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A Political Companion to Walt Whitman
The works of Walt Whitman have been described as masculine, feminine, postcolonial, homoerotic, urban, organic, unique, and democratic, yet arguments about the extent to which Whitman could or should be considered a political poet have yet to be fully confronted. Some scholars disregard Whitman's understanding of democracy, insisting on separating his personal works from his political works. A Political Companion to Walt Whitman is the first full-length exploration of Whitman's works through the lens of political theory. Editor John E. Seery and a collection of prominent theorists and philosophers uncover the political awareness of Whitman's poetry and prose, analyzing his faith in the potential of individuals, his call for a revolution in literature and political culture, and his belief in the possibility of combining heroic individualism with democratic justice. A Political Companion to Walt Whitman reaches beyond literature into political theory, revealing the ideology behind Whitman's call for the emergence of American poets of democracy.
New England Women Writers, Secularity, and the Federalist Politics of Church and State
Scholars have long known that early American women wrote pious, sentimental stories. This book uses biographical and archival sources to understand how their religious concerns fed into debates about democracy and belief in a republic, and offers a new account of their political participation and the process of religious disestablishment.
Leaves of Grass
Contains seventeen essays by pre-eminent scholars representing a variety of critical perspectives that focus on Walt Whitman's "Leaves of Grass". This book features contributors who treat Whitman's poetry, his biography, his politics, his reception in the United States and abroad, race and ethnic issues, and nineteenth-century America.
Rethinking the North American Long Poem
For centuries, critics, poets, poet-scholars, and philosophers have either openly proclaimed or tacitly assumed the long poem as the highest expression of literary ambition and excellence. Rethinking the North American Long Poem focuses on the North American variant of this notorious form—notorious because of its often forbidding and difficult character, particularly with respect to the dialectics of content and form, aesthetics and politics, matter and genre. In nine essays and a contextual introduction, the editors and contributors scrutinize seminal long poems by North American writers, including Walt Whitman’s “Song of Myself,” Ezra Pound’s The Cantos, Muriel Rukeyser’s The B...
The American Experiment and the Idea of Democracy in British Culture, 1776–1914
In nineteenth-century Britain, the effects of democracy in America were seen to spread from Congress all the way down to the personal habits of its citizens. Bringing together political theorists, historians, and literary scholars, this volume explores the idea of American democracy in nineteenth-century Britain. The essays span the period from Independence to the First World War and trace an intellectual history of Anglo-American relations during that period. Leading scholars trace the hopes and fears inspired by the American model of democracy in the works of commentators, including Thomas Paine, Mary Wollstonecraft, Alexis de Tocqueville, Charles Dickens, John Stuart Mill, Richard Cobden,...
Walt Whitman, Updated Edition
Presents a collection of critical essays on the works of Walt Whitman.
Walt Whitman's Songs of Male Intimacy and Love
In his 1859 “Live Oak, with Moss,” Walt Whitman’s unpublished sheaf of twelve poems on manly passion, the poet dreams of a city where men who love men can live and love openly. The revised “Live Oak, with Moss” poems became “Calamus,” Whitman’s cluster of poems on “adhesive” and manly love, comradeship, and democracy, in Leaves of Grass. Commemorating both the first publication of the “Calamus” poems and the little-known manuscript of notebook poems out of which the “Calamus” cluster grew, Whitman scholar Betsy Erkkila brings together in a single edition for the first time the “Live Oak, with Moss” poems, the 1860 “Calamus” poems, and the final 1881 “Cal...
The Sound the Stars Make Rushing Through the Sky
Introducing a dramatic new chapter to American Indian literary history, this book brings to the public for the first time the complete writings of the first known American Indian literary writer, Jane Johnston Schoolcraft (her English name) or Bamewawagezhikaquay (her Ojibwe name), Woman of the Sound the Stars Make Rushing Through the Sky (1800-1842). Beginning as early as 1815, Schoolcraft wrote poems and traditional stories while also translating songs and other Ojibwe texts into English. Her stories were published in adapted, unattributed versions by her husband, Henry Rowe Schoolcraft, a founding figure in American anthropology and folklore, and they became a key source for Longfellow's ...
Literature and Humanitarian Reform in the Civil War Era
"... this volume presents a reasonable, fresh, and well-researched reading of several key texts in American studies." -- Journal of the American Studies Association of Texas During the Civil War, a crisis erupted in philanthropy that dramatically changed humanitarian theories and demanded new approaches to humanitarian work. Certain writer-activists began to advocate an "eccentric benevolence" -- a type of philanthropy that would undo the distinction between the powerful bestowers of benevolence and the weaker folks who receive it. Among the figures discussed are the anti-philanthropic Henry David Thoreau and the dangerously philanthropic John Brown.
Ornamental Aesthetics
Theo Davis argues that ornamental aesthetics are central to Thoreau, Dickinson, and Whitman's writing, exploring the stakes of such an ornamental aesthetics through a parallel investigation of the ornamental aspects of Heidegger's phenomenological philosophy.
