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The Boyfriend
Chris faced up to the fact that he was gay young man in spite of all the stories he read where he didn't fit the profile-his family wasn't loaded, he didn't drive an incredible road machine, and he was neither effeminate nor the super-jock. He didn't hate himself, and while he didn't exactly bolt out of the closet, he wasn't in a state of painful denial either. So, what did he want? Chris wanted love but that's tough to find. But that didn't matter anyway, because everything he heard and saw told him all gay men wanted was sex-and that he knew how to find. Looking for it one night he met Jamie Levesque, and with stars in his eyes he had to change his mind... The way Chris saw it, once he had a boyfriend, everything was going to be different. Just like in the stories, life with Jamie was going to be sunshine and lollipops forever-right? Uh-huh. Right. Read about it in a story that's told by Chris in his own words and in his own special way.
Taking Punk to the Masses
Taking Punk to the Masses: From Nowhere to Nevermind visually documents the explosion of Grunge, the Seattle Sound, within the context of the underground punk subculture that was developing throughout the u.S. in the late 1970s and 1980s. The book serves as a companion and contextual backdrop to the Nirvana: Taking Punk to the Masses exhibition, which opens at Seattle’s Experience Music Project in 2011. This decade-and-a-half musical journey will be represented entirely through the lens of EMP’s oral history and permanent object collection, an invaluable and rich cultural archive of over 800 interviews and 140,000 objects ― instruments, costumes, posters, records and other ephemera ded...
The Beatles from A to Zed
“At last, I finally understand the alphabet! I also love this book: secret Beatles knowledge from one of the closest insiders.” —Steve Martin Peter Asher met the Beatles in the spring of 1963, the start of a lifelong association with the band and its members. He had a front-row seat as they elevated pop music into an art form, and he was present at the creation of some of the most iconic music of our times. Asher is also a talented musician in his own right, with a great ear for what was new and fresh. He was asked by Paul McCartney to help start Apple Records; the first artist Asher discovered and signed up was a young American singer-songwriter named James Taylor. Before long he woul...
Violence, Order, and Unrest
This edited collection offers a broad reinterpretation of the origins of Canada. Drawing on cutting-edge research in a number of fields, Violence, Order, and Unrest explores the development of British North America from the mid-eighteenth century through the aftermath of Confederation. The chapters cover an ambitious range of topics, from Indigenous culture to municipal politics, public executions to runaway slave advertisements. Cumulatively, this book examines the diversity of Indigenous and colonial experiences across northern North America and provides fresh perspectives on the crucial roles of violence and unrest in attempts to establish British authority in Indigenous territories. In the aftermath of Canada 150, Violence, Order, and Unrest offers a timely contribution to current debates over the nature of Canadian culture and history, demonstrating that we cannot understand Canada today without considering its origins as a colonial project.
Dark Mirror
Singer-songwriters' lyrical reflections have a magical way of expressing our own sentiments and feelings. Almost all of the singer-songwriters discussed here — including Bob Dylan, John Lennon, Tom Waits, Amy Winehouse, The White Stripes, and many more — sing in an exotic and raw vocal style, which one would not traditionally call reassuring, and yet their profoundly unique voices appear to be the only ones capable of conveying their unique messages. One of the key elements being studied in this book is the fact that singer-songwriters often suffer from a deep sense of loneliness, perhaps associated with a sense of being the only one who could adequately sing and perform what they compos...
This Business of Artist Management
This authoritative reference on artist management in the music industry is the standard for all phases of managing a musician's career from both the artist's and manager's point of view. This substantially updated edition covers the major changes that have transformed the business world and music industry over the past six years. Particular emphasis is given to the impact of the Internet, including the MP3 controversy and its lingering ramifications, copyright licensing on the Web, navigating trade identity issues on the Net, domain names, and the high-tech fight against cyberpiracy. Included are real-world examples-as well as new interviews with top booking agents, personal managers, concert promoters, record company executives, road managers, and artists. • For aspiring and professional managers in the music/entertainment field as well as musicians, music publishers, and record company personnel • Winner of the presigious ASCAP Deems Taylor Award for excellence in music publishing • This replaces 0-8230-7705-5, which sold more than 25,000 copies
Let it Shine
During 1996 and 1997, T. Marshall Hahn donated a substantial portion of his collection of contemporary folk art to the High Museum of Art in Atlanta. His gift was the first major collection of self-taught art primarily from the South to be given to a general interest American museum. The Hahn Collection comprises more than 140 paintings, works on paper, and sculptures created by more than forty artists and is particularly strong in work by African American self-taught artists. The three essays in this book provide a context for this extraordinary gift. An interview with Hahn by Lynne E. Spriggs, the High's Curator of Folk Art, traces his personal collecting history. An essay by Joanne Cubbs, the High's first curator of folk art, explores conceptual and aesthetic themes common to Southern folk art, and an essay by Lynda Roscoe Hartigan, Chief Curator at the Smithsonian American Art Museum, presents an overview of the developing awareness of and market for Southern folk art. The catalogue section features color reproductions and short essays on eighty-five of the most significant objects in the Collection.
The Mystery of Beautiful Nell Cropsey
As compelling as fiction, The Mystery of Beautiful Nell Cropsey tells the dramatic story of the disappearance of nineteen-year-old Nell Cropsey from her riverside home in Elizabeth City, North Carolina, in November 1901. Bloodhounds, detectives, divers, and even a psychic were brought in to search for her, and the case immediately became a national sensation. Bland Simpson, who first heard the tale as an Elizabeth City schoolboy, weaves this true story into a colorful nonfiction account, told in three first-person voices: Nell's sister Ollie; famous newspaper editor W. O. Saunders, who covered the case as a young reporter; and Jim Wilcox, Nell's beau, who was implicated in the case. Nell and Jim's romance, her disappearance, the great search, the trials, and their aftermath are artfully reconstructed from interviews, court records, and newspaper accounts.
Deconstruction and the Remainders of Phenomenology
This book disentangles two terms that were conflated in the initial Anglo-American appropriation of French theory: deconstruction and poststructuralism. Focusing on Sartre, Derrida, Foucault, and Baudrillard (but also considering Levinas, Blanchot, de Man, and others), it traces the turn from a deconstruction inflected by phenomenology to a poststructuralism formed by the rejection of models based on consciousness in favor of ones based on language and structure. The book provides a wide-ranging and complex genealogy of French theory from the 1940s onward, placing particular emphasis on the largely neglected early work of the theorists involved and on deconstruction's continuing relevance. T...
