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Now an original Netflix series! From the author of The Wicked Heart and The Immortal comes a beautiful and haunting novel about a group of five terminally ill teenagers whose midnight stories become their reality. Rotterham Home was a hospice for young people—a place where teenagers with terminal illnesses went to die. Nobody who checked in ever checked out. It was a place of pain and sorrow, but also, remarkably, a place of humor and adventure. Every night at twelve, a group of young guys and girls at the hospice came together to tell stories. They called themselves the Midnight Club, and their stories could be true or false, inspiring or depressing, or somewhere in-between. One night, in the middle of a particularly scary story, the teenagers make a secret pact with each other, which says, “The first one who dies will do whatever he or she can do to contact us from beyond the grave, to give us proof that there is life after death.” Then one of them does die...
This book is the first major study of amateur theatre, offering new perspectives on its place in the cultural and social life of communities. Historically informed, it traces how amateur theatre has impacted national repertoires, contributed to diverse creative economies, and responded to changing patterns of labour. Based on extensive archival and ethnographic research, it traces the importance of amateur theatre to crafting places and the ways in which it sustains the creativity of amateur theatre over a lifetime. It asks: how does amateur theatre-making contribute to the twenty-first century amateur turn?
The threats from global cultural change and abandonment of traditional landscape management increased in the last half of the twentieth century and ten years into the twenty-first century show no signs of slowing down. Their impacts on global biodiversity and on people disconnected from their traditional landscapes pose real and serious economic and social problems which need to be addressed now. The End of Tradition conference held in Sheffield, UK, was organised by Ian D. Rotherham and colleagues. It addressed the fundamental issues of whether we can conserve the biodiversity of wonderful and iconic landscapes and reconnect people to their natural environment. And, if we can, how can we do so and make them relevant for the twenty-first century. The book is in two parts: Part 1. A History of Commons and Commons Management and Part 2. Commons: Current Management and Problems.
In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.
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The Architecture of Diplomacy reveals the complex interplay of architecture, politics, and power in the history of America's embassy-building program. Through colorful personalities, bizarre episodes, and high drama this compelling story takes readers from scandalous "inspection" junkets by members of Congress to bugged offices at the Moscow embassy to the daring rescue of American personnel in Somalia by Marines and Navy Seals. Rigorously researched and lucidly written, The Architecture of Diplomacy focuses on the embassy-building program during the Cold War years, when the United States initiated a massive construction campaign that would demonstrate its commitment to its allies and assert its presence as a superpower.
When Trauma Survivors Return to Work explains how managers and co-workers can help foster the process of understanding emotional recovery for employees who have been traumatized and are returning to work. No other source clearly and positively teaches managers and co-workers how to treat fellow workers returning to the workplace after experiencing a rape, a burglary, an armed assault, a violent accident, or witnessing a brutal crime. No one explains what to say to those who have just been told they have a terminal illness, or how to treat an employee whose close family member has committed suicide. It is not helpful for co-workers to deny such traumatic events or remain silent, which is what...
Burial Plots in British Detective Fiction offers an overview of the ways in which the past is brought back to the surface and influences the present in British detective fiction written between 1920 and 2020. Exploring a range of authors including Agatha Christie, Patricia Wentworth, Val McDermid, Sarah Caudwell, Georgette Heyer, Dorothy Dunnett, Jonathan Stroud and Ben Aaronovitch, Lisa Hopkins argues that both the literal and literary disinterment of the past use elements of the national past to interrogate the present. As such, in the texts discussed, uncovering the truth about an individual crime is also typically an uncovering of a more general connection between the present and the past. Whether detective novels explore murders on archaeological digs, hauntings, cold crimes or killings at Christmas, Hopkins explores the underlying message that you cannot understand the present unless you understand the past.