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Three Kingdoms and Chinese Culture
This is the first book-length treatment in English of Three Kingdoms (Sanguo yanyi), often regarded as China's first great classical novel. Set in the historical period of the disunion (220–280 AD), Three Kingdoms fuses history and popular tradition to create a sweeping epic of heroism and political ambition. The essays in this volume explore the multifarious connections between Three Kingdoms and Chinese culture from a variety of disciplines, including history, literature, philosophy, art history, theater, cultural studies, and communications, demonstrating the diversity of backgrounds against which this novel can be studied. Some of the most memorable episodes and figures in Chinese lite...
The Magnitude of Ming
Few ideas in Chinese discourse are as ubiquitous as ming, variously understood as “command,” “allotted lifespan,” “fate,” or “life.” In the earliest days of Chinese writing, ming was already present, invoked in divinations and etched into ancient bronzes; it has continued to inscribe itself down to the twenty-first century in literature and film. This volume assembles twelve essays by some of the most eminent scholars currently working in Chinese studies to produce the first comprehensive study in English of ming’s broad web of meanings. The essays span the history of Chinese civilization and represent disciplines as varied as religion, philosophy, anthropology, literary st...
Text, Performance, and Gender in Chinese Literature and Music
Wilt Idema is one of the world's leading scholars and translators of Chinese literature, with research interests ranging from classical poetry to premodern fiction, performance literature and women's writing. His oeuvre is exceptional in its inclusiveness and its ability to let different historical periods, genres and issues speak to one another, and to make the riches of Chinese literature accessible to a wide range of readers. In honor of his work, this collection brings together new research by twenty-two prominent scholars in a field of tremendous scope and diversity, on topics including genre characteristics, literary representations of social and political history, gender and cultural identity, music, autobiography, women's writing, internet literature and more.
Knowledge and Text Production in an Age of Print: China, 900-1400
"The essays in this volume come mostly out of the conference, 'First Impressions: The Cultural History of Print in Imperial China (8th-14th centuries), ' that took place at the Fairbank Center for East Asian Research, Harvard University, June 25-27, 2007"--Acknowledgements.
Crossing Boundaries and Confounding Identity
Crossing Borders and Confounding Identity advances our understanding of the diversity of Chinese women's experiences and achievements, from the Han Dynasty to the present. With a particular emphasis on literature and the arts, the chapters offer insights into the work of current Chinese women artists as well as literary, historical, and cultural portrayals of women and women's issues. Taken together, they provide new perspectives on Chinese women, their lived experiences and fictional representations, across a broad spectrum of literature, theater, film, and the visual arts. Accessible to nonspecialists and general readers, this book will also be a valuable resource for faculty who teach Asian studies courses in history and in the humanities, as well as for students in interdisciplinary Asian studies courses.
Acting the Right Part
Acting the Right Part is a cultural history of huaju (modern Chinese drama) from 1966 to 1996. Xiaomei Chen situates her study both in the context of Chinese literary and cultural history and in the context of comparative drama and theater, cultural studies, and critical issues relevant to national theater worldwide. Following a discussion of the marginality of modern Chinese drama in relation to other genres, periods, and cultures, early chapters focus on the dynamic relationship between theater and revolution. Chosen during the Cultural Revolution as the exclusive artistic vehicle to promote proletariat art, "model theater" raises important questions about the complex relationships between women, memory, nation/state, revolution, and visual culture. Throughout this study, Chen argues that dramatic norms inform both theatrical performance and everyday political behavior in contemporary China.
Male Friendship in Ming China
This is the first interdisciplinary effort to study friendship in late imperial China from the perspective of gender history. Friendship was valorized with unprecedented enthusiasm in Ming China (1368-1644). Some Ming literati even proposed that friendship was the most fundamental relationship among the so-called “five cardinal human relationships”. Why the cult of friendship in Ming China? How was male friendship theorized, practiced and represented during that period? These are some of the questions the current volume deals with. Coming from different disciplines (history, musicology and literary studies), the contributors thoroughly explore the complexities and the gendered nature of friendship in Ming China. This volume has also been published as a special theme issue of Brill's journal NAN NÜ, Men, Women and Gender in China.
Theater and Society
Chinese spoken drama flourished in the 1980s when it generated a series of national controversies. In important respects, this was the golden age of drama in the People's Republic, as the stage became a most effective arena for exploring long suppressed cultural and political issues, constituting an indispensable dimension of the reform that has been altering the landscape of contemporary Chinese culture and society. The plays in this volume are among the most influential and controversial, having engendered intense cultural debate and political confrontations. They include the only complete English language translation of Bus Stop by Nobel Prize-winning author Gao Xingjian. The film script ...
Inscribing Jingju/Peking Opera
What was the most influential mass medium in China before the internet reaching both literate and illiterate audiences? The answer may surprise you...it’s Jingju (Peking opera). This book traces the tradition’s increasing textualization and the changes in authorship, copyright, performance rights, and textual fixation that accompanied those changes.
The Talent of Shu
The Talent of Shu reconstructs the intellectual world of early medieval Sichuan through a critical biography of Qiao Zhou, a noted classicist, historian, and official of Shu-Han. Countering conceptions of Sichuan as an intellectual backwater, author J. Michael Farmer provides an analytical narrative history of the significant intellectual and scholarly activity in the region during the late second through third centuries CE. Qiao Zhou stands as an apt figure to represent the intellectual world of third-century Sichuan. An heir to a long-standing regional intellectual tradition, he was trained in political prophesy, canonical studies, and ancient history, and in true Confucian fashion, employed these skills in the service of the state. While some of Qiao's scholarship, as well as his political engagement, was conservative, he also stands as an innovator in the fields of canonical and historical criticism and local history. As such, he embodies not only the scholarly tradition of Sichuan, but also the intellectual transitions of the age.
