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Modernism and the Feminine Voice
Kathleen Pyne adds fascinating but overlooked material to the history of modernism in New York with this book, which accompanies a major exhibition of the artists' works." "With abundant illustrations and detailed discussions of each artist's work, this book argues that O'Keeffe was not the only woman artist in the Stieglitz circle worthy of our contemplation."--BOOK JACKET.
Art and the Higher Life
Late in the nineteenth century, many Americans were troubled by the theories of Charles Darwin, which contradicted both traditional Christian teachings and the idea of human supremacy over nature, and by an influx of foreign immigrants, who challenged the supremacy of the old Anglo-Saxon elite. In response, many people drew comfort from the theories of philosopher Herbert Spencer, who held that human society inevitably develops towards higher and more spiritual forms. In this illuminating study, Kathleen Pyne explores how Spencer’s theories influenced a generation of American artists. She shows how the painters of the 1880s and 1890s, particularly John La Farge, James McNeill Whistler, Thomas Dewing and the Boston school, and the impressionist painters of the Ten, developed an art dedicated to social refinement and spiritual ideals and to defending the Anglo-Saxon elite of which they were members. This linking of visual culture to the problematic conditions of American life radically reinterprets the most important trends in late nineteenth-century American painting.
Anne Brigman
The life and work of an essential photographer whose feminism and pictorialist images distanced her from the mainstream In the first book devoted to Anne Brigman (1869–1950), Kathleen Pyne traces the groundbreaking photographer’s life from Hawai‘i to the Sierra and elsewhere in California, revealing how her photographs emerged from her experience of local place and cultural politics. Brigman’s work caught the eye of the well-known photographer Alfred Stieglitz, who welcomed her as one of the original members of his Photo-Secession group. He promoted her work as exemplary of his modernism and praised her Sierra landscapes with female nudes—work that at the time separated Brigman from the spiritualized upper-class femininity of other women photographers. Stieglitz later drew on Brigman’s images of the expressive female body in shaping the public persona of Georgia O’Keeffe into his ideal woman artist. This nuanced account reasserts Brigman’s place among photography’s most important early advocates and provides new insight into the gender and racialist dynamics of the early twentieth-century art world, especially on the West Coast of the United States.
Anne Brigman
"In the first book devoted to Anne Brigman (1869-1950), Kathleen Pyne traces the groundbreaking photographer's life from Hawai'i to the Sierra and elsewhere in California, revealing how her photographs emerged from her experience of local place and cultural politics. Brigman's work caught the eye of the well-known photographer Alfred Stieglitz, who welcomed her as one of the original members of his Photo-Secession group. He promoted her work as exemplary of his modernism and praised her Sierra landscapes with female nudes--work that at the time separated Brigman from the spiritualized upper-class femininity of other women photographers. Stieglitz later drew on Brigman's images of the expressive female body in shaping the public persona of Georgia O'Keeffe into his ideal woman artist. This nuanced account reasserts Brigman's place among photography's most important early advocates and provides new insight into the gender and racialist dynamics of the early twentieth-century art world, especially on the West Coast of the United States"--Publisher's description.
Modern Women: Women Artists at The Museum of Modern Art
This text examines the collection of feminist art in the Museum of Modern Art. It features essays presenting a range of generational and cultural perspectives.
Sound Clash
Race, sex, and gender.
Art and the Higher Life
As the nineteenth century drew to a close, many Americans were deeply troubled by the theories of Charles Darwin, which contradicted both traditional Christian teachings and the general view of human supremacy over nature, and by an influx of foreign immigrants, who challenged the supremacy of the old Anglo-Saxon elite. In response, many people drew comfort from the theories of British philosopher Herbert Spencer, who held that human society inevitably develops towards higher and more spiritual forms. In this illuminating study, Kathleen Pyne explores how Spencer's theories came to influence a generation of American artists. She shows how the painters of the 1880s and 1890s, particularly John La Farge, James McNeill Whistler, Thomas Dewing and the Boston school, and the impressionist painters of the Ten, developed a kind of art that was dedicated to social refinement and spiritual ideals and to defending the embattled position of the Anglo-Saxon elite of which they were members.
Forest Gate
A shattering, poetic and raw first novel set among young Somalian refugees in the slums of London -- beginning with a double suicide and ending with a rebirth. In a community where poverty is kept close and passed from one generation to the next, two teenage boys, best friends, stand on top of twin tower blocks. Facing each other across the abyss of London's urban sprawl, they say their good-byes and jump. One dies. The other, alternating with the sister of the deceased, narrates this novel. James gives us a window into the inner city -- his mom is a crack addict, his gang "brothers" force him to kill another black boy. Meina describes with feeling her family history in Somalia: after her parents are killed before her eyes, her village aunt sells her to six husbands -- before she is even a teenager. Desperate to rebuild their lives, James and Meina set out to find the place for which every child longs -- home. Brutal and shockingly violent in places, rambunctious and lively in others and slyly, dryly witty in yet others, Meina and James's journey toward life through their past is ultimately a powerful story of redemptive love and the debut of an extraordinary literary talent.
The Modern West
A fascinating and novel exploration of the transformative role played by the American West in the development of modernism in the United States Drawing extensively from various disciplines including ethnology, geography, geology, and environmental studies, this groundbreaking book addresses shifting concepts of time, history, and landscape in relation to the work of pioneering American artists during the first half of the 20th century. Paintings, watercolors, and photographs by renowned artists such as Frederic Remington, Georgia O'Keeffe, Ansel Adams, Thomas Hart Benton, Dorothea Lange, and Jackson Pollock are considered alongside American Indian ledger drawings, tempuras, and Dineh sandpai...
The Life and Death of the Radical Historical Jesus
This unconventional cultural history explores the lifecycle of the radical historical Jesus, a construct created by the freethinkers, feminists, socialists and anarchists who used the findings of biblical criticism to mount a serious challenge to the authority of elite liberal divines during the Gilded Age and Progressive Era.
