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Picture a throng of tiny devils and angels, or a marching band so small it can fit in the palm of your hand. In a Mixtec town in the Mexican state of Puebla, craftspeople have been weaving palm since before the Spanish Conquest, but over the past forty years that art has become more finely tuned and has won national acceptance in a market nostalgic for an authentic Indian past. In this book, Katrin Flechsig offers the first in-depth ethnographic and historical examination of the miniature palm craft industry, taking readers behind the scenes of craft production in order to explain how and why these folk arts have undergone miniaturization over the past several decades. In describing this "Li...
A Spaniard originally from Italy, the polymath Lorenzo Boturini Benaduci (1702–1753), known as Boturini, traveled to New Spain in 1736. Becoming fascinated by the Mesoamerican cultures of the New World, he collected and copied native writings—and learned Nahuatl, the language in which most of these documents were written. Boturini’s incomparable collection—confiscated, neglected, and dispersed after the Spanish crown condemned his intellectual pursuits—became the basis of his Idea of a New General History of North America. The volume, completed in 1746 and written almost entirely from memory, is presented here in English for the first time, along with the Catálogo, Boturini’s an...
The Ch’ol Maya who live in the western Mexican state of Chiapas are direct descendants of the Maya of the Classic period. Exploring their history and culture, volume editor Karen Bassie-Sweet and the other authors assembled here uncover clear continuity between contemporary Maya rituals and beliefs and their ancient counterparts. With evocative and thoughtful essays by leading scholars of Maya culture, The Ch’ol Maya of Chiapas, the first collection to focus fully on the Ch’ol Maya, takes readers deep into ancient caves and reveals new dimensions of Ch’ol cosmology. In contemporary Ch’ol culture the contributors find a wealth of historical material that they then interweave with ar...
Now shrouded in Guatemalan jungle, the ancient Maya city of Piedras Negras flourished between the sixth and ninth centuries, when its rulers erected monumental limestone sculptures carved with hieroglyphic texts and images of themselves and family members, advisers, and captives. In Engaging Ancient Maya Sculpture at Piedras Negras, Guatemala, Megan E. O’Neil offers new ways to understand these stelae, altars, and panels by exploring how ancient Maya people interacted with them. These monuments, considered sacred, were one of the community’s important forms of cultural and religious expression. Stelae may have held the essence of rulers they commemorated, and the objects remained loci fo...
Between 1995 and 1997, three groups of college students each spent two months in K’iche’ Maya villages in Guatemala. Led by Professors John P. Hawkins and Walter Randolph Adams, they participated in an ongoing field school designed to foster undergraduate research and documentation of K’iche’ Maya culture in Guatemala. In this enlightening book, Hawkins and Adams first describe their field-school method of involving undergraduate students in primary research and ethnographic writing, and then present the best of the student essays, which examine the effects of modernization on K’iche’ Maya religion, courtship, marriage, gender relations, education, and community development. The ...
Guatemala emerged from the clash between Spanish invaders and Maya cultures that began five centuries ago. The conquest of these “rich and strange lands,” as Hernán Cortés called them, and their “many different peoples” was brutal and prolonged. “Strange Lands and Different Peoples” examines the myriad ramifications of Spanish intrusion, especially Maya resistance to it and the changes that took place in native life because of it. The studies assembled here, focusing on the first century of colonial rule (1524–1624), discuss issues of conquest and resistance, settlement and colonization, labor and tribute, and Maya survival in the wake of Spanish invasion. The authors reappra...
Long before the Spanish colonizers established it in 1598, the “Kingdom of Nuevo México” had existed as an imaginary world—and not the one based on European medieval legend so often said to have driven the Spaniards’ ambitions in the New World. What the conquistadors sought in the 1500s, it seems, was what the native Mesoamerican Indians who took part in north-going conquest expeditions also sought: a return to the Aztecs’ mythic land of origin, Aztlan. Employing long-overlooked historical and anthropological evidence, Danna A. Levin Rojo reveals how ideas these natives held about their own past helped determine where Spanish explorers would go and what they would conquer in the n...
Eugenio Montejo was one of the most significant Latin American poets and essayists of the past half century. Montejo (who died in 2008) was awarded both the National Prize for Literature in his native Venezuela and the prestigious Octavio Paz International Poetry and Essay Prize. This long-overdue volume offers selections from all ten of Montejo’s books of poetry, as well as a handful of exemplary prose works. All of the selections are presented here in the original Spanish, with translations in English by Kirk Nesset, a prize-winning American writer and poet. Alphabet of the World reveals Montejo’s themes and stylistic range as it charts his formal and emotional trajectory. The poems of...
In four chapters, a foreword, preface, and two appendices accompanied by detailed, full-color illustrations, scholars Arni Brownstone, Nicholas Johnson, Bas van Doesburg, Eckehard Dolinski, Michael Swanton, and Elizabeth Hill Boone describe what a lienzo is and how it was made. They also explain the particular origin, format, and content of the Lienzo of Tlapiltepec—as well as its place within the larger world of Mexican painted history. The contributors furthermore explore the artistry and visual experience of the work. A final essay documents past illustrations of the lienzo including the one rendered for this book, which employed innovative processes to recover long faded colors.
The legend of "hanging judge" Isaac C. Parker is re-examined, looking past his penchant for executions to reveal the true legacy of his tenure as U.S. District Court for the Western District of Arkansas and nearby Indian Territory. (Biography)