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In this unique volume, twelve pioneers of historical archaeology offer reminiscences of the early part of their respective careers, circa 1920 to 1940. Each scholar had to overcome numerous biases held by historians and archaeologists-thus each chapter documents a step in the field's march from a marginal to a mainstream discipline. The book makes for facinating reading for archaeologists, anthropologists, and historians of science, and reminds us of the words of C.H. Fairbanks: ''what is past is prelude; study the past. ''
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The Children of Aataentsic is both a full-scale ethnohistory of the Huron Indian confederacy and a far-reaching study of the causes of its collapse under the impact of the Iroquois attacks of 1649. Drawing upon the archaeological context, the ethnography presented by early explorers and missionaries, and the recorded history of contact with Europeans, Bruce Trigger traces the development of the Huron people from the earliest hunting and gathering economies in southern Ontario, many centuries before the arrival of the Europeans, to their key role in the fur trade in eastern Canada during the first half of the seventeenth century.
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The Midewiwin is the traditional religious belief system central to the world view of Ojibwa in Canada and the US. It is a highly complex and rich series of sacred teachings and narratives whose preservation enabled the Ojibwa to withstand severe challenges to their entire social fabric throughout the 19th and 20th centuries. It remains an important living and spiritual tradition for many Aboriginal people today.The rituals of the Midewiwin were observed by many 19th century Euro-Americans, most of whom approached these ceremonies with hostility and suspicion. As a result, although there were many accounts of the Midewiwin published in the 19th century, they were often riddled with misinterpretations and inaccuracies.Historian Michael Angel compares the early texts written about the Midewiwin, and identifies major, common misconceptions in these accounts. In his explanation of the historical role played by the Midewiwin, he provides alternative viewpoints and explanations of the significance of the ceremonies, while respecting the sacred and symbolic nature of the Midewiwin rituals, songs, and scrolls.
This book provides a rare glimpse of thirteenth century life and death in a southern Ontario Iroquoian community. The discovery in 1997 of an Iroquoian ossuary containing the remains of at least 87 people has given scientists a remarkably detailed demographic profile of the Moatfield people, as well as strong indicators of their health and diet.
Reminders of death were everywhere in the New World, from the epidemics that devastated Indian populations and the mortality of slaves working the Caribbean sugar cane fields to the unfamiliar diseases that afflicted Europeans in the Chesapeake and West Indies. According to historian Erik R. Seeman, when Indians, Africans, and Europeans encountered one another, they could not ignore the similarities in their approaches to death. All of these groups believed in an afterlife to which the soul or spirit traveled after death. As a result all felt that corpses—the earthly vessels for the soul or spirit—should be treated with respect, and all mourned the dead with commemorative rituals. Seeman...
Writing the history of American archaeology, especially concerning eighteenth and nineteenth-century arguments, is not always as straightforward or simple as it might seem. Archaeology's trajectory from an avocation, to a semi-profession, to a specialized, self-conscious profession was anything but a linear progression. The development of American archaeology was an organic and untidy process, which emerged from the intellectual tradition of antiquarianism and closely allied itself with the natural sciences throughout the nineteenth century--especially geology and the debate about the origins and identity of indigenous mound-building cultures of the eastern United States. Terry A. Barnhart e...
In this witty and compelling defence of the art field itself, Joan Murray, one of the country’s most outspoken art historians, discusses the great figures of Canadian art and the rise of our national are in institutions such as the Art Gallery of Ontario.