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This book examines the post-1960s era of popular music in the Anglo-Black Atlantic through the prism of historical theory and methods. By using a series of case studies, this book mobilizes historical theory and methods to underline different expressions of alternative music functioning within a mainstream musical industry. Each chapter highlights a particular theory or method while simultaneously weaving it through a genre of music expressing a notion of alternativity—an explicit positioning of one’s expression outside and counter to the mainstream. Historical Theory and Methods through Popular Music seeks to fill a gap in current scholarship by offering a collection written specifically for the pedagogical and theoretical needs of those interested in the topic.
Ireland's New Traditionalists explores the efforts by Fianna Fáil in the years 1926-1938 to construct a nationalist aesthetic rooted in idealised representations of masculinity and femininity, as evident in the party's electoral ephemerae, newspapers, speeches, and film. Moreover, the book situates Fianna Fáil within the context of interwar Europe, noting especially how the party was able to navigate the anxieties and complexities of this fraught period. These efforts did much to contribute to the party's electoral successes in the 1930s that climaxed with the declaration of an independent Éire.
Ireland in an Imperial World interrogates the myriad ways through which Irish men and women experienced, participated in, and challenged empires in the nineteenth and twentieth centuries. Most importantly, they were integral players simultaneously managing and undermining the British Empire, and through their diasporic communities, they built sophisticated arguments that aided challenges to other imperial projects. In emphasizing the interconnections between Ireland and the wider British and Irish worlds, this book argues that a greater appreciation of empire is essential for enriching our understanding of the development of Irish society at home. Moreover, these thirteen essays argue plainly that Ireland was on the cutting edge of broader global developments, both in configuring and dismantling Europe’s overseas empires.
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A new analysis of the difficulties in normalising opposition in the Irish Free State, this book analyses the collision between nineteenth-century monolithic nationalist movements with the norms and expectations of multiparty parliamentary democracy. The Irish revolutionaries’ attempts to create a Gaelic, postcolonial state involved resolving tension between these two ideas. Smaller economically-driven parties such as the Labour and Farmers’ parties attempted to move on from the revolution’s unnatural focus on nationalist political issues while the larger revolutionary parties descended from Sinn Féin attempt to recreate or restore notions of revolutionary unity. This conflict made democracy and opposition hard to establish in the Irish Free State.
Includes field staffs of Foreign Service, U.S. missions to international organizations, Agency for International Development, ACTION, U.S. Information Agency, Peace Corps, Foreign Agricultural Service, and Department of Army, Navy and Air Force
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