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Mattia Preti
"This book examines Preti's art and studies the context of his Maltese period, which climaxed in the triumphant manner which imbued his first decade there. The book researches his life and his work, analyses the complications of his knighthood and examines the mechanics of patronage. It catalogues the paintings which are in Malta and, based on archival research and stylistic study, it attempts a chronology for the paintings under review. The book builds up on the work of other Preti scholars and addresses issues which have already been previously studied, whilst presenting others which are new."--Preface, page ix.
Caravaggio
"Written by two leading authorities in the field, this illustrated book tells the story of Caravaggio's voyage to Malta, his interactions with the Knights and their leader Grand Master Alof de Wignacourt, and the magnificent paintings he made for them." "The book presents new iconographic, technical, and stylistic analyses of all of the Maltese pictures as well as two chapters devoted to discussion of Caravaggio's importance in the history of art and the chronological problems in his late works. Based on original archival research, this study also includes an account of Caravaggio's crime in Malta, his imprisonment, and daring escape to Sicily."--BOOK JACKET.
Baroque Painting in Malta
The story of Baroque painting in Malta reflects that of the Italian peninsula and, in many ways, can be directly integrated within it. In terms of quantity, the island was impressively prolific. In terms of quality, works vary tremendously. There were, however, celebrated instances when the island was significantly at the forefront of stylistic development. A handful of Maltese artists worked beyond the island's shores and some, like the painter Francesco Noletti (il Fieravino), made major breakthroughs in Rome, the 'mother' of all cities. The island's small size also meant that it could be easily conditioned by one or two major artists working there. Therefore, a talented artist, Maltese or...
Art as Life
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Caravaggio and Paintings of Realism in Malta
In July 1608, Caravaggio was invested with the habit of Magistral Obedience by Alof de Wignacourt, Grand Master of the Knights of Malta. In honouring Caravaggio, the Grand Master thought that he would thus keep the artist firmly attached to the Order of St John, hoping that the Order would find glory through his art: 'we wish to gratify the desire of this excellent painter, so that our Island Malta, and our Order may at last glory in this adopted disciple and citizen' (extract from the document of Caravaggio's investiture). The artist, however, soon fell out of grace and was deprived of his knighthood in the very same year. Malta had thus, strictly speaking, 'lost' Caravaggio. Caravaggio's p...
Mattia Preti
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Melchiorre Cafà
This publication is the first truly collective attempt to study the work of Melchiorre Cafa'. In a variety of studies, it discusses specific and synoptic issues related to his oeuvre. The book also presents a check-list of works by (or attributed to) the artist; this check-list aims at establishing a critical repertory of his oeuvre.
Francesco Zahra 1710-1773
This book celebrates the 300th-year anniversary of Francesco Zahra's birth in 1710 and seeks to show the extraordinary range of the artist's output. Zahra was Malta's most important native painter of the mid-18th century and his style wonderfully captured the spirit of the Late Baroque. He was extremely prolific and could handle the brush with a fascinating ease, thus furnishing Maltese churches with hundreds of paintings, large and small. His extraordinary creative spirit also ensured that his pictures breathed the compositional freshness of mature artists. Francesco Zahra produced various designs for church furniture, marble altars, silver artefacts, liturgical vessels and other objets d'a...
Roman Baroque Sculpture
This book, now in its second revised edition, studies the mechanics of patronage of Roman Baroque sculpture produced for the Knights of the Order of St John and discusses the extent of such patronage together with the artistic and historical importance of the works commissioned. Leading artists such as Alessandro Algardi, Ciro Ferri and Melchiorre Cafà are thoroughly examined and new attributions to others are made. Moreover, Sciberras research sheds light on the lesser known aspects of the artistic liaisons between Malta and Rome, on who took care of the Orders artistic affairs in Rome and on how these works traveled to Malta. The book divides the sculptural works of art into three categor...
