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Our Time of Day
‘I remember thinking if life had been different, I might have liked to have ended up with that man.’ Our Time of Day was inspired by Corin’s revelation that after suffering brain damage he could remember little of his marriage – despite the fact that for over thirty happy, passionate and turbulent years he and Kika had shared their love of acting, family and left-wing politics with ceaseless energy and commitment.With great empathy and wit, Kika records their lives on and off stage – two great actors from two theatrical families. She draws upon intimate records of the thoughts and feelings that they had both expressed in personal diaries, writing with often brutal honesty. Finally she charts the poignant trajectory of Corin’s illness, from the moment he suffered a near-fatal heart attack during a speech on behalf of the Dale Farm gypsies, to severe memory loss, cancer and his eventual death from an aneurysm in the brain. Throughout these troubled years both continued acting in plays and films, as well as strenuously pursuing the human rights causes they held so dear.
Armchair Theatre
None
The New Wave
Analyse van de "Nouvelle Vague", een stroming in de Franse film uit de jaren 1960-1970, gezien vanuit Amerikaans standpunt
Truffaut
Here is the definitive story of one of the most celebrated filmmakers of our time, an intensely private individual who cultivated the public image of a man consumed by his craft. But as this absorbing biography shows, Truffaut's personal story—from which he drew extensively to create the characters and plots of his films—is itself an extraordinary human drama.
François Truffaut and Friends
Drawing on "Jules and Jim" and other films by Francois Truffaut, the author provides an in-depth examination of the multifaceted relationship between Truffaut and Henri-Pierre Roche, the French writer and art collector. The book also moves beyond Truffaut's films to explore the intertwined lives and works of other famous artists and intellectuals.
Our Time of Day
‘I remember thinking if life had been different, I might have liked to have ended up with that man.’ Our Time of Day was inspired by Corin’s revelation that after suffering brain damage he could remember little of his marriage – despite the fact that for over thirty happy, passionate and turbulent years he and Kika had shared their love of acting, family and left-wing politics with ceaseless energy and commitment.With great empathy and wit, Kika records their lives on and off stage – two great actors from two theatrical families. She draws upon intimate records of the thoughts and feelings that they had both expressed in personal diaries, writing with often brutal honesty. Finally she charts the poignant trajectory of Corin’s illness, from the moment he suffered a near-fatal heart attack during a speech on behalf of the Dale Farm gypsies, to severe memory loss, cancer and his eventual death from an aneurysm in the brain. Throughout these troubled years both continued acting in plays and films, as well as strenuously pursuing the human rights causes they held so dear.
Jane Austen and Co.
Jane Austen and Co. explores the ways in which classical novels—particularly, but not exclusively, those of Jane Austen—have been transformed into artifacts of contemporary popular culture. Examining recent films, television shows, Internet sites, and even historical tours, the book turns from the question of Austen's contemporary appeal to a broader consideration of other late-twentieth-century remakes, including Dangerous Liaisons, Dracula, Lolita, and even Buffy the Vampire Slayer. Taken together, the essays in Jane Austen and Co. offer a wide-ranging model for understanding how all of these texts—visual, literary, touristic, British, American, French—reshape the past in the new fashions, styles, media, and desires of the present. Contributors include Virginia L. Blum, Mike Crang, Madeline Dobie, Denise Fulbrook, Deidre Lynch, Sarah Maza, Ruth Perry, Suzanne R. Pucci, Kristina Straub, James Thompson, Maureen Turim, and Martine Voiret.
The Movie Guide
From The Big Sleep to Babette's Feast, from Lawrence of Arabia to Drugstore Cowboy, The Movie Guide offers the inside word on 3,500 of the best motion pictures ever made. James Monaco is the president and founder of BASELINE, the world's leading supplier of information to the film and television industries. Among his previous books are The Encyclopedia of Film, American Film Now, and How to Read a Film.
Shopped
A funny and engaging story about the pursuit of style. 'I headed alone for Knightsbridge - a strange choice for a skint teenager - and it was there that I fell in love for the first time. The dress was little, black and slightly frou-frou, and I knew on sight that it was the one.' Ever wondered why you have three versions of the same top but want to buy another? Or why some shop mirrors are more flattering than others? And whether we really only wear 20 per cent of our wardrobe 80 per cent of the time? Emily Stott is passionate about high street fashion. Her Saturday morning shopping trips as a child led to jobs both on the shop floor and in the offices of upmarket stores. But it was while writing about fashion brands for magazines and simultaneously spying as a mystery shopper that she gained a whole new insight into fashion retail. Now a stylist, Emily Stott writes with warmth and wit on the pleasures of dressing up, the trials of growing up and learning how to shop for yourself. Full of insider knowledge, Shopped is a wonderfully entertaining memoir about a life of clothes. You'll never shop in the same way again.
1971
1971 was a great year for cinema. Woody Allen, Robert Altman, Dario Argento, Ingmar Bergman, Stanley Kubrick, Sergio Leone, George Lucas, Sam Peckinpah, Roman Polanski, Nicolas Roeg and Steven Spielberg, among many others, were behind the camera, while the stars were also out in force. Warren Beatty, Marlon Brando, Michael Caine, Julie Christie, Sean Connery, Faye Dunaway, Clint Eastwood, Jane Fonda, Dustin Hoffman, Steve McQueen, Jack Nicholson, Al Pacino and Vanessa Redgrave all featured in films released in 1971. The remarkable artistic flowering that came from the 'New Hollywood' of the '70s was just beginning, while the old guard was fading away and the new guard was taking over. With a decline in box office attendances by the end of the '60s, along with a genuine inability to come up with a reliable barometer of box office success, studio heads gave unprecedented freedom to young filmmakers to lead the way. Featuring interviews with cast and crew members, bestselling author Robert Sellers explores this landmark year in Hollywood and in Britain, when this new age was at its freshest, and where the transfer of power was felt most exhilaratingly.
