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Keith Lawrence
Aka Lawrence the Magician, specialist in magic for children. File contains press cuttings.
Chris Lawry
'Chris Lawry: There Are Places I Remember' is a catalogue supporting her solo exhibition presented at Tacit Art in Melbourne, 1 - 18 June, 2022. It features an image of the works presented - a series of linocut prints along with an essay by the artist.
Fair Weather Ahead
Born and reared in the suburbs of Corpus Christi, Texas, Keith Lawrence was the youngest of three children. Since his father worked in an oil refinery for twenty seven years, Keith had a very comfortable life growing up. He considers himself to be a very contented simple type person. He also considers himself to be the direct opposite of his wife, which led to a great deal of compromise. Their ability to work together and take on any challenge proved to be a huge asset as they fought the incurable lung disease identified as Idiopathic Pulmonary Fibrosis. This is the story of an incredible journey of discovery, success, pain and two people loving each other through the process of drawing closer to a loving God. Keith has worked as a refinery worker for twenty six years. He has one son, a married daughter, and two grandchildren. Living as a widower has afforded Keith a lot of freedom to commit to God's plan and follow Him in many ministries. He enjoys working with youth and disaster relief or just helping those in need. He feels God has blessed his life beyond anything he could have ever asked.
D H Lawrence: Poet
Though much has been written about Lawrence's poetry (as revealed by the several hundred entries in the book's checklist of criticism), there have been relatively few full length studies. This book deals with the whole range of his poetry from his earliest poems, such as 'To Campions' and 'To Guelder Roses', through the poems inspired by his elopement with and subsequent marriage to Frieda Weekley (Look! We Have Come Through!), to the mature achievement, in free verse forms inspired by Walt Whitman, of Birds, Beasts and Flowers, Pansies and Last Poems. The genesis of the poems in Lawrence's life is explored; and there are new interpretations of his most memorable poems, such as 'The Wild Common', 'Piano', 'Song of a Man Who Has Come Through', Tortoises, 'Peach', 'Pomegranate', 'Snake', 'Bavarian Gentians' and 'The Ship of Death'.
Editions 19
Editions 19 is a catalogue supporting the annual print group exhibition at Tacit Galleries in Melbourne, 13-24 February 2019. Curated by Keith Lawrence, Editions features a total of 50 Victorian-based printmakers and some 200+ works. For 2019, featured artist was Lisa Sewards.The catalogue features one image from each of the 50 artists plus a short statement about their practice.
The Art of D. H. Lawrence
Study of Lawrence's fiction, non-fiction, poetry, and paintings.
D. H. Lawrence
"You Touched Me" is a comic/tragic story of a forced marriage brought about by an accidental touch in the night but the depth of the writing leaves the reader unsure if the couple are marrying for money or to release the passions realised by the touch in the night.
Weekly World News
Rooted in the creative success of over 30 years of supermarket tabloid publishing, the Weekly World News has been the world's only reliable news source since 1979. The online hub www.weeklyworldnews.com is a leading entertainment news site.
Art for Life's Sake
The late Keith Sagar produced over fifty years a stream of essays, introductions and lectures on Lawrence, fourteen of which are collected here. Four have not been previously published, and this collection brings most of others back into print. Of Keith Sagar's first book, The Art of D. H. Lawrence (1966), Vivian de Sola Pinto wrote that it marked the start of serious Lawrence scholarship in England. Alastair Niven described Sagar's Calendar of Lawrence's Works (1979) as 'indispensable, fascinating and almost certainly as authoritative a literary calendar as we could expect for any writer'. John Worthen described The Life of D. H. Lawrence (1980) as 'the best single-volume biography of Lawrence'. Keith Brown, reviewing D. H. Lawrence: Life into Art in the Times Literary Supplement in 1985 wrote: 'Criticism of Dr Sagar's book is well-nigh impossible. It is clearly going to be there as long as formal Lawrence studies survive'. Of his latest book, D. H. Lawrence: Poet (2008), Christopher Pollnitz wrote: 'Keith Sagar has done more than any other critic to reshape understanding of Lawrence as poet.'
