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The Alphabet Not Unlike the World
In her accomplished second collection of poems, Katrina Vandenberg writes from the intersection of power and forgiveness. With poems named for letters of the Phoenician alphabet, and employing such innovative forms as the ancient ghazal, Vandenberg deciphers the seemingly indecipherable in this extraordinary becoming of self through language. Moving between the physical and the abstract, the individual and the collective, "Alphabet Not Unlike the World" unearths meaning--with astonishing beauty--from the pain of loss and separation.
Atlas
This debut collection of poetry by Katrina Vandenberg draws on different meanings of the title, carrying lines from one poem to the next and capturing the reverberations of events across time and place. One poem links an image of the poet's sister -- paused in housekeeping work -- to a maid in a Vermeer painting and a woman being made over on Oprah. Another compares an ex-lover's HIV to a 19th-century tulip epidemic. Quiet yet forthright, intimate yet generous, Vandenberg's poems map the intersections of history, art, love, death, and desire.
The Alphabet Not Unlike the World
In her highly ambitious second collection of poems, Katrina Vandenberg takes her inspiration from the alphabet. A meditation on the hump of a camel, and what it hides. A reminder that tomatoes belong to the nightshade family, and a vision of the plant as Adam’s downfall. The Book of Kells, gold-leafed and extravagantly decorated by monks. Titled for letters of the Phoenician alphabet, and employing such innovative forms as the ancient ghazal, these poems are richly grounded in objects both humble and exotic. Vandenberg explores the intersection of power and forgiveness, and deciphers the seemingly indecipherable in emotionally poignant ways. “What will protect us?” one poem asks. “The words will be our weapons. In the end.” Moving between the physical and the abstract, the individual and the collective, The Alphabet Not Unlike the World unearths meaning—with astonishing beauty—from the pain of loss and separation.
Old Growth
Articles about trees that have appeared in Orion Magazine.
Earthly Love
A book of love stories from a combination of new work and work from the Orion archive, that will include both poetry and prose.
The Museum on the Roof of the World
For millions of people around the world, Tibet is a domain of undisturbed tradition, the Dalai Lama a spiritual guide. By contrast, the Tibet Museum opened in Lhasa by the Chinese in 1999 was designed to reclassify Tibetan objects as cultural relics and the Dalai Lama as obsolete. Suggesting that both these views are suspect, Clare E. Harris argues in The Museum on the Roof of the World that for the past one hundred and fifty years, British and Chinese collectors and curators have tried to convert Tibet itself into a museum, an image some Tibetans have begun to contest. This book is a powerful account of the museums created by, for, or on behalf of Tibetans and the nationalist agendas that h...
Swimming with a Hundred Year Old Snapping Turtle
Poetry. "Freya Manfred always startles me by how close she gets to everything she sees. That's her tough luck, but it makes her a wonderful poet"--Philip Roth.
The Road to Happiness
Poetry. "The road in Johnathon Williams's thoughtful first collection, THE ROAD TO HAPPINESS, is a road that runs through rural western Arkansas, and the speaker is not on it. These poems are to Arkansas what Robert Frost's poems are to New England: they are poems deeply rooted in a physical place, with copperheads, locust shells, and blackberries; kilns, pork rinds, and Walmart, too; and they are spoken by a colloquial voice that calls mud wasps 'dirt daubers, ' refers to the mentally challenged as 'retards, ' and commands dogs to 'turn loose' when their jaws lock on something they shouldn't. Williams explores a primal darkness and isolation, using the constraints of blank verse and the sonnet to order the chaos of a difficult life and quiet what would otherwise be unmanageable feelings. Ultimately, he shows us the frustration and clarity of vision that come when one physically and emotionally stays put."--Katrina Vandenberg
To Eat with Grace
None
The Kissing of Kissing
In this remarkable debut, which marks the beginning of Multiverse—a literary series written and curated by the neurodivergent¬—Hannah Emerson’s poems keep, dream, bring, please, grownd, sing, kiss, and listen. They move with and within the beautiful nothing (“of buzzing light”) from which, as she elaborates, everything jumps. In language that is both bracingly new and embracingly intimate, Emerson invites us to “dive down to the beautiful muck that helps you get that the world was made from the garbage at the bottom of the universe that was boiling over with joy that wanted to become you you you yes yes yes.” These poems are encounters—animal, vegetal, elemental—that form ...
