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A epic painterly panorama of an alternate American 21st century New York-based painter Keith Mayerson (born 1966) is inspired by symbols of American history and pop culture, and depicts familiar figures who have impacted the country's consciousness--in addition to personal scenes and his abstract "iconscapes"--through microscopic brushstrokes and coloring. While his formal qualities hint at a French Impressionist influence, his images also evokes the spiritual and cultural commentary of the Symbolists, as well as the more visionary aspects of American modernists and the Old Masters. In this survey, Mayerson constructs what he calls a "wordless novel" for the 21st century: an alternate histor...
Cutting edge author Dennis Cooper teams up with notorious artist keith Mayerson to bring us this queer psychedelic slacker tale of Trevor Machine: a twentysomething, gay-but-sexually confused lead singer for an LA indie band on its way to fame and fortune. The book chronicles Trevor's adventures and struggles with love, se, the music industry and a spiritual visitation from the ghost of River Phoenix.
From the Beat poets' incarnation of the "white Negro" through Iron John and the Men's Movement to the paranoid masculinity of Timothy McVeigh, white men in this country have increasingly imagined themselves as victims. In Taking It Like a Man, David Savran explores the social and sexual tensions that have helped to produce this phenomenon. Beginning with the 1940s, when many white, middle-class men moved into a rule-bound, corporate culture, Savran sifts through literary, cinematic, and journalistic examples that construct the white man as victimized, feminized, internally divided, and self-destructive. Savran considers how this widely perceived loss of male power has played itself out on bo...
Dennis Cooper has been both praised and censured as the most controversial writer working today for his creation of a searing, outlaw textuality that charts psychosexual terrain uncensored by desire police. This volume is the first to explore Cooper's significance as a pioneering literary artist who illuminates the hidden or repressed extremities of the fin de millennium American zeitgeist. Leora Lev has assembled a roster of internationally acclaimed scholars, fiction writers, filmmakers, and artists who conjure a provocative encounter between Cooper's fiction, European transgressive literature and philosophy (e.g., Sade, Rimbaud, Bataille, Bresson), and American psychocultural topographies.
“A brilliantly conceived and long overdue opening up [or deconstruction] of the Anne Frank story.” —James Clifford, Professor Emeritus, History of Consciousness Department, University of California As millions of people around the world who have read her diary attest, Anne Frank, the most familiar victim of the Holocaust, has a remarkable place in contemporary memory. Anne Frank Unbound looks beyond this young girl’s words at the numerous ways people have engaged her life and writing. Apart from officially sanctioned works and organizations, there exists a prodigious amount of cultural production, which encompasses literature, art, music, film, television, blogs, pedagogy, scholarshi...
From the concert stage to the dressing room, from the recording studio to the digital realm, SPIN surveys the modern musical landscape and the culture around it with authoritative reporting, provocative interviews, and a discerning critical ear. With dynamic photography, bold graphic design, and informed irreverence, the pages of SPIN pulsate with the energy of today's most innovative sounds. Whether covering what's new or what's next, SPIN is your monthly VIP pass to all that rocks.
In December 1977, struggling Canadian comic book artist Dave Sim self-published the first issue of Cerebus the Aardvark, a Conan the Barbarian satire featuring a foul-tempered, sword-wielding creature trapped in a human world. Over the next 26 years, Sim, and later collaborator Gerhard, produced an epic 6,000-page graphic novel, the longest-running English language comic series by a single creative team. They revolutionized the comics medium by showing other artists that they too could forgo major publishers, paving the way for such successes as Teenage Mutant Ninja Turtles and Bone. This work, the first collection of critical essays on Cerebus, provides a multifaceted approach to Sim and Gerhard's complex and entertaining oeuvre, including their innovative use of the comic medium, storytelling and satiric techniques, technical and visual sophistication, and Sim's use of the comic as commentary on gender and religion.
Self-described pervert Katherine Gates takes an anthopological look at the explosion of extreme fetishes and post-modern eroticisms in this lavishly illustrated guide to some of the most obscure and fascinating sexual subcultures. Here are just a few of the strange and convoluted erotic turn-ons included: Pony riding academies, cybersex and its permutations, a man whose fetish is to costume himself as a thanksgiving turkey and get cooked in an oversize oven. Also includes interviews with John Waters, Clive Barker, and Harold Schecter.