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"The 1950s and early 1960s in Brazil gave birth to a period of incredible optimism and economic development. In The Affinity of Neoconcretism, Mariola V. Alvarez argues that the neoconcretists--a group of artists and poets working together in Rio de Janeiro from 1959 to 1961--formed an important part of this national transformation. She maps the interactions of the neoconcretists and discusses how this network collaborated to challenge existing divides between high and low art and between fields such as fine art and dance. This book reveals the way in which art and intellectual work in Brazil emerged from and within a local political and social context, and out of the transnational movements of artists, artworks, published materials, and ideas"--
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This beautifully illustrated book explores the considerable impact of fashions created by and for women by tracing a historical and conceptual lineage of female designers—from unidentified dressmakers in eighteenth-century France to contemporary makers who are leading the direction of fashion today. Stunning new photographs of exceptional garments from the unparalleled collection of The Metropolitan Museum of Art’s Costume Institute complement insightful essays that consider notions of anonymity, visibility, agency, and absence/omission, highlighting celebrated designers and forgotten histories alike to reveal women’s impact on the field of fashion. The publication includes garments from French houses such as Vionnet, Schiaparelli, and Mad Carpentier to American makers like Ann Lowe, Claire McCardell, and Isabel Toledo, along with contemporary designers such as Rei Kawakubo, Iris van Herpen, Simone Rocha, and Anifa Mvuemba. Situating the works within a larger social context, this overdue look at female-led design is essential reading for anyone interested in the history of fashion.
Museums of the World covers in its 13th edition 52,953 museums in 201 countries, listed hierarchically by country and place, and within places, alphabetically by name. A separate chapter records 504 museum organizations in 131 countries with addresses. The museums are coded by 22 categories identifying the focus and type of each institution. A typical entry contains the following details: name of the museum in the original language with English translation where necessary, address, telephone number, fax, eMail address and URL, museum type, year of foundation, name of the director and museum staff, special collections and equipment, number of the entry. In addition, there is an alphabetical index of museums, a subject index, an index of persons covering academic staff working in museums, and a personality index, recording artists whose works are shown predominantly in a specific museum and/or refering to memorabilia of famous individuals.
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With her works, the Slovenian artist Jasmina Cibic (b. 1979) sheds light on social, political, and historical questions from the viewpoint of art.NADA is an impressive film trilogy that was developed in cooperation with the Kunstmuseen Krefeld, Aarhus, the European Capital of Culture 2017, and the MSU Zagreb.In it, she examines the socio-political interconnections of the cultural sector and scrutinizes mechanisms of power that play a role in the development of national identities.The trilogy culminates in her site-specific exhibition The Spirit of Our Needs in Haus Esters in Krefeld.This catalogue is a fully illustrated reader comprising archival material, texts, and an interview between the artist and Katia Baudin, Director of the Kunstmuseen Krefeld.Published on the occasion of the exhibition, Jasmina Cibic: The Spirit of Our Needs at Museum Haus Esters, Krefeld (1 October 2017 - 14 January 2018).English and German text.
A century after the Modernism art movement arrived in Europe and America, many artists and architects found new inspiration in an unlikely place. Hand-crafted folk-industrialization expanded. Other folkloric traditions such as oral tales, customs, and proverbs also started to influence the pioneers of Modernism as the movement began to develop its artistic language. As private collectors, museums and artists began to collect and exhibit these treasured artifacts, the artistic community has started to focus their attention on how popular and folk traditions influenced modern artistic practice. Folklore & Avantgarde examines the influence of folkloric traditions within the Modernism movement in great detail. The work of avant-garde artists such as Josef Albers, Sonia Delaunay, and Johannes Itten is contrasted with craft objects and folk art through 350 illustrations, including African, folk and peasant art and textile handicrafts.