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Kent Monkman
Kent Monkman's new, large-scale project takes the viewer on a journey through Canada's history that starts in the present and takes us back to 150 years before Confederation. With its entry points in the harsh urban environment of Winnipeg's north end, and contemporary life on the reserve, Kent Monkman: Shame and Prejudice, A Story of Resilience takes us all the way back to the period of New France and the fur trade. The Rococo masterpiece The Swing by Jean-Honore ́ Fragonard has been reinterpreted as an installation with Monkman's alter ego, Miss Chief Eagle Testickle, in a beaver trimmed baroque dress, swinging back and forth between the Generals Wolfe and Montcalm. The book includes Monkman's own paintings, drawings and sculptural works, in dialogue with historical artefacts and art works borrowed from museum and private collections from across Canada.
Revision and Resistance
Revision & Resistance reveals the story of Kent Monkman's monumental 2019 diptych commission mistik?siwak (Wooden Boat People) for the Metropolitan Museum of Art. This book celebrates Monkman's historic achievement with essays and contributions by today's most prominent voices on Indigenous art and Canadian painting.
Kent Monkman - Life & Work
"Kent Monkman: Life & Work" is the first comprehensive book on one of the most important and internationally celebrated contemporary artists in Canada. Subversive, bold, unapologetic, and unforgiving, the work of Kent Monkman (b.1965) has left an unmistakable mark on contemporary Canadian art. Since the early 2000s, Monkman, accompanied by his time-travelling, shape-shifting, gender-fluid alter ego, Miss Chief Eagle Testickle, has redefined the Canadian cultural landscape. Riffing on techniques of the Old Masters, Monkman first found fame by recreating notable landscape paintings and populating them with Indigenous visions of resistance.
Kent Monkman
Kent Monkman's art has been described as "stupendous" (New York Times), "sure to alarm and educate" (The Observer), and beating "Western history painting at its own game" (The Globe and Mail). Subversive, bold, and groundbreaking, the work of this Cree artist has transformed contemporary Canadian visual culture. Monkman's art is included in major Canadian and international public institutions and he is the only artist in this country to be commissioned by The Metropolitan Museum of Art. Kent Monkman: Life & Work is the first comprehensive book about the celebrated Monkman (b.1965). It is the only publication to trace the arc of his career, from his early abstract paintings to his rise to fam...
Kent Monkman: Being Legendary at the Royal Ontario Museum
Being Legendary presents a new--and never before published--body of work by the revered and internationally renowned Cree artist Kent Monkman, guided by an Indigenous worldview, historical narratives, and the artist's playful imagination. Known for his thought-provoking and groundbreaking paintings, in Being Legendary Monkman focuses on the cultural world's most urgent topic: What does the museum mean in the twenty-first century? Since time immemorial, Indigenous knowledge has been deeply embedded in the land, carried in stories, songs, and art. Yet not only has this history never been a focus of North America's greatest museum, it has been diminished by the forced interruptions of the colon...
Teaching Each Other, Enhanced Edition
In recent decades, educators have been seeking ways to improve outcomes for Indigenous students. Yet most Indigenous education still takes place within a theoretical framework based in Eurocentric thought. In Teaching Each Other, Linda Goulet and Keith Goulet provide an alternative framework for teachers working with Indigenous students – one that moves beyond acknowledging Indigenous culture to one that actually strengthens Indigenous identity. Drawing on Nehinuw (Cree) concepts such as kiskinaumatowin, or “teaching each other,” Goulet and Goulet provide a new approach to teaching Indigenous students. Kiskinaumatowin transforms the normally hierarchical teacher-student relationship by...
The Four Continents
The Four Continents is comprised of a series of paintings made between 2012 and 2016. In this series, Monkman takes as his point of departure Giovanni Battista Tiepolo's epic frescoes commissioned for a private residence in Würzburg, Germany. The centrepiece of the Tiepolo series represented a day in the life of the Greek god, Apollo, with the four continents allegorized in peripheral scenes. In Monkman's reinterpretation, each continent is personified by a Two-Spirit sovereign with Miss Chief playing the roles of Africa, America, Asia, and Europe. Tiepolo's allegory is updated to include architectural wonders and notable figures from history amidst chaotic crowds.
A Coyote Columbus Story
A trickster named Coyote rules her world, until a funny-looking stranger named Columbus changes her plans. Unimpressed by the wealth of moose, turtles, and beavers in Coyote's land, he'd rather figure out how to hunt human beings to sell back in Spain. Thomas King uses a bag of literary tricks to shatter the stereotypes surrounding Columbus's voyages. In doing so, he invites children to laugh with him at the crazy antics of Coyote, who unwittingly allows Columbus to engineer the downfall of his human friends. William Kent Monkman's vibrant illustrations perfectly complement this amusing story with a message.
Museums, Sexuality, and Gender Activism
Museums, Sexuality, and Gender Activism examines the role of exhibitionary institutions in representing LGBTQ+ people, cisgender women, and nonbinary individuals. Considering recent gender and sexuality-related developments through a critical lens, the volume contributes significantly to the growing body of activist writing on this topic. Building on Gender, Sexuality and Museums and featuring work from established voices, as well as newcomers, this volume offers risky and exciting articles from around the world. Chapters cover diverse topics, including transgender representation, erasure, and activism; two-spirit people, indigeneity, and museums; third genders; gender and sexuality in herit...
Shifting Grounds
A distinctly Indigenous form of landscape representation is emerging in the creations of contemporary Indigenous artists from North America. For centuries, landscape painting in European art typically used representational strategies such as single-point perspective to lure viewers--and settlers--into the territories of the old and new worlds. In the twentieth century, abstract expressionism transformed painting to encompass something beyond the visual world, and later, minimalism and the Land Art movement broadened the genre of landscape art to include sculptural forms and site-specific installations. In Shifting Grounds, art historian Kate Morris argues that Indigenous artists are expandin...
