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The Sovereignty of Quiet
African American culture is often considered expressive, dramatic, and even defiant. In The Sovereignty of Quiet, Kevin Quashie explores quiet as a different kind of expressiveness, one which characterizes a person’s desires, ambitions, hungers, vulnerabilities, and fears. Quiet is a metaphor for the inner life, and as such, enables a more nuanced understanding of black culture. The book revisits such iconic moments as Tommie Smith and John Carlos’s protest at the 1968 Mexico City Olympics and Elizabeth Alexander’s reading at the 2009 inauguration of Barack Obama. Quashie also examines such landmark texts as Gwendolyn Brooks’s Maud Martha, James Baldwin’s The Fire Next Time, and Toni Morrison’s Sula to move beyond the emphasis on resistance, and to suggest that concepts like surrender, dreaming, and waiting can remind us of the wealth of black humanity.
Black Aliveness, or A Poetics of Being
In Black Aliveness, or A Poetics of Being, Kevin Quashie imagines a Black world in which one encounters Black being as it is rather than only as it exists in the shadow of anti-Black violence. As such, he makes a case for Black aliveness even in the face of the persistence of death in Black life and Black study. Centrally, Quashie theorizes aliveness through the aesthetics of poetry, reading poetic inhabitance in Black feminist literary texts by Lucille Clifton, Audre Lorde, June Jordan, Toni Morrison, and Evie Shockley, among others, showing how their philosophical and creative thinking constitutes worldmaking. This worldmaking conceptualizes Blackness as capacious, relational beyond the normative terms of recognition—Blackness as a condition of oneness. Reading for poetic aliveness, then, becomes a means of exploring Black being rather than nonbeing and animates the ethical question “how to be.” In this way, Quashie offers a Black feminist philosophy of being, which is nothing less than a philosophy of the becoming of the Black world.
The Sovereignty of Quiet
African American culture is often considered expressive, dramatic, and even defiant. In The Sovereignty of Quiet, Kevin Quashie explores quiet as a different kind of expressiveness, one which characterizes a person’s desires, ambitions, hungers, vulnerabilities, and fears. Quiet is a metaphor for the inner life, and as such, enables a more nuanced understanding of black culture. The book revisits such iconic moments as Tommie Smith and John Carlos’s protest at the 1968 Mexico City Olympics and Elizabeth Alexander’s reading at the 2009 inauguration of Barack Obama. Quashie also examines such landmark texts as Gwendolyn Brooks’s Maud Martha, James Baldwin’s The Fire Next Time, and Toni Morrison’s Sula to move beyond the emphasis on resistance, and to suggest that concepts like surrender, dreaming, and waiting can remind us of the wealth of black humanity.
Black Women, Identity, and Cultural Theory
Ultimately moves beyond these to propose a new cultural aesthetic that aims to center black women and their philosophies. Book jacket.
The World Is Round
The World Is Round, Nikky Finney’s third volume of poetry, collects the wisps of memory we carry with us throughout our earthly lives and weaves them into deft and nuanced poems that emphasize understanding the cycles of life. The settings offer a view into the kaleidoscope of human experience: the sweetness and shock of family life, the omnipresent wash of memory, and the ebullience of warm Southern air. The World Is Round carries with it an implicit challenge—to the author as a poet, and to the reader as a fellow human—to see the characters and details and events of our lives with clarity, fearlessness, and love. The result is poems that range the gamut of human reach and resilience, fury and frailty. The poet’s vision of community requires understanding and tolerance from every breathing soul. Finney illuminates the cruelties of the sometimes gawking, narrow-minded world and makes a plea for compassion inspired by our common humanity.
New Bones
An inclusive multi-genre anthology of late 20th century African-American literature.
Our Caribbean
The first book of its kind, Our Caribbean is an anthology of lesbian and gay writing from across the Antilles. The author and activist Thomas Glave has gathered outstanding fiction, nonfiction, memoir, and poetry by little-known writers together with selections by internationally celebrated figures such as José Alcántara Almánzar, Reinaldo Arenas, Dionne Brand, Michelle Cliff, Audre Lorde, Achy Obejas, and Assotto Saint. The result is an unprecedented literary conversation on gay, lesbian, bisexual, and transgendered experiences throughout the Caribbean and its far-flung diaspora. Many selections were originally published in Spanish, Dutch, or creole languages; some are translated into En...
Mutha' is Half a Word
Emblematic of change and transgression, the trickster has inappropriately become the methodological tool for conservative cultural studies analysis, Mutha' is Half a Word strives to break that convention.
Stalinist Terror in Eastern Europe
This wide-ranging collection of essays, newly available in paperback, is the first book in English to examine the impact of Stalinist terror on Eastern Europe in the years 1940 to 1956. Covering the Baltic states, Moldavia, East Germany, Poland, Czechoslovakia, Hungary, Romania, Yugoslavia, Bulgaria and Albania, the authors investigate terror both ‘from above’, in the form of elite purges and show trials, and ‘from below’ in the guise of large-scale arrests and deportations of ordinary people. Key questions addressed include the relative importance of Soviet influence versus ‘local’ factors; the persecution of particular groups, such as ‘kulaks’, church leaders, the middle-class intelligentsia and members of non-communist left-wing parties; cases where repression was more, or conversely less, intense than elsewhere; and the relevance of key events such as the Tito-Stalin split of 1948, the Rajk trial of 1949 and the Slánský trial of 1952.
Toni Morrison
When Toni Morrison declares that she "can't wait for the ultimate liberation theory to imagine its practice and do its work," she raises an issue at the heart of modern political thought: How should we understand freedom? And what does freedom mean in the shadow of racial slavery and colonialism? In this study of Toni Morrison's writing, Lawrie Balfour explores Morrison's reflections on the idea of freedom in her novels and nonfiction. While Morrison's literary achievements are widely celebrated, her political thought has yet to receive the same attention. Balfour shows how Morrison's writing illuminates the meanings of freedom and unfreedom in a democratic society founded on both the defens...
