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The Political Optimist
A political optimist imposes confidence from an elitist distance. They are outside consultants telling you have to handle an inside crisis. They look and sound close, but in truth, their heart is far from you. They speak of their capital success without any attempt to understand your concerned mind. Written for those who struggle with political people, you will love The Political Optimist. It promotes the safeguards of "being real" as a counter measure to "being political." It teaches how to stand to be corrected while still questioning authority. If you want to know the difference between political people and genuine optimists, this book with help. It teaches that the genuine optimist desires common consent while the political optimist wants central control. Because we use majority rule, political personalities easily destroy individual liberty and the voice of dissent. If you are stuck in a political situation at work or if you are struggling with political people, this book is a must read.
Our Past and Present-- for the Future
Polde (Leopold or Leo) Došen was born 10 May 1895 in Rudopolja, Brunvo, Serb-Croat-Slovakia. His parents were Tome Došen and Marta Dragičević. He immigrated to the United States with his brother Martin in 1907. He settled in Kenaston, Saskatchewan in about 1918. He married Bozica (Anna) Pavelić, daughter of Joseph Pavelić and Katerine Tomlenjović, 12 January 1921. They had one daughter. Anna died in 1922. He married Mary Rose Sulik 7 May 1923. They had seven children. He died in 1958 in Battleford, Sakatchewan. Descendants and relatives lived mainly in Saskatchewan and British Columbia.
The Political Optimist
A political optimist imposes confidence from an elitist distance. They are outside consultants telling you how to handle an inside crisis. They look and sound close, but in truth, their heart is far from you. They charge the air with their capital success without any attempt to understand your concerned mind. In a way, greater success separates the political person from the responsibility of genuine optimism.Today we use the distance of success to magically detach us from the burdens and disagreements others carry. This is opposite the genuine leader who carries those burdens and openly stands to be questioned. At every turn, political optimists produce top-down, centrally controlled organiz...
Horror and Science Fiction Films IV
This fourth title in a unique series that combines reference and analytical qualities in chronicling the horror and science fiction genres, Horror and Science Fiction Films IV brings the earlier three volumes in the series up to date, concentrating on the period from 1984-1994, as well as updating entries from the previous volumes and adding newly-discovered titles from 1900-1983. Entries in the main list include credits, cast, synopsis, and annotation. The introduction lists 1995 releases in the genres and 1996 releases through the summer, cites the more memorable films in the genres for both the current period and 1900-1984, and serves as an index to key titles in the main list, including ...
Italian Horror Film Directors
There is no cinema with such effect as that of the hallucinatory Italian horror film. From Riccardo Freda's I Vampiri in 1956 to Il Cartaio in 2004, this work recounts the origins of the genre, celebrates at length ten of its auteurs, and discusses the noteworthy films of many others associated with the genre. The directors discussed in detail are Dario Argento, Lamberto Bava, Mario Bava, Ruggero Deodato, Lucio Fulci, Umberto Lenzi, Antonio Margheriti, Aristide Massaccesi, Bruno Mattei, and Michele Soavi. Each chapter includes a biography, a detailed career account, discussion of influences both literary and cinematic, commentary on the films, with plots and production details, and an exhaustive filmography. A second section contains short discussions and selected filmographies of other important horror directors. The work concludes with a chapter on the future of Italian horror and an appendix of important horror films by directors other than the 50 profiled. Stills, posters, and behind-the-scenes shots illustrate the book.
