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Introducing the Medieval Ass
This is the first book dedicated to the medieval ass It appeals to a multi-Audience: interested lay readership; accessible, introductory and undergraduate level book; scholar This book explains how the medieval ass was an arse, an idiot, a violent hot-tempered sexed-up brute that ate the balls of its own male offspring. Conversely, the ass was also a humble, patient, loyal, hard-working Christian animal (marked with a cross) that Christ rode into Jerusalem. These paradoxical qualities are explored in this book and open up a wealth of information on how people in the Middle Ages viewed the ass, not just as a simple beast of burden, but also as a figure to warn and to educate, to expose human failings and praise the divine. Introducing the Medieval Ass reveals medieval attitudes to animals, to people, and to the divine, making it an excellent way to approach medieval cultural and animal studies.
The Feeling Heart in Medieval and Early Modern Europe
The heart is an iconic symbol in the medieval and early modern European world. In addition to being a physical organ, it is a key conceptual device related to emotions, cognition, the self and identity, and the body. The heart is read as a metaphor for human desire and will, and situated in opposition to or alongside reason and cognition. In medieval and early modern Europe, the “feeling heart” – the heart as the site of emotion and emotional practices – informed a broad range of art, literature, music, heraldry, medical texts, and devotional and ritual practices. This multidisciplinary collection brings together art historians, literary scholars, historians, theologians, and musicologists to highlight the range of meanings attached to the symbol of the heart, the relationship between physical and metaphorical representations of the heart, and the uses of the heart in the production of identities and communities in medieval and early modern Europe.
Introducing the Medieval Ass
Introducing the Medieval Ass presents a lucid, accessible, and comprehensive picture of the ass’s enormous socio-economic and cultural significance in the Middle Ages and beyond. In the Middle Ages, the ass became synonymous with human idiocy, a comic figure representing foolish peasants, students too dull to learn, and their asinine teachers. This trope of foolishness was so prevalent that by the eighteenth century the word ‘ass’ had been replaced by ‘donkey’. Economically, the medieval ass was a vital, utilitarian beast of burden, rather like today’s ubiquitous white van; culturally, however, the medieval ass enjoyed a rich, paradoxical reputation. Its hard work was praised, but its obstinacy condemned. It exemplified the good Christian, humbly bearing Christ to Jerusalem, but also represented Sloth, a mortal sin. Its potent sexual reputation – one literary ass had sex with a woman – was simultaneously linked to sterility and, to this day, ‘ass’ and ‘arse’ remain culturally-connected homophones.
Vicious
Over a continent and three centuries, American livestock owners destroyed wolves to protect the beasts that supplied them with food, clothing, mobility, and wealth. The brutality of the campaign soon exceeded wolves’ misdeeds. Wolves menaced property, not people, but storytellers often depicted the animals as ravenous threats to human safety. Subjects of nightmares and legends, wolves fell prey not only to Americans’ thirst for land and resources but also to their deeper anxieties about the untamed frontier. Now Americans study and protect wolves and jail hunters who shoot them without authorization. Wolves have become the poster beasts of the great American wilderness, and the federal g...
The Life of Patriarch Ignatius
A window into the complex world of competing church factions, imperial powers, and the papacy, The Life of Patriarch Ignatius is the vivid account of two major ecclesiastical struggles of the ninth century. Critically edited with annotations, maps, and indexes, this important historical document is here translated into English for the first time.
The McArdle Disease Handbook
This handbook explains, in layman's terms, the cause, method of inheritance, history and current and future treatments of McArdle Disease (also known as Glycogen Storage Disease Type V). The handbook puts into plain English the published information relating to the scientific and medical research into McArdle Disease.
Introducing the Medieval Dragon
The aim of this book is to explore the characteristics of the medieval dragon and discuss the sometimes differing views found in the relevant medieval text types. Based on an intimate knowledge of the primary texts, the study presents new interpretations of well-known literary works, and also takes into consideration paintings and other depictions of these beasts. Dragons were designed not only to frighten but also to fire the imagination, and provide a suitably huge and evil creature for the hero to overcome – yet there is far more to them than reptilian adversaries. This book introduces the medieval dragon via brief, accurate and clear chapters on its natural history, religion, literature and folklore, and concludes with how the dragon – from Beowulf to Tolkien, Disney and Potter – is constantly revived.
A Dog Pissing at the Edge of a Path
The Nage people of the eastern Indonesian island of Flores refer to someone who begins something but is regularly distracted by other matters as "a dog pissing at the edge of a path." In this first comprehensive study of animal metaphors in a non-Western society, Gregory Forth focuses on how the Nage understand metaphor and use their knowledge of animals to shape specific expressions. Based on extensive field research, A Dog Pissing at the Edge of a Path explores the meaning and use of over 560 animal metaphors employed by the Nage. Investigating how closely their indigenous concept of pata péle corresponds to the Greek-derived English concept of metaphor, Forth demonstrates that the Nage p...
The Feeling Heart in Medieval and Early Modern Europe
The heart is an iconic symbol in the medieval and early modern European world. In addition to being a physical organ, it is a key conceptual device related to emotions, cognition, the self and identity, and the body. The heart is read as a metaphor for human desire and will, and situated in opposition to or alongside reason and cognition. In medieval and early modern Europe, the “feeling heart” – the heart as the site of emotion and emotional practices – informed a broad range of art, literature, music, heraldry, medical texts, and devotional and ritual practices. This multidisciplinary collection brings together art historians, literary scholars, historians, theologians, and musicologists to highlight the range of meanings attached to the symbol of the heart, the relationship between physical and metaphorical representations of the heart, and the uses of the heart in the production of identities and communities in medieval and early modern Europe.
The Wake of Crows
Crows can be found almost everywhere that people are, from tropical islands to deserts and arctic forests, from densely populated cities to suburbs and farms. Across these diverse landscapes, many species of crow are doing well: their intelligent and adaptive ways of life have allowed them to thrive amid human-driven transformations. Indeed, crows are frequently disliked for their success, seen as pests, threats, and scavengers on the detritus of human life. But among the vast variety of crows, there are also critically endangered species that are barely hanging on to existence, some of them the subjects of passionate conservation efforts. The Wake of Crows is an exploration of the entangled...
