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Sites of the Spectator
The Spectator is a major figure of the French Enlightenment whose far-reaching significance has not been fully grasped. As a basic organising principle of culture production in France of the early and mid-eighteenth century, the Spectator is an intermediary figure residing between the ancien régime and France of the Revolution. This transitional moment can be read in - and, furthermore, was prepared by - the emergence of several new literary genres in which, paradoxically, a Spectator was allotted the principle role. This study traces the process in which the king's disenfranchised subjects, at first limited merely to looking on at the spectacle of royal authority and privilege, began to ev...
Jane Austen and Co.
Examines recent Austen remakes as well as other “post-heritage” films and television shows to show how the past is reshaped for a contemporary market.
Diderot and a Poetics of Science
This study explores the rhetorical and linguistic modes of discourse that articulate Diderot's theory and methodology of experimental science and philosophy. Diderot's focus, particularly in De l'Interpretation de la nature, on the importance of experimentation in the domain of nature's material reality necessarily poses the epistemological and literary problematic of representation whose textual resolutions and strategies constitute a poetics of science. The principle of nature is examined as textual referent, as image, as a complex weave of descriptive and narrative functions that organizes the operations of the experimenting, narrating and writing subjects. In restoring the dimensions of 18th-century epistemology and language theory to Diderot's proposals for experimental philosophy, this study provides a model for reading Diderot across the demarcations of philosophy, esthetics, language theory and fiction, raising issues central to the interdisciplinary concerns of modern critical inquiry."
Mansfield Park
In her notes and introduction to this final volume in Harvard's annotated Austen series, Deidre Shauna Lynch outlines the critical disagreements Mansfield Park has sparked and suggests that Austen's design in writing the novel was to highlight, not downplay, the conflicted feelings its plot and heroine can inspire.
The City and the Ocean
Throughout history cities have been locations of human encounter. Equally they have been contexts for the trade of goods and services, for the evolution of various forms of urban space, and for the production, development, and enrichment of culture and technology. Many cities grew up along shorelines, which themselves constitute some of the globe’s most important cultural boundaries. For above all else, it is water that has separated but also connected different communities, races, religions and nations, down through recorded time. With the rapid advance in technologies of communication, encounters between cultures have multiplied at a rate that no individual can follow or control. The pre...
Growing Up a Woman
This book explores contemporary transformations of the female Bildungsroman, showing that the intersection of the genre and gender brought to critical attention in the context of second wave feminism remains of equal importance in the era of postfeminism. The female Bildung narrative has acquired an important position in twentieth – and twenty-first century literature through its continuing depiction of female self-discovery and emancipation as a process of negotiating the traditional divisions of female and male roles in relation to the private and public spaces. Recognizing the seminal contribution of feminist criticism to the definition of the genre and the role of feminist cultural pro...
The Cinematic Jane Austen
Jane Austen’s novels are loved because they possess a comedic power that is often conveyed through the singular voice of the narrators. Film adaptations, however, have often been unsatisfactory because they lack or awkwardly render features, particularly the voice of the narrators. This work argues for a fresh approach that begins with a reading of the novels that emphasizes their auditory and visual dimensions. Building on their examination of Austen’s inherently cinematic features, the authors then develop productive new readings of the films. Instructors considering this book for use in a course may request an examination copy here.
Jane Austen in Context
A lively illustrated collection of short essays on a wide range of aspects of Austen's life, work and times.
Transmedia Storytelling
This volume charts the evolution of Pemberley Digital’s transmedia adaptations of nineteenth-century novels in order to interrogate the uneasy relationship between transmedia storytelling and consumer culture. It first examines two Austen-centered films, Lost in Austen and Austenland, that present “immersive” Austen experiences that anticipate Pemberley Digital’s transmedia adaptations, bridging traditional film adaptations and transmedia’s participatory culture. Subsequent chapters turn to Pemberley Digital’s transmedia adaptations of Austen’s and Shelley’s novels to argue that, although such adaptations may appear feminist in their emphasis on female protagonists, their larger narratives expose a subtext of anxiety about unstable gender roles, financial vulnerability, and the undervaluation of career-specific skill sets, both for the characters and the production company itself. The study provides a robust theoretical framework within which to read transmedia adaptations of “classic literature,” illuminating both the potential of, and the challenges facing, digital and transmedia storytellers and participants.
