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Combining historical, literary and ethnographic approaches, Calling the Station Home draws a fine-grained portrait of New Zealand high-country farm families whose material culture, social arrangements, geographic knowledge, and linguistic practices reveal the ways in which the social production of space and the spatial construction of society are mutually constituted. The book speaks directly to national and international debates about cultural legitimacy, indigenous land claims, and environmental resource management by highlighting settler-descendant expressions of belonging and indigeneity in the white British diaspora.
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All Knowing will tackle some mystifying topics, such as "The Christmas Prophet" (Daniel) and "The Bible within the Bible" (Isaiah), while giving practical guidelines in "Guardrails" for prophetic scripture, mysteries within Jewish feasts, and even the final piece of the puzzle, Revelation.
First the squatter, then the runholder, after that the farmer . . . Taking us inside the world of New Zealand's South Island sheepfarmers - the sheep they bred, the rabbits and droughts and floods they fought, the fires they lit, the grass they grew, the risks they took - Peden offers a sweeping portrait of the economic and ecological transformation of New Zealand. From the 1840s to the First World War, the South Island was transformed as runholders claimed large tracts of land, burned off the native vegetation and initiated large-scale sheep farming for wool and, later, meat production. In Making Sheep Country, Robert Peden focuses on one case study in particular, John Barton Acland and Mt Peel Station in South Canterbury, to explain how the pastoralists modified their environment.
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