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An enthralling story of the iconic Grand Concourse in the West Bronx Stretching over four miles through the center of the West Bronx, the Grand Boulevard and Concourse, known simply as the Grand Concourse, has gracefully served as silent witness to the changing face of the Bronx, and New York City, for a century. Now, a New York Times editor brings to life the street in all its raucous glory. Designed by a French engineer in the late nineteenth century to echo the elegance and grandeur of the Champs Elysées in Paris, the Concourse was nearly twenty years in the making and celebrates its centennial in November 2009. Over that century it has truly been a boulevard of dreams for various upward...
An analysis that offers evidence to challenge the widely held assumption that urbanization and environmental quality are necessarily at odds.
The classic book on the Lower East Side's synagogues and their congregations, past and present-now back in print in a completely revised and expanded edition
Since the 1960s the relationship between Blacks and Jews has been a contentious one. While others have attempted to explain or repair the break-up of the Jewish alliance on civil rights, Seth Forman here sets out to determine what Jewish thinking on the subject of Black Americans reveals about Jewish identity in the U.S. Why did American Jews get involved in Black causes in the first place? What did they have to gain from it? And what does that tell us about American Jews? In an extremely provocative analysis, Forman argues that the commitment of American Jews to liberalism, and their historic definition of themselves as victims, has caused them to behave in ways that were defined as good fo...
Part 2 of a three part series, City of promises : a history of the Jews of New York, Deborah Dash Moore, general editor.
A Time for Building describes the experiences of Jews who stayed in the large cities of the Northeast and Midwest as well as those who moved to smaller towns in the deep South and the West.
With chapters on The Sound of Music, Milk and Honey, Fiddler on the Roof, Cabaret, The Rothschilds, Rags, Ragtime and The Producers, this book examines both direct and indirect references to, or resonances of, the Holocaust, tracing changing American attitudes through the chronological progression of these musical productions and their subsequent revivals. Despite the abundance of writing on both musical theatre history and on the difficulties of Holocaust representation, history and theatre scholars alike have thus far ignored the intersections of these areas. The academy thereby risks excluding precisely those works that shed the most light on our culture's evolving response to the Shoah, an event that still helps to define American identity. This book redresses this lapse by focusing on the theatrical form seen by the greatest amount of people--musicals--which either trigger or reflect changing American mores.
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The intersecting worlds of Zellig Harris, Noam Chomsky's intellectual and political mentor. In 1995, Robert Barsky met with Noam Chomsky to discuss hiswork-in-progress, Noam Chomsky: A Life of Dissent (MIT Press, 1997). Chomsky told Barsky that he shouldfocus his attention instead on midcentury linguist and activist Zellig Harris, who was, Chomsky modestly insisted, more interesting than Chomsky himself. Intrigued, Barsky began to research Harris (1909–1992) and discovered thestory of a major figure in American intellectual life "sitting in a corner in the middle of the room"—part of crucial twentieth-century conversations about language, technology, labor, politics, and Zionism. The int...
Popular authors such as Sholem Aleichem and Sholem Asch gained multilingual fame in the early decades of the twentieth century with short stories and novels that represented a world foreign to many Jewish and non-Jewish readers alike. But the first Yiddish writer to serve successfully as an interpreter and representative of this world was Morris Rosenfeld. Marc Miller examines the career of Rosenfeld, a key figure in the development of Yiddish literature, which was geared to American immigrants in the late 1800s and early 1900s. Rosenfeld's early "sweatshop" poems were designed to foment discontent within capitalism among the working class. Although he began his career as a protest poet, Ros...