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"Owning a home is a cornerstone of the American Dream, the ultimate status symbol in the land of the free. But is the dream in crisis? Mass-marketed and endlessly multiplied, the suburban single-family house has become an instrument of global economic calamity and ongoing environmental catastrophe. Never before have we been so badly in need of a reassessment of our cultural values from an architectural perspective."--Back cover.
New Investigations in Collective Form presents a group of design experiments by the design-research office THE OPEN WORKSHOP, that test how architecture can empower the diverse voices that make up the public realm and the environments in which they exist. Today, society continues to face urban challenges--from economic inequality to a progressively fragile natural environment--that, in order to be addressed, require us to come together in a moment when what we collectively value is increasingly difficult to locate. Organized into five themes for producing collectivity--Frameworks, Articulated Surfaces, the Living Archive, Re-Wiring States, and Commoning--the projects straddle the fine line between the individual and collective, informal, and formal, choice and control, impermanent and permanent.
Drawing Futures brings together international designers and artists for speculations in contemporary drawing for art and architecture.Despite numerous developments in technological manufacture and computational design that provide new grounds for designers, the act of drawing still plays a central role as a vehicle for speculation. There is a rich and long history of drawing tied to innovations in technology as well as to revolutions in our philosophical understanding of the world. In reflection of a society now underpinned by computational networks and interfaces allowing hitherto unprecedented views of the world, the changing status of the drawing and its representation as a political act ...
“Weird and wild.” —BookRiot “An effective critique of authoritarianism.” —NPR “Equal parts dystopia, satire, and allegory. —Los Angeles Review of Books Set against the backdrop of a failed political uprising in Egypt, this chilling debut evokes Orwellian dystopia, Kafkaesque surrealism, and a very real vision of life after the Arab Spring. In a surreal, but familiar, vision of modern day Egypt, a centralized authority known as ‘the Gate’ has risen to power in the aftermath of the ‘Disgraceful Events,’ a failed popular uprising. Citizens are required to obtain permission from the Gate in order to take care of even the most basic of their daily affairs, yet the Gate nev...
In 1954, the French writer, politician, and publisher André Malraux posed at home for a photographer from the magazine Paris Match, surrounded by pages from his forthcoming book Le musée imaginaire de la sculpture mondiale. The enchanting metaphor of the musée imaginaire (imaginary museum) was built upon that illustrated art book, and Malraux was one of its greatest champions. Drawing on a range of contemporary publications, he adopted images and responded to ideas. Indeed, Malraux’s book on the floor is a variation of photographer André Vigneau’s spectacular Encyclopédie photographique de l’art, published in five volumes from 1935 on—years before Malraux would enter this field....
Drawing Futures brings together international designers and artists for speculations in contemporary drawing for art and architecture.Despite numerous developments in technological manufacture and computational design that provide new grounds for designers, the act of drawing still plays a central role as a vehicle for speculation. There is a rich and long history of drawing tied to innovations in technology as well as to revolutions in our philosophical understanding of the world. In reflection of a society now underpinned by computational networks and interfaces allowing hitherto unprecedented views of the world, the changing status of the drawing and its representation as a political act ...
Log 40 assembles a wide-ranging collection of thoughtful essays on some of the most urgent questions and debates in architecture today, bringing them into dialogue with those of architecture¿s recent past. The legacy and current status of architectural images are considered from radically different vantages, in Brett Steele¿s anecdotal discourse on Zaha Hadid¿s 1983 painting The World (89 Degrees), John May¿s exacting dissection of ¿architecture after imaging,¿ and Hana Gründler¿s exploration of the ethical implications of drawing borderlines. The issue features commentary by two contemporary architects on contemporary buildings: V. Mitch McEwen on David Adjaye¿s National Museum of African American History and Culture in Washington, DC, and Elisabetta Terragni on OMA¿s Fondazione Prada in Milan. Other highlights include an excerpt from Noah¿s Ark, the new collection of Hubert Damisch¿s singular writings on architecture; a lively response by Mark Foster Gage to Michael Meredith¿s recent Log essay on indifference; and a sampling of new domestic objects designed by architects.
Powerful forces collide in this explosive conclusion to the middle-grade dystopian Psi Chronicles trilogy. Four months ago, Taemon was able to stave off an invasion by the Republikite army by using tricks to convince his enemies that the people of Deliverance still had the telekinetic ability known as psi. Now, though, the truth of his deception has come to light, and the Republik is prepared to mount another attack, led by General Sarin and his son, Gevri. Once an ally, Gevri is fuming over Taemon’s perceived betrayal. Now that his father has put him in charge of a special archon unit, Gevri is ready to exact revenge on his foe—and, with Deliverance securely in the control of the Republik, to end the centuries-long war between the Republik and the Nau nations. Can Taemon—the supposed True Son and savior of Deliverance—find a way to save his people one last time?
A Financial Times Best Book of the Year A Guardian Best Architecture Book of the Year “Sharp, revealing, funny.” —The Guardian “An original and even occasionally hilarious book about losing ideals and finding them again... [De Graaf] deftly shows that architecture cannot be better or more pure than the flawed humans who make it.” —The Economist Architecture, we like to believe, is an elevated art form that shapes the world as it pleases. Four Walls and a Roof turns this fiction on its head, offering a candid account of what it’s really like to work as an architect. Drawing on his own tragicomic experiences in the field, Reinier de Graaf reveals the world of contemporary archite...
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