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The Applied Theatre Artist
This book analyses the work of applied theatre practitioners using a new framework of ‘responsivity’ to make visible their unique expertise. In-depth investigation of practice combines with theorisation to provide a fresh view of the work of artists and facilitators. Case studies are drawn from community contexts: with women, mental health service users, refugees, adults with a learning disability, older people in care, and young people in school. Common skills and qualities are given a vocabulary to help define applied theatre work, such as awareness, anticipation, adaptation, attunement, and responsiveness. The Applied Theatre Artist is of scholarly, practical, and educational interest. The book offers detailed analysis of how skilled theatre artists make in-action decisions within socially engaged participatory projects. Rich description of in-session activity reveals what workshop facilitators actually do and how they think, offering a rare focus in applied theatre.
Applied Theatre
This accessible book outlines the key ideas that define the global phenomenon of applied theatre, not only its theoretical underpinning, its origins and practice, but also providing eight real-life examples drawn from a diversity of forms and settings. The clearly arranged topic sections entitled When, What, Who, Why and Where emphasise the responsive nature of applied theatre, its social context and the importance of a beneficial outcome for participants, which can connect fields as disparate as health, criminal justice, education and migration. Labels and terms are explained, along with applied theatre’s core values, motivations and objectives, allowing the reader to build a coherent understanding of its distinguishing features. Applied Theatre: The Key Concepts is aimed at students, academics, artists and practitioners of applied theatre as well as those with an interest in this vital blend of social and creative practice.
The Applied Theatre Artist
This book analyses the work of applied theatre practitioners using a new framework of ‘responsivity’ to make visible their unique expertise. In-depth investigation of practice combines with theorisation to provide a fresh view of the work of artists and facilitators. Case studies are drawn from community contexts: with women, mental health service users, refugees, adults with a learning disability, older people in care, and young people in school. Common skills and qualities are given a vocabulary to help define applied theatre work, such as awareness, anticipation, adaptation, attunement, and responsiveness. The Applied Theatre Artist is of scholarly, practical, and educational interest. The book offers detailed analysis of how skilled theatre artists make in-action decisions within socially engaged participatory projects. Rich description of in-session activity reveals what workshop facilitators actually do and how they think, offering a rare focus in applied theatre.
Applied Theatre: Ethics
"This volume explores what it means for applied theatre practice to be conducted in an ethical way and examines how this affects the work done with communities and participants. It considers how practitioners can effectively balance aesthetics and ethics in the process of creating performance, particularly with relatively inexperienced and often vulnerable groups of people who are being asked to both tell and stage their stories. While Part One offers an overview of critical debates and the editors' reflections on their own practice, Part Two presents a range of international case studies that explore how the theories and issues are worked out in a variety of diverse practices. The two secti...
Applied Theatre: Facilitation
"Explores the facilitator's role within a range of socially engaged theatre and community theatre settings. ... Part One offers an introduction to the concept, role and practice of facilitation and its applications in different contexts and cultural locations. ... Part Two illuminates the diversity in the field of facilitation in applied theatre through offering multiple voices, case studies, theoretical positions and contexts. These are drawn from Australia, Serbia, Kyrgyzstan, India, Israel/Palestine, Rwanda, the United Kingdom and North America, and they apply a range of aesthetic forms: performance, process drama, forum, clowning and playmaking."--Back cover.
Applied Theatre: Women and the Criminal Justice System
"International theatre and performance practice in carceral contexts and the material and political conditions that shape this work. Each of the twelve essays and interviews by international practitioners and scholars reveal a panoply of practice: from cross-arts projects shaped by autobiographical narratives through to fantasy-informed cabaret; from radio plays to film; from popular participatory performance to work staged in commercial theatres. Extracts of performance texts, developed with Clean Break theatre company, are interwoven through the collection"--Page 4 of cover
Visualising the Empire of Capital
Methods of visualising modernity and capitalism have been central to classical social science. Those methods of seeing, specifically in the work of Marx, were attempts to capture visually the fragmenting edifice of capital in its death throes and were part of a project to hasten its demise - yet capitalism persisted and perpetuated itself in new forms, such that its demise now looks less likely than it did 150 years ago. This book argues for a new way of understanding Marx and a new way of approaching both capitalist modernity and Marx’s Capital by rethinking the nature of vision. Through studies of visualisation in relation to machines and the monstrous, memory, mirrors and optics, and the invisible, Visualising the Empire of Capital offers a new way of thinking about what capital is and its future. A new reading of - and against - Marx, this volume argues for new forms of sensual utopia while initiating antagonism to the empire of capital itself. As such, it will appeal to social theorists, social anthropologists and sociologists with interests in critical theory, visual culture and aesthetics.
Reasons to be Graeae
Graeae has been a force for change in world-class theatre since it was founded in 1980, placing D/deaf and disabled actors centre stage and challenging preconceptions. A work in progress contains the full script of Reasons to be cheerful, a brief history of the company, analysis and extracts from their previous shows, memories of Graeae from previous collaborators, including Jack Thorne, Jo Clifford, Kaite O'Reilly and Jonathan Meth, and a host of images.
Applied Puppetry
Drawing on thirty years of making theatre with objects, this field-defining book maps the terrain of applied puppetry. Through a range of case studies both personal and practical, Matt Smith offers a reflective and engaging study which provides makers, thinkers and students alike with a toolkit for thinking about and making puppetry in community settings. Through eight chapters, Smith muses on the nature of creativity, explores approaches to puppetry through ecology, and considers how puppets and objects affect the act of making and – in turn – how they affect those who make, use and experience them in performance. Along the way, Applied Puppetry offers practical exercises in theatre-making, demonstrates the political power of puppetry beyond borders, and interrogates the limitations and possibilities of puppetry and object theatre in local communities, volatile contexts and difficult circumstances.
