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Kazuo Ishiguro in a Global Context
Bringing together an international group of scholars, this collection offers a fresh assessment of Kazuo Ishiguro’s evolving significance as a contemporary world author. The contributors take on a range of the aesthetic and philosophical themes that characterize Ishiguro’s work, including his exploration of the self, family, and community; his narrative constructions of time and space; and his assessments of the continuous and discontinuous forces of history, art, human psychology, and cultural formations. Significantly, the volume attends to Ishiguro’s own self-identification as an international writer who has at times expressed his uneasiness with being grouped together with British novelists of his generation. Taken together, these rich considerations of Ishiguro’s work attest to his stature as a writer who continues to fascinate cultural and textual critics from around the world.
Ramsey Campbell
This book pays overdue attention to the British writer Ramsey Campbell, a key figure in the post-1970s boom in Anglo-American horror fiction. Despite a huge output and receiving every accolade within his field over a long career, Campbell has not yet been accorded anything like the wider critical recognition given to his contemporary Stephen King. This study concentrates also on Campbell’s neglected novels and novellas, rather than the short stories for which he has been better known. The book Ramsey Campbell establishes the author’s unique prose style, denoted by a haunted self-consciousness about the act of writing and role of readership, and his distinctive mediation of the Gothic tradition: religiously agnostic, politically liberal and ethically humane. For the first time, Campbell’s works are interpreted in the contexts of trends in postmodernist and posthumanist thought and compared explicitly to King’s, and his contribution to both Gothic studies and wider contemporary literature is appraised.
Lost Souls of Horror and the Gothic
In recent years horror and gothic themes have penetrated mainstream popular culture in a manner unseen since the horror boom of the 1970s. Primetime television viewers who before might not have shown interest in such late-night fare now happily settle down after dinner to watch zombie or serial killer shows. This collection of 54 biographical essays examines many overlooked and underrated figures who have played a role in the ever expanding world of horror and gothic entertainment. The contributors push the boundaries of how we define these terms, bringing into the discussion such diverse figures as singer-songwriter Tom Waits, occultist Dion Fortune, author Charles Beaumont, historian and bishop Gregory of Tours and video game designer Shinji Mikami.
The Gothic and Twenty-First-Century American Popular Culture
The Gothic and Twenty-First-Century American Popular Culture examines the gothic mode deployed in a variety of texts that touch upon inherently US American themes, demonstrating its versatility and ubiquity across genres and popular media. The volume is divided into four main thematic sections, spanning representations related to ethnic minorities, bodily monstrosity, environmental anxieties, and haunted technology. The chapters explore both overtly gothic texts and pop culture artifacts that, despite not being widely considered strictly so, rely on gothic strategies and narrative devices.
Scottish Women's Gothic and Fantastic Writing
This book provides a critical survey of the gothic texts of late twentieth-century and contemporary Scottish women writers including Kate Atkinson, Ellen Galford, A.L. Kennedy, Ali Smith and Emma Tennant focusing on four themes: quests and other worlds, w
The Cambridge Companion to the Twentieth-Century American Novel and Politics
Surveying the relationship between American politics and the twentieth-century novel, this volume analyzes how political movements, ideas, and events shaped the American novel. It also shows how those political phenomena were shaped in turn by long-form prose fiction.
The Evolution of Horror in the Twenty-First Century
The Evolution of Horror in the Twenty-First Century examines the intimate connections between the horror genre and its audience’s experience of being in the world at a particular historical and cultural moment. This book not only provides frameworks with which to understand contemporary horror, but it also speaks to the changes wrought by technological development in creation, production, and distribution, as well as the ways in which those who are traditionally underrepresented positively within the genre- women, LGBTQ+, indigenous, and BAME communities - are finally being seen and finding space to speak.
Faith and the Zombie
Themes of faith and religion have been threaded through popular representations of the zombie so often that they now seem inextricably linked. Whether as mindless servants to a Vodou Bokor or as evidence of the impending apocalypse, the ravenous undead have long captured something of society's relationships with spirituality, religion and belief. By the start of the 21st century, religious beliefs are as varied as the many manifestations of the zombie itself, and both themes intersect with various ideological, environmental and even post-human concerns. This book surveys the various modern religious associations in zombie media. Some characters believe that the undead are part of God's plan, others theorize that the environment might be saving itself or that zombies might be predicting life and hybridity beyond human existence. Timely and important, this work is a meditation on how faith might not just be a forerunner to the apocalypse, but the catalyst to new kinds of life beyond it.
