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In the two decades since Curses first hit the shelves, River at Night cartoonist Kevin Huizenga has taken his rightful place on a short A-list of comics experimentalists. Deep research and loopy cartooning serve up philosophical musings while maintaining a classic comic-strip devotion to “the gag.” Huizenga remains one of the funniest and smartest cartoonists working today, and now, the very book that heralded his arrival as a talent to watch is available once more in deluxe paperback as the early work of a now true genius. The short stories collected herewith confront the textures of mortality in unique and peculiar ways. Central character Glenn Ganges is a seemingly middle-class, suburbanite whose blank-eyed wonderment at the everyday brings together diverse aspects of our world—like golf, theology, late-night diners, parenthood, politics, Sudanese refugees, and hallucinatory vision—into a complete experience as multifaceted as each of our own lives.
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The new master of Comics Experimentalism returns with his Everyman, Glenn Ganges Standing out among his contemporaries, Kevin Huizenga's subtle mastery of the medium has earned him countless accolades and awards. His comics are at once straightforward and experimental, serious and funny. His character is the suburban everyman Glenn Ganges, a modern-day Dagwood Bumstead, who tackles and stumbles with such heady topics as mysticism and science. In The Wild Kingdom Glenn Ganges blindly interacts with the nature of his suburban neighborhood: dead houseplants, a recipe for gray squirrel brain, and pigeons eating discarded French fries in the parking lot of a fast-food joint. Huizenga juxtaposes Glenn's ignorance of his surroundings with television commercials highlighting society's needs for cure-all pharmaceuticals and "hot new things" like teeth whiteners. Starting off wordless, The Wild Kingdom grows more complex page by page, ending with encyclopedic entries, biographical excerpts, anthropologic flowcharts, and a cataclysmic encounter of nature and technology.
An awesome treasury of facts so fake they seem real.
42 cartoonists from around the world in 144 pages of raw, black & white comix, describe when zombies take over.
A man has trouble falling asleep and reflects on his life, marriage, and time itself In The River at Night, Kevin Huizenga delves deep into consciousness. What begins as a simple, distracted conversation between husband and wife, Glenn and Wendy Ganges—him reading a library book and her working on her computer—becomes an exploration of being and the passage of time. As they head to bed, Wendy exhausted by a fussy editor and Glenn energized by his reading and no small amount of caffeine, the story begins to fracture. The River at Night flashes back, first to satirize the dot-com boom of the late 1990s and then to examine the camaraderie of playing first-person shooter video games with wor...
Marvel's critically acclaimed indie anthology returns! The best, most exciting cartoonists working today re-imagine Marvel's greatest characters in three giant-sized issues! Get excited, folks. Comics absolutely do not get more awesome than this! Don't miss out on what's guaranteed to be one of the best reads of the year! Collecting: Strange Tales Vol. 2 #1-3
An assessment of the achievement and aesthetic of one of America's brightest comics innovators
"Comics and Sacred Texts explores how comics and notions of the sacred interweave new modes of seeing and understanding the sacral. Comics and graphic narratives help readers see religion in the everyday and in depictions of God, in transfigured, heroic selves as much as in the lives of saints and the meters of holy languages. Coeditors Ken Koltun-Fromm and Assaf Gamzou reveal the graphic character of sacred narratives, imagining new vistas for both comics and religious texts. In both visual and linguistic forms, graphic narratives reveal representational strategies to encounter the sacred in all its ambivalence. Through close readings and critical inquiry, these essays contemplate the inter...
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