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Through the New Zealand Company, the first European settlers began arriving in New Zealand in the early 1840s among whom were several sets of great grandparents and great great grandparents of mine. The original idea was to write a short history of my father's family and one of my mother's but I became so fascinated by these pioneers and their stories that I wanted to learn more about them and their ancestors. I found Scottish farmers seemingly dispossessed by war; ancestors from Devon who emigrated to America in 1642; I found admirals and generals who sailed and fought all around the world and I found generations of Welsh carpenters, builders and farmers. Their descendants packed themselves and their families into tiny boats and sailed to the bottom of the world. They were fearless and determined to succeed in a brand new world. I am so proud of their achievements and so proud to be part of their story.
Musical representations of Europe in myth and allegory are well known, but when and under what circumstances did the words "European" and "music" become linked together? What did the resulting term mean in music before 1800 and how did it evolve into the label "Western music," which features so prominently in pedagogical and scholarly discourses? In The Making of European Music in the Long Eighteenth Century, author D. R. M. Irving traces the emergence of such large-scale categories in Western European thought. Beginning in the 1670s, Jesuit missionaries in China began to refer to "European music," and for the next hundred years the term appeared almost exclusively in comparison with musics ...
In the analysis of the debates in Germany over Jews, Judaism and Jewish emancipation in the late 18th and 19th centuries, Jonathan M. Hess reconstructs a crucial chapter in the history of secular anti-Semitism. He examines not only the thinking of German intellectuals of the time but also that of Jewish writers, revealing the connections between anti-Semitism and visions of modernity, and the Jewish responses to the treat posed by these connections.
Highlights the importance of language in the social theory, epistemology, and aesthetics of the Enlightenment. Argues that awareness of the historicity and linguistic rootedness of all forms of life was a mainstream Enlightenment notion rather than a feature of the so-called 'Counter-Enlightenment'.
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Amid the instability and violence of turn-of-the-century industrialization and urbanization Russians embraced a revolutionary art form to reflect the aspirations and motivations of a new class. In The Magic Mirror Denise Youngblood portrays a newly urbanized entrepreneurial middle class not the revolutionaries or imperialists of historians and the movies they made and paid to see. Upon those screens they saw their lives depicted in all their variety and uncertainty. Youngblood provides a cultural angle into an era most often viewed through a revolutionary lens. Film and the film industry illuminates and reflects the popular attitudes of the time. The Magic Mirror is a study of the ten years of native film production through the Revolutions of 1917, based almost exclusively on Russian language primary sources. Topics examined include the organization and evolution of the industry followed by description and analysis of genres, motifs, and themes as exemplified in 65 of the most important surviving films."
'Tis the Season for Witches, Elves, and a Legion of Ghosts Not so very long ago, Yuletide was as much a chilling season of ghosts and witches as it was a festival of goodwill. In The Old Magic of Christmas, you'll rub elbows with veiled spirits, learn the true perils of elves, and discover a bestiary of enchanted creatures. Rife with the more frightful characters from folklore and the season's most petulant ghosts, this book takes you on a spooky sleigh ride from the silvered firs of a winter forest to the mirrored halls of the Snow Queen. Along the way, you'll discover how to bring the festivities into your home with cookie recipes and craft instructions, as well as tips for delving more de...
In the wake of SARS and H1N1, this story of medical health officer Dr. Fred Underhill and his battle against the 1918 Spanish influenza that killed 25 to 50 million people worldwide is particularly relevant. Underhill is symbolic of the senior public health officers in cities across Canada and the U.S. who mounted the best defence they could against the killer flu. His vision, his tireless efforts, and his dialogue with colleagues in Seattle and elsewhere saved many lives. And his patient advice and findings are still relevant today as we await the new viral epidemics that undoubtedly lie ahead. In their enlightening account of the events of that era, authors O'Keefe and Macdonald have crafted a compelling story of people coming together in a time of crisis.
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In the nineteenth century, the ancient ‘filial tie’ between Britain and Norway was rediscovered by a booming tourist industry which took thousands across the North Sea to see the wonders of the fjords, the fjelds, and the beauties of the North Cape. This illustrated volume, for the first time, collects together vivid – and predominantly first-hand – impressions of the country recorded by nearly two hundred British travellers and other commentators, including Thomas Malthus, Charlotte Brontë, Lord Tennyson, and William Gladstone. In a rich selection of travel writing, fiction, poetry, journalism, political speeches, and art, Norway emerges as a refreshingly natural utopia, happily fr...