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My Night with Reg
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The Day I Stood Still
In the sixties, teenagers Horace, Jerry and Judy were into drink, drugs, Hendrix, The Hobbit and each other. Thirty years later, one of them receives a surprise visitor.
Mouth to Mouth
Length: 1 act.
Forty Winks
Deliciously painful new play by the multi-award-winning of My Night With Reg.
My Night with Reg
Kevin Elyot's 'My Night with Reg' follows the ups and downs of a circle of gay friends in London over a period of several years, and tackles with brutal honesty the impact that AIDS/HIV had on the gay community during its height in the 1980s, as well as examining the pain of unrequited love and the joy of friendship. The play was first performed at the Royal Court Theatre, London, on 31 March 1994.
British Theatre of the 1990s
This exciting book uniquely combines interviews with scholars and practitioners in theatre studies to look at what most people feel is a pivotal moment of British theatre - the 1990s. With a particular focus on 'in-yer-face theatre', this volume will be essential reading for all students and scholars of contemporary British theatre.
Coming Clean
Funny, fresh and packed with razor sharp wit, Kevin Elyot's landmark drama questions the nature of fidelity and the limits of love.
In-Yer-Face Theatre
The most controversial and newsworthy plays of British theatre are a rash of rude, vicious and provocative pieces by a brat pack of twentysomethings whose debuts startled critics and audiences with their heady mix of sex, violence and street-poetry. In-Yer-Face Theatre is the first book to study this exciting outburst of creative self-expression by what in other contexts has been called Generation X, or Thatcher's Children, the 'yoof' who grew up during the last Conservative Government. The book argues that, for example, Trainspotting, Blasted, Mojo and Shopping and F**king are much more than a collection of shock tactics - taken together, they represent a consistent critique of modern life, one which focuses on the problem of violence, the crisis of masculinity and the futility of consumerism. The book contains extensive interviews with playwrights, including Sarah Kane ( Blasted), Mark Ravenhill (Shopping and F**king), Philip Ridley (The Pitchfork Disney), Patrick Marber (Closer) and Martin McDonagh (The Beauty Queen of Leenane).
The Lying Kind
A brand new comedy by the writer of the hit play Stitching, published to tie in with the Royal Court's Christmas production from November 2002 Constables Blunt and Gobbel have one last duty to fulfil before they can finish their Christmas eve shift; telling the old couple at No. 58 some terrible news. But what if the shock is too much for them? Blunt and Gobbel didn't join up in order to ruin people's lives. Maybe they'd be happier not knowing. And maybe it would all be much easier if the two constables weren't also stuck in the middle of a full-scale village lynch-mob.
The Pride
THE STORY: Alternating between 1958 and 2008, THE PRIDE examines changing attitudes to sexuality and the perennial themes of love, lust and betrayal. In 1958 Philip is married to Sylvia but finds himself falling in love with another man. His refusa
