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This volume gives voice to cultural institutions working with collections of Islamic art and material culture globally, including many from outside Western Europe and North America. The contributions inform a vibrant, ongoing global conversation around curatorship in this field, one that embraces the responsibilities, challenges and opportunities for those engaged in it. Contributors—including art historians, curators and education specialists—discuss curatorial methodologies in theoretical and practical terms, present new exhibitions of Islamic art and culture, and explore the role of educational and engagement practices related to Islamic collections and Muslim audiences.
"In the Western popular imagination, there is a singular association between Tantra and sex. But behind sensationalist stories of Tantric lovemaking lies a rich spiritual and textual tradition of which sexual union is only a small, and fiercely debated, part. In The Path of Desire, Hugh B. Urban takes us on an ethnographic journey to Assam, the heartland of Tantric practice in contemporary India, revealing the vibrant, dynamic lived tradition of Hindu Tantra. The Path of Desire expands our definition of kāma, a central concept of Tantra generally translated as "desire," to focus on mundane and worldly desires such as healing and childbearing. This more holistic notion of desire manifests itself in popular folk practice, which Urban categorizes in four forms: institutional Tantra, comprised of gurus, disciples, and esoteric rituals; public Tantra, involving offerings and temple celebrations; folk Tantra, focusing on practices of healing, protection, material wellbeing, and desire fulfillment; and pop Tantra, or how Tantra is portrayed in popular media such as paperbacks, comic books, and movies. The result is a nuanced understanding of Tantra as a diverse lived tradition"--
A Companion to Asian Art and Architecture presents a collection of 26 original essays from top scholars in the field that explore and critically examine various aspects of Asian art and architectural history. Brings together top international scholars of Asian art and architecture Represents the current state of the field while highlighting the wide range of scholarly approaches to Asian Art Features work on Korea and Southeast Asia, two regions often overlooked in a field that is often defined as India-China-Japan Explores the influences on Asian art of global and colonial interactions and of the diasporic communities in the US and UK Showcases a wide range of topics including imperial commissions, ancient tombs, gardens, monastic spaces, performances, and pilgrimages.
This pioneering book is the first full-length study of the matha, or Hindu monastery, which developed in India at the turn of the first millennium. Rendered monumentally in stone, the matha represented more than just an architectural innovation: it signaled the institutionalization of asceticism into a formalized monastic practice, as well as the emergence of the guru as an influential public figure. With entirely new primary research, Tamara I. Sears examines the architectural and archaeological histories of six little-known monasteries in Central India and reveals the relationships between political power, religion, and the production of sacred space. This important work of scholarship features scrupulous original measured drawings, providing a vast amount of new material and a much-needed contribution to the fields of Asian art, religious studies, and cultural history. In introducing new categories of architecture, this book illuminates the potential of buildings to reconfigure not only social and ritual relationships but also the fundamental ontology of the world.
Inspirational spiritual poetry, accompanied by beautiful Moghul paintings from India.
Published in conjunction with an exhibition held at the Metropolitan Museum of Art, New York, Sept. 28, 2011-Jan. 8, 2012.
In Arthur Upham Pope and A New Survey of Persian Art, fourteen scholars explore the legacy of Arthur Upham Pope (1881–1969) by tracing the formation of Persian art scholarship and connoisseurship during the twentieth century. Widely considered as a self-made scholar, curator, and entrepreneur, Pope was credited for establishing the basis of what we now categorize broadly as Persian art. His unrivalled professional achievement, together with his personal charisma, influenced the way in which many scholars and collectors worldwide came to understand the art, architecture and material culture of the Persian world. This ultimately resulted in the establishment of the aesthetic criteria for assessing the importance of cultural remains from modern-day Iran. With contributions by Lindsay Allen, Sheila S. Blair, Jonathan M. Bloom, Talinn Grigor, Robert Hillenbrand, Yuka Kadoi, Sumru Belger Krody, Judith A. Lerner, Kimberly Masteller, Cornelia Montgomery, Bernard O’Kane, Keelan Overton, Laura Weinstein, and Donald Whitcomb.
As one of the finest holdings of Indian art in the West, the Kronos Collections are particularly distinguished for paintings made between the sixteenth and early nineteenth centuries for the Indian royal courts in Rajasthan and the Punjab Hills. These outstanding works, many of which are published and illustrated here for the first time, are characterized by their brilliant colors and vivid, powerful depictions of scenes from Hindu epics, mystical legends, and courtly life. They also present a new way of seeking the divine through a form of personal devotion—known as bhakti—that had permeated India’s Hindu community. While explaining the gods, demons, lovers, fantastical creatures, and...
Iran is a country with a deep and complex history. Over several thousand years, Iran has been the source of numerous creative contributions to the spiritual and literary world, and the site of many remarkable manifestations of material culture. The special place that Iran has come to hold in contemporary historical events, most recently as a center stage actor in the unfolding and interconnected drama of worldwide nuclear arms proliferation and terrorism, is all the more reason to explore the characters and personality of Iran and Iranians. The A to Z of Iran is designed to give the reader a quick and understandable overview of specific events, movements, people, political and social groups, places, and trends. Through its extensive chronology, introduction, bibliography, appendixes, and more than double the number of cross-referenced dictionary entries as in the previous edition, the work allows for considerable exploration of a number of historical and contemporary topics and issues. In particular, the modern period, defined as 1800-present, is covered extensively.