Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Expiation
A play in two acts, ten scenes. A gruesome murder on the campus of a small Southern college in the 1950s, when language wore a set of tasteful pearls and the truth was demurely dressed in public.
Caught in the Devotion of Time
Poems of age, time, love, sex, loss, family, anger, and acceptance
Marie Prescott
This book documents the life and career of Marie Prescott (1850-93), an actress of great beauty and wit, who directed and starred in Oscar Wilde's first play, Vera, or the Nihilists. Like Wilde, Prescott struggled to reconcile her artistic aspirations with her financial goals and to assert her independence from the social restraints of her day; she also had a complicated love life. Her compelling story is marked by the sensational elements of opening nights, vengeful critics, bitter feuds, insanity, missing persons, lawsuits, divorces, and sexual obsession. In all of this, Marie Prescott remained a figure of impressive intellect and will. Her lively correspondence with Wilde, her erudite lec...
Rose Cloud and Demon Thunder
Pandemic poems of family, time, age, sex, love, and memory.
On Stage with Bette Davis
A reflection on one of Broadway's most iconic flops, this memoir follows a musical that featured one of the silver screen's most powerful personalities. Bette Davis was nominated for twelve Academy Awards and twice won the Best Actress award, starring in classics like Jezebel, The Letter, The Little Foxes, All About Eve and Whatever Happened to Baby Jane?, among many more. In 1974, the living legend agreed to star in Miss Moffat, a musical adaptation of Emlyn Williams' The Corn in Green. Expectations were high, but Miss Moffat opened and then abruptly closed, leading theatre gossips to speculate on what went wrong. Early in his career, Kevin Lane Dearinger, a young actor who had recently relocated to New York, landed a minor role in Miss Moffat. Inexperienced and unsure of himself, he kept a journal of his observations and experiences throughout production. He observed the older and more seasoned Miss Davis, who seemed determined to remain clear-headed despite the unfolding calamity. In this book, Dearinger revisits his journal to reflect on his own life, a fated stage production, his experience with an entertainment legend and a bygone era of Broadway.
Moth and Wasp
Poems of age, time, love, loss, anger, joy, acceptance, frustration, family, nostalgia, memory, sex, sentimentality, cynicism, madness, mistakes, expiation, death, and reflection. Sounds and resonance. Images and old illusions.
Regarding Mrs. Carter
A Los Angeles drama critic called REGARDING MRS. CARTER a "Hamlet for women." That is certainly hyperbole, but this theatrical monologue provides a strong showcase for a mature female actor with an understanding of style, wit, and emotional honesty. It requires one costume and can be performed with a minimal set, but a creative lighting designer is crucial. The play may also be performed with the script in hand. Performance rights are available through the author.
Bad Sex in Kentucky
What can a child make of a small-town culture in which love is a given, but intimacy is repeatedly deemed "sinful"? What does a shy adult do when he finds out his great-grandmother ran a bordello? How does a stubborn individual resist labels and remain the "gentleman" he was raised to be? Growing up gay and Catholic in the state of Kentucky in the mid-twentieth century, author and Broadway performer Kevin Lane Dearinger was puzzled by what he heard about sex: the sneers, lies, misrepresentations, distortions, guilt, and secrecy. Some of his experiences were traumatic, but most just contributed to a life-saving sense of the absurd. The natural was made unnatural by gossip and judgment, fear and cruelty, and sex was "bad" in Kentucky, but language, humor, and time have provided protection and perspective. Bad Sex in Kentucky is about seeking grace under pressure, even at the risk of a pratfall. It is about place, family, and heritage. It is about survival at a price and a kind of ferocious forgiveness. It is about the search for identity within the tangled intersection of sex and love.
Clyde Fitch and the American Theatre
Clyde Fitch was a major figure in the American theatre, influential in his time and to the playwrights who followed. A collection of Fitch’s letters published in 1924 provided a sanitized record of his life, but no major biography has since appeared. Clyde Fitch and the American Theatre: An Olive in the Cocktail is the missing piece in the study of this important playwright and his contributions to gay history in a way that gives his plays the reconsideration and revival deserved.
Eleanor Robson Belmont
When Mrs. August Belmont died in 1979, just before her 100th birthday, she was remembered as a philanthropist and advocate for the arts, especially the Metropolitan Opera, but before her triumphs as Mrs. Belmont, she had dignified the American stage for 13 glorious years as Eleanor Robson, actress. Her splendid voice, understated style, and always-evident intelligence thrilled legions of theatregoers and enthralled the best playwrights of her time, including Israel Zangwill, Clyde Fitch, and George Bernard Shaw.Despite the brevity of her career, Eleanor Robson stands as a prototype for many actresses who followed her--women who sought to control their own careers and lives, demanded artistic respect and freedom, and who, by the twenty-first century, would confidently call themselves not actresses, but actors. This is her first book-length biography, focusing particularly on her theatrical career.
