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A savagely mutilated doll, the sinister reminder of the terrifying photos he had seen earlier in London, is in the shoe box given to Keegan as he embarks on the run from Belgium. He has been 'sold' by his creditor, Viney, to a London firm to clear himself financially. But the firm has elaborate games in mind: games involving a patsy . . . International security is at risk. And the patsy, Keegan, is needed . . . dead!
Lana and Lilly Wachowski have redefined the technically and topically possible while joyfully defying audience expectations. Visionary films like The Matrix trilogy and Cloud Atlas have made them the world's most influential transgender media producers, and their coming out retroactively put trans* aesthetics at the very center of popular American culture. Cáel M. Keegan views the Wachowskis' films as an approach to trans* experience that maps a transgender journey and the promise we might learn "to sense beyond the limits of the given world." Keegan reveals how the filmmakers take up the relationship between identity and coding (be it computers or genes), inheritance and belonging, and how transgender becoming connects to a utopian vision of a post-racial order. Along the way, he theorizes a trans* aesthetic that explores the plasticity of cinema to create new social worlds, new temporalities, and new sensory inputs and outputs. Film comes to disrupt, rearrange, and evolve the cinematic exchange with the senses in the same manner that trans* disrupts, rearranges, and evolves discrete genders and sexes.
The instant New York Times bestseller and publishing phenomenon: Marina Keegan’s posthumous collection of award-winning essays and stories “sparkles with talent, humanity, and youth” (O, The Oprah Magazine). Marina Keegan’s star was on the rise when she graduated magna cum laude from Yale in May 2012. She had a play that was to be produced at the New York Fringe Festival and a job waiting for her at The New Yorker. Tragically, five days after graduation, Marina died in a car crash. Marina left behind a rich, deeply expansive trove of writing that, like her title essay, captures the hope, uncertainty, and possibility of her generation. Her short story “Cold Pastoral” was published...
Welcome to this series of Short Talking Books. This volume focuses on Kevin Keegan at Newcastle United during the 1996 season. The book includes short profiles of the team and others who played a part in their biggest success. It is written in a conversational question and answer format. ‘The Talking Manager’s’ series is designed as a ‘on the go’ travel book. The print size offers an easier read for small devices like mobile phones. Look for others in the series.
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John Murphy (1802-1884), son and grandson of Arthur, married Ann Cardiff about 1833/1834, and emigrated from Ireland to Faribault, Rice County, Minnesota. Descendants and relatives lived in Minnesota, Michigan, North Dakota, Montana, Washington and elsewhere. The four Milesian families bore the surnames of Murphy, Keegan, Dunn, and Brien (O'Brien). Includes ancestry and some descendants in Ireland.
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Compassionate, witty, and unsettling, Antarctica is the debut collection of one of Ireland's most exciting and versatile new talents. Claire Keegan, winner of several prestigious awards including the William Trevor Prize, writes stories that have a razor-sharp narrative style and unembellished tone, and move from the cruel, hard life of rural Ireland to the hot landscape of the southern United States. From the title story about a married woman who takes a trip to the city with a single purpose in mind—to sleep with another man—Antarctica draws you into a world of obsession, betrayal, and fragile relationships. In "Love in the Tall Grass," Cordelia wakes on the last day of the twentieth c...
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Corky and Norm are excited to host Gerald and Laura at their home in the valley outside Los Angeles to watch a once-in-a-lifetime meteor shower. But as the stars come out and the conversation gets rolling, it becomes clear that Gerald and Laura might not be all that they appear to be. Over the course of a crazy, starlit dinner party, the wildly unexpected occurs. The couples begin to flirt and insanity reigns. Martin, using his trademark absurdist humor, bends the fluid nature of time and reality to create a surprising and unforgettably funny new play.