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Material Girls
'A clear, concise, easy-to-read account of the issues between sex, gender and feminism . . . an important book' Evening Standard 'A call for cool heads at a time of great heat and a vital reminder that revolutions don't always end well' Sunday Times Material Girls is a timely and trenchant critique of the influential theory that we all have an inner feeling known as a gender identity, and that this feeling is more socially significant than our biological sex. Professor Kathleen Stock surveys the philosophical ideas that led to this point, and closely interrogates each one, from De Beauvoir's statement that, 'One is not born, but rather becomes a woman' (an assertion she contends has been mis...
The Heart of War
N/A
Orlando (The Marmalade Cat)
An address book with illustrations taken from the 'Orlando the Marmalade Cat' books.
The Kitchen House
"In 1790, Lavinia, a seven-year-old Irish orphan with no memory of her past, arrives on a tobacco plantation where she is put to work as an indentured servant with the kitchen house slaves. Though she becomes deeply bonded to her new family, Lavinia is also slowly accepted into the world of the big house, where the master is absent and the mistress battles opium addiction. As time passes she finds herself perilously straddling two very different worlds and when loyalties are brought into question, dangerous truths are laid bare and lives are at risk."--Publisher's description.
Kathleen
Kathleen Ferrier has a reputation as the greatest lyric contralto of the twentiety century. Her story, from her humble beginnings as a telephone operator in Blackburn to the height of international fame as one of the world's leading concert artists and her untimely death at the age of forty-one, is told told with compelling insight and perception, using a variety of sources, from photographs, diaries, and private letters to the memoirs and recollections of those who knew her best. Despite having no formal musical training, Kathleen worked with all the celebrated conductors of the time, and is remembered for her performances of music by Brahms, Schubert and Mahler, as well as a handful of operatic roles. Enlarging considerably on many alternative biographies, this excellent account captures the warmth, humour and charm of a figure whose astonishing life and career proved to be, sadly, all too brief.
Forever Lies
Greer Parker had her life planned out. She’d follow in her father and brothers’ FBI footsteps, and then she’d become the first female director. Now on loan to the president’s off-the-books black ops group, Greer is at a crossroads in her life—go back to the FBI or forge a new path. The decision is about to become more complicated when the man Greer can’t decide if she loves or hates needs to be rescued—and she’s the only one who can save him. Sebastian Abel’s best friend, the president, asked for a favor. Little did Sebastian know that developing code for a new spy satellite would find him kidnapped. When all hope is lost, he thinks about Greer Parker, the sweet girl next d...
the sunday at home
None
The Golden Treasury of Scottish Verse
The Golden Treasury of Scottish Verse is a timeless collection of Scottish poetry. It contains over three hundred poems ranging from the early medieval period to the twenty-first century, and paints a full-colour portrait of Scotland’s poetic heritage and culture. Edited and introduced by award-winning poets Kathleen Jamie, Don Paterson and Peter Mackay, and including poems by Robert Burns, Carol Ann Duffy, Sorley Maclean, Violet Jacob, William Dunbar, Meg Bateman, George Mackay Brown, Màiri Mhòr nan Òran, Robert Louis Stevenson, Jackie Kay, Liz Lochhead, and many more, The Golden Treasury of Scottish Verse is a joyous celebration of Scotland’s literary past, present and future.
This Is How It Ends
The Richard & Judy Bookclub pick from the author of Nothing But Blue Sky, longlisted for the Women's Prize for Fiction, 2021 This is when it begins Autumn, 2008. This is where it begins The coast of Dublin. This is why it begins Bruno, an American, has come to Ireland to search for his roots. Addie, an out-of-work architect, is recovering from heartbreak while taking care of her infirm father. When their worlds collide, they experience a connection unlike any they've previously felt, but soon their newfound love will be tested in ways they never imagined possible. This is how it ends . . .
Only Imagine
Only Imagine offers a theory of fictional content or, as it is sometimes known, 'fictional truth'. The theory of fictional content Kathleen Stock argues for is known as 'extreme intentionalism'; the idea that the fictional content of a particular work is equivalent to exactly what the author of the work intended the reader to imagine. Historically, this sort of view has been highly unpopular. Literary theorists and philosophers alike have poured scorn upon it. The first half of this book attempts to argue that it should in fact be taken very seriously as an adequate account of fictional truth: better, in fact, than many of its more popular rivals. The second half explores various explanatory benefits of extreme intentionalism for other issues in the philosophy of fiction and imagination. Namely, can fiction give us reliable knowledge? Why do we 'resist' imagining certain fictions? What, in fact, is a fiction? And, how should the imagination be characterised?
