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Keith Walden
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Becoming Modern in Toronto
In Becoming Modern in Toronto, Keith Walden shows how the Toronto Industrial Exhibition, from its founding, in 1879, to 1903 (when it was renamed the Canadian National Exhibition), influenced the shaping and ordering of the emerging urban culture.
The Inglorious Arts of Peace
Heaman examines the ways in which British North America was advertised at home and abroad in the pursuit of productivity, markets, capital, and immigrants, and evaluates the exhibitions' impact on private industry, the government, and Canadian identity. She also considers the participation of women and native peoples at local and international exhibits, showing how they transcended the limited spheres of representation imposed upon them.
Looking Good
Winner of the Bridgewater State College Class of 1950 Distinguished Faculty Research Award Toward the end of the nineteenth century, as young women began entering college in greater numbers than ever before, physicians and social critics charged that campus life posed grave hazards to the female constitution and women's reproductive health. "A girl could study and learn," Dr. Edward Clarke warned in his widely read 1873 book Sex in Education, "but she could not do all this and retain uninjured health, and a future secure from neuralgia, uterine disease, hysteria, and other derangements of the nervous system." For half a century, ideas such as Dr. Clarke's framed the debate over a woman's pla...
The Modern Girl
Using a wide range of visual and textual evidence, Nicholas illuminates both the frequent public debates about female appearance and the realities of feminine self-presentation in 1920s Canada.
Clio's Bastards
Clio's Bastards uses an examination of the discipline of history in Canadian universities as the point of entry for a much larger exploration of the intellectual, spiritual, and moral crisis confronting Western civilization today. Over the past four decades, academic history was slowly perverted as historians adopted new sociological approaches to the study of the past. Historians altered the content, purpose, and goals of the discipline as they sought not Truth but Justice as part of a larger ideological program of radical social change. And today, the pervasive sociological way of seeing, understanding, and explaining our world has become the "new common sense" right across the Western world, both inside and outside the academy. Sociological thought, however, is neither "new" nor "advanced" nor is it "progressive" as its adherents claim: it is simply recrudescent Sophistry and Cynicism, destructive philosophies which ruined and fouled ancient Athens, the source and inspiration for Western civilization.
Canadian Music and American Culture
This collection explores Canadian music’s commentaries on American culture. ‘American Woman, get away from me!’ - one of the most resonant musical statements to come out of Canada - is a cry of love and hate for its neighbour. Canada’s close, inescapable entanglement with the superpower to the south provides a unique yet representative case study of the benefits and detriments of the global American culture machine. Literature scholars apply textual and cultural analysis to a selection of Anglo-Canadian music – from Joni Mitchell to Peaches, via such artists as Neil Young, Rush, and the Tragically Hip – to explore the generic borrowings and social criticism, the desires and failures of Canada’s musical relationship with the USA. This innovative volume will appeal to those interested in Music, Canadian Studies, and American Studies.
Heroines and History
"This is a fascinating comparison of the histories of Ontario and Quebec as seen through the handling of their best-known heroines. Most Canadians are familiar with stories of Madeleine de Vercheres defending Montreal against the Iroquois in 1692 and of Laura Secord and her cow bravely crossing the American lines to warn the British during the War of 1812.
Critical Geographies of Cycling
Examining cycling from a range of geographical perspectives, this book uses historical and contemporary case studies to look at the history, politics, economy and culture of cycling. Pursuing a post-structural position in viewing understandings of the bicycle as contingent upon time and place, author Glen Norcliffe argues for the need for widespread processes such as gendered use of the bicycle, the Cyclists’ Rights Movement, and the globalization of bicycle-making to be interpreted in different ways in different settings. With this in mind, the essays in the book are divided into two sections: relational aspects are examined as Spaces of Cycling which treats technological development, innovation, and the location of production and trade of cycles, while Places of Cycling interprets specific sites of consumption - the streets of the city, in the cycling clubs, among men and women, and at the trade show. Written from a geographer’s integrative perspective to offer a broad understanding of cycling, this book will also be of interest to other social scientists in urban studies, cultural studies, technology and society, sociology, history and environmental planning.
Interwar Women’s Comic Fiction
This collection of essays examines the work of five intermodernist writers. Some were established authors before the First World War and others continued to write after the Second World War, but this book focuses particularly on their writing between 1918 and 1939. Elizabeth von Arnim, Stella Benson, Bradda Field, Ivy Compton-Burnett, Stella Gibbons and Winifred Watson had much in common: they all wrote novels full of comic moments, which often challenged the cultural politics of the interwar period. Drawing on the literary and critical contexts of each novel, the essays here discuss the use of comic structures that enabled the authors to critique the dominant patriarchal structures of their time, and offer an alternative, sometimes subversive, view of the world in which their characters reside. This book contributes to the growing scholarly interest in interwar fiction, focusing principally on novelists who have fallen out of public view. It widens our understanding both of the authors and of the continuing, highly topical debate about interwar women novelists.
