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Music in Java
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Theatre in Southeast Asia
An astonishing variety of theatrical performances may be seen in the eight countries of Southeast Asia-Burma, Cambodia, Indonesia, Laos, Malaysia, the Philippines, Thailand, and Vietnam. Brandon's lively, wide-ranging discussion points out interesting similarities and differences among the countries. Many of his photographs are included here.
The Shark Warrior of Alewai
The first anthropological monograph published on the Vula'a people of south-eastern Papua New Guinea, The Shark Warrior of Alewai considers oral histories and Western historical documents that cover a period of more than 200 years in the light of an ethnography of contemporary Christianity. Van Heekeren's phenomenology of Vula'a storytelling reveals how the life of one man, the Shark Warrior, comes to contain the identity of a people. Drawing on the philosophy of Martin Heidegger, she goes on to establish the essential continuities that underpin the reproduction of Vula'a identity, and to demonstrate how these give a distinctive form to Vula'a responses to historical change. In an approach that brings together the fields of Anthropology, History and Philosophy, the book questions conventional anthropological categories of exchange, gender and kinship, as well as the problematic dichotomization of myth and history, to argue for an anthropology grounded in ontology.
Kalangwan
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Oriental Memoirs
A literary exposition of the early 19th century India, with interesting account of social, cultural and religious life. These illustrated chronicles are valuable for conservation and restoration of some of the important historical buildings and monuments
The Epic Tale of Hiiakaikapoliopele
This ancient saga begins with the goddess Pele's migration to Kīlauea and her spirit's search for a lover. The story then details the quest of Pele's younger sister, Hi'iakaikapoliopele, to find the handsome Lohi'auipo, and bring him back to their crater home. It is a very human account of love and lust, jealousy and justice, peopled with deities, demons, chiefs and commoners. This version by Ho'oulumāhie-hie ran from 1905 to 1906 as a daily series in the Hawaiian-language newspaper Ka Na'i Aupuni. It is the most extensive form of the story ever documented, offering a wealth of detail and insights about social and religious practices, poetry and hula, healing arts, and many other Hawaiian customs.
Luh Ayu Manik Mas
While at the beach with her grandmother, a fierce monster emerges from the water and starts attacking people. It turns out that the monster was a harmless sea creature who has himself suffered from ingesting ocean plastic. Luh Ayu Manik Mas comes to help, but struggles with the ethics of slaying a monster who himself is a victim of human pollution.
