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The Astaires
This is the first book about the theatre career of Fred and Adele Astaire, detailing their years in vaudeville, on Broadway, and in London, their impact culturally, and the essence of their partnership on and off the stage.
Imagining Ithaca
By examining an eclectic range of creative works, spanning the century following the Armistice of 1918, Imagining Ithaca presents a narrative of imaginings and experiences, simple and complex, relating to home, longings for home and things absent, homecoming and exile.
Oscar Wilde and Classical Antiquity
Few authors of the Victorian period were as immersed in classical learning as Oscar Wilde. Although famous now and during his lifetime as a wit, aesthete, and master epigrammist, Wilde distinguished himself early on as a talented classical scholar, studying at Trinity College Dublin and Oxford and winning academic prizes and distinctions at both institutions. His undergraduate notebooks as well as his essays and articles on ancient topics reveal a mind engrossed in problems in classical scholarship and fascinated by the relationship between ancient and modern thought. His first publications were English translations of classical texts and even after he had 'left Parnassus for Piccadilly' ant...
Food and Language
Food and Language: Discourses and Foodways across Cultures explores in innovative ways how food and language are intertwined across cultures and social settings. How do we talk about food? How do we interact in its presence? How do we use food to communicate? And how does social interaction feed us? The book assumes no previous linguistic or anthropological knowledge but provides readers with the understanding to pursue further research on the subject. With a full glossary at the end of the book and additional tools hosted on an eResources page (such as recommended web and video links and some suggested research exercises), this book serves as an ideal introduction for courses on food, language, and food-and-language in anthropology departments, linguistics departments, and across the humanities and social sciences. It will also appeal to any reader interested in the semiotic interplay between food and language.
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Fulton J. Sheen
For 60 years - from his ordination in 1919 to his death in 1979 - Sheen spent his life working out a "Christian response to the challenge of the times." As Thomistic philosopher and professor at the Catholic University of America, prolific writer, pioneer of the electronic gospel on radio and TV, convert-maker, head of the Society for the Propagation of the Faith and Bishop of Rochester in the aftermath of the Second Vatican Council, he lived in the religious spotlight for most of his life. His personal odyssey mirrored that of the Catholic Church in facing the challenges of the times: two world wars, national and international depression, fascism, nazism, communism, capitalism, the sexual revolution and the upheaval following the Council."--BOOK JACKET.
Film & the Law
First published in 2001. Routledge is an imprint of Taylor & Francis, an informa company.
Syndrome
DEADLY CURE Something extraordinary is happening at the Reese-Fowler Medical Center. Terminally ill patients are rising from their beds, miraculously cured. The doctors are totally stunned. The experts have no explanation. And the nightmare is beginning... For investigative reporter Nancy Rafferty, this is the biggest story of her career. Yet the deeper she probes into this medical miracle, the closer she comes to the heart of an evil that could destroy untold lives. But time is running out for her...and all the others trapped in the terrifying web of— SYNDROME
The Ancient Dancer in the Modern World
When the eighteenth-century choreographer Jean-Georges Noverre sought to develop what is now known as modern ballet, he turned to ancient pantomime as his source of inspiration; and when Isadora Duncan and her contemporaries looked for alternatives to the strictures of classical ballet, they looked to ancient Greek vases for models for what they termed 'natural' movement. This is the first book to examine systematically the long history of the impact of ideas about ancient Greek and Roman dance on modern theatrical and choreographic practices. With contributions from eminent classical scholars, dance historians, theatre specialists, modern literary critics, and art historians, as well as from contemporary practitioners, it offers a very wide conspectus on an under-explored but central aspect of classical reception, dance and theatre history, and the history of ideas.
