, publishing, literary studies, cultural studies, communications studies, and print culture will find this book, a first in Canadian middlebrow culture, a must-have on their shelf."-- Provided by publisher.
Tragedy strikes Rosie Taylor when her ill mother dies aboard the clipper ship transporting her and her family from England to Australia. Not too long after, her father becomes engaged to a passenger on board, a woman to whom Rosie takes a disliking. But growing up in Victoria, amongst some of the passengers who came over on the boat, isn't so bad, especially after she meets a young boy named Rory. Years later when her father leaves town, Rosie takes different jobs to make ends meet. Things start looking up when a local river skipper asks for her hand in marriage, but as she's sailing down the river with him she runs into her childhood friend, Rory, and emotions that weren't there before come to the surface.
First multi-year cumulation covers six years: 1965-70.
An estimated 2.7 million Africans made an enforced crossing of the Atlantic on British slave ships between c.1680 and 1807--a journey that has become known as the 'Middle Passage'. This book focuses on the slave ship itself. The slave ship is the largest artefact of the Transatlantic slave trade, but because so few examples of wrecked slaving vessels have been located at sea, it is rarely studied by archaeologists. Materializing the Middle Passage: A Historical Archaeology of British Slave Shipping,1680-1807 argues that there are other ways for archaeologists to materialize the slave ship. It employs a pioneering interdisciplinary methodology combining primary documentary sources, maritime a...