You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
A writer about to give birth investigates the story behind a mother she knows who has just killed her own twins.
"Collection of articles on academic feminism, gender relations and history in the Basque Country"--Provided by publisher.
The chapters included in this volume examine a number of modern and contemporary travel and mobility narratives produced in the different languages of Iberia, whether they offer accounts of Iberia itself or portray other geographical or human contexts. Illustrating the diversity of forms characteristic of travel writing, the texts discussed in the book feature representations of travel and mobility as presented in novels, films and other literary and cultural manifestations such as comics, plays and journalistic chronicles. Additionally, the volume incorporates a section of creative responses to the tropes of travel and mobility by contemporary Iberian authors in English translation. Thus, t...
“In this insightful book, Cat Mahoney offers a fascinating analysis of contemporary TV dramas such as Home Fires, Land Girls and The Bletchley Circle. Developing the idea that history is told through the preoccupations of the present, she argues compellingly that these are postfeminist dramas which work through troubling ideas about heteronormative romance, domesticity, beauty and whiteness, while reinforcing the idea that feminism as a political movement is not necessary. A bold and original contribution to television studies, gender studies and popular history.” ̶ Rosalind Gill, City, University of London, UK By examining contemporary television drama set during and immediately after ...
This collection of essays expands our understanding and appreciation of the body of work by established female authors of Spanish crime fiction series by analyzing recent narratives that, in some cases, contribute in novel ways to the ongoing reformulation of the genre and, in others, provide readers with a temporary hiatus from it. The studies offer students and scholars of crime fiction new perspectives on the works of well-known authors, as well as analyses of their often less-known narratives that may not fit within the genre. Readers will engage in an exploration of gender dynamics and sexuality, a variety of psychological and social issues, and the consequences of the indiscriminate consumption of media and abuse of the environment and animals in narratives that exhibit the versatility of these outstanding authors. The volume will appeal to a wide audience of literary and cultural studies critics, as well as crime fiction enthusiasts and newcomers to this popular genre.
What does it mean to be a woman in the 21st century? The feminist movement has a long and rich history, but is its time now passed? This edited collection is driven by the question, why is feminism viewed by some (we would add a majority) as outdated, no longer necessary and having achieved its goals, and what role have the media played in this?
Chris Comerford explores cinematic digital television as an artistic classification and an academic object of study, and illuminates the slippage in definitions of previously understood media forms. The growth of television as an artistic, informative medium has given rise to shifts in the aesthetic style of the programmes we watch, and this book outlines these shifts along with the contemporary debates and critical theory surrounding them. Comerford looks at the forms and aesthetics of television, the production standards influencing streaming television and the agency of audiences, and provides case studies of key TV shows illustrating these shifts, including Twin Peaks: The Return, WandaVision, Hacks and Russian Doll. Navigating the levels of production and reception in cinematic digital television, the book uses film-inspired TV as a lightning rod for understanding our narrative screen media landscape and the classifications we use to negotiate it. As an essential reading for both scholars and students of media and television studies, this book provides a much-needed consideration of the changing landscape of television.
A claustrophobic story of desire and small town unease in the vein of Dogville or Coetzee's Disgrace. Fleeing from past mistakes, Nat leaves her life in the city for the rural village of La Escapa. She rents a small house from a negligent landlord, adopts a dog and begins to work on her first literary translation. But nothing is easy: the dog is ill tempered and skittish and misunderstandings with her neighbour's thrum below the surface. When conflict arises over repairs to her house, Nat receives an unusual offer – one that tests her sense of self, challenges her prejudices, and reveals her most unexpected desires. As Nat tries to understand her decision, the community of La Escapa comes together in search of a scapegoat.
Una de les primeres decisions importants que han de prendre les mares i gestants és si donaran el pit. Sovint les expectatives i el desig xoquen amb la realitat. La por, la culpa, la pressió social i la falta d’informació i d’acompanyament físic i emocional provoquen que moltes ho visquin amb frustració. Totes les lactàncies molen és un altaveu de la diversitat de formes de lactància i una crida per reivindicar-les totes. Recull el testimoni de trenta persones que expliquen la seva experiència i, a la vegada, inclou el coneixement de quinze expertes que resolen dubtes i ofereixen algunes claus per ajudar a establir la lactància amb èxit, ja sigui amb el pit, amb llet natural però en diferit o amb llet de fórmula i biberó. Un llibre per trencar mites i silencis que convida totes les persones a viure amb plenitud l'alletament.