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Liszt and His World
The first volume of proceedings from the International Liszt Conference.
Henry Irving
Henry Irving (1838-1905), the first actor to be knighted, dominated the theatre in Britain and beyond for over a quarter of a century. As an actor, he was strikingly different with his idiosyncratic pronunciation, his somewhat ungainly physique, and his brilliant psychological portrayals of virtue and villainy. As a director of spectacular, and commercially driven, entertainments, Irving anticipated Hollywood directors from D.W. Griffith to Stephen Spielberg. And as manager of the Lyceum Theatre, where audiences included the leading public figures of the day, he controlled every aspect of the performance. This collection of essays by leading theatre scholars explores each element of Irving's...
Theory, Analysis and Meaning in Music
There have been far-reaching changes in the way music theorists and analysts view the nature of their disciplines. Encounters with structuralist and post-structuralist critical theory, and with linguistics and cognitive sciences, have brought the theory and analysis of music into the orbit of important developments in intellectual history. This book presents the work of a group of scholars who, without seeking to impose an explicit redefinition of either theory or analysis, explore the limits of both in this context. Essays on the languages of analysis and theory, and on practical issues such as decidability, ambiguity and metaphor, combine with studies of works by Debussy, Schoenberg, Birtwistle and Boulez, together making a major contribution to an important debate in the growth of musicology.
Beyond the Art of Finger Dexterity
Carl Czerny was a highly successful composer of popular piano music, and his pedagogical works remain fundamental to the training of pianists. But Czerny's reputation in these areas has obscured the remarkable breadth of his activity, and especially his work as a composer of serious music. This collection aims to address this.
Public Worship, Private Faith
The Sacred Harp, a tunebook that first appeared in 1844, has stood as a model of early American musical culture for most of this century. Tunebooks such as this, printed in shape notes for public singing and singing schools, followed the New England tradition of singing hymns and Psalms from printed music. Nineteeth-century Americans were inundated by such books, but only the popularity of The Sacred Harp has endured throughout the twentieth century. With this tunebook as his focus, John Bealle surveys definitive moments in American musical history, from the lively singing schools of the New England Puritans to the dramatic theological crises that split New England Congregationalism, from th...
The Unknown Schubert
Franz Schubert (1797-1828) is now rightly recognized as one of the greatest and most original composers of the nineteenth century. His keen understanding of poetry and his uncanny ability to translate his profound understanding of human nature into remarkably balanced compositions marks him out from other contemporaries in the field of song. Schubert was one of the first major composers to devote so much time to song and his awareness that this genre was not rated highly in the musical hierarchy did not deter him, throughout a short but resolute and hard-working career, from producing songs that invariably arrest attention and frequently strike a deeply poetic note. Schubert did not emerge a...
The Makers of the Sacred Harp
This authoritative reference work investigates the roots of the Sacred Harp, the central collection of the deeply influential and long-lived southern tradition of shape-note singing. Where other studies of the Sacred Harp have focused on the sociology of present-day singers and their activities, David Warren Steel and Richard H. Hulan concentrate on the regional culture that produced the Sacred Harp in the nineteenth century and delve deeply into history of its authors and composers. They trace the sources of every tune and text in the Sacred Harp, from the work of B. F. White, E. J. King, and their west Georgia contemporaries who helped compile the original collection in 1844 to the contrib...
Music Sketches
This introduction provides students and scholars with the information and skills they need when studying composers' sketches.
Janáček and Czech Music
In the first week of May 1988, more than seventy scholars and musicians from five countries gathered at Washington University in St. Louis to participate in the first conference and festival ever to take place in the United States on the Moravian composer Leos Janácek. This volume, arranged in seven parts, is a collection of thirty-five of the papers presented at the conference. It is the first large collection of essays in English concerning Janácek's music, and the only collection of proceedings from a Janácek symposium to be published in the last twenty-five years... most of its essays deal with Janácek's music, while some with other Czech music, mostly from before the time of Bedrich Smetana. This breadth of scope is not a weakness of either the conference or the volume, since it places Janácek in historical perspective, and since the articles that deal with the earlier music are among the best in the volume and are deserving of a forum. John K. Novak, Notes June 1996
Designers' Shakespeare
Theatre Design involves everything seen on stage: not only scenery but costumes, wigs, makeup, properties, lighting, sound, even the shape and material of the stage itself. Designers’ Shakespeare presents and analyses the work of a half-dozen leading practitioners of this specialist art. By focusing specifically on their Shakespearean work, it also offers a fresh, exciting perspective on some of the best-known drama of all time. Shakespeare’s plays offer an unusual range of opportunities to designers. As they were written for a theatre which gave no opportunity for scenic support or embellishment, designers are freed from any compulsion to imitate original practices. This has resulted in...
