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Kenneth Noland
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Kenneth Noland
Pace Gallery is pleased to present 'Kenneth Noland. Into the Cool', a survey of never before exhibited works from the end of the groundbreaking artist?s life. These paintings, completed in a subtle color palette, present a new approach to both material and technique. An extension of his earlier work, the artist?s last series shows him having achieved a mastery of his medium. The catalogue includes a reproduction of the entire series of 18 paintings and an essay by William C. Agee. 0Together these works reveal the emotional effects and expressive potential of color and form, while outlining the artist?s commitment to the possibilities of abstraction. Returning to his use of the circle, emphas...
Kenneth Noland
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Kenneth Noland
American abstract painter Kenneth Noland (1924-2010) was one of the primary exponents of Color Field painting. In the late 1950s and early 1960s, Noland began using two central motifs that would have enduring significance in his work: the circle and the chevron. These seemingly reductive forms also conjured military badges, corporate logos for cars and other consumer products that were omnipresent in postwar America. Kenneth Noland: Paintings 1958-1968 is the first major publication on the artist since his recent death. In it, art historian Paul Hayes Tucker explores Noland's history as a soldier in the United States Army and his subsequent re-entry into a burgeoning American consumer society, portraying his art as inextricable from atomic age America. The book also features rare photographs of the artist as a young man and full-color reproductions of Noland's early formative work.
Kenneth Noland
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Kenneth Noland
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Kenneth Noland
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New York; the New Art Scene
"Inspired by the strong American presence at the 1964 Venice Biennale, the Italian photographer Ugo Mulas made three extended visits to New York over the following years. The result, a massive, handsomely designed volume called New York: The New Art Scene, captures the art world at one of its most volatile and vivid peaks. ... The artists posed for [Mulas--and the book is peppered with terrifically dashing portraits--but more often they went about their business, making art, making dinner, entertaining, carrying on. With more than 500 photos reproduced in heavily inked, knockout black and white, the book has a marvelous scope."--The Book of 101 Books : Seminal Photographic Books of the Twentieth Century / Edited by Andrew Roth. New York: PPP Editions in association with Ruth Horowitz, 2001.
